1 00:00:01,584 --> 00:00:03,503 [indistinct chatter] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.LT 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.LT 4 00:00:15,598 --> 00:00:17,559 [excited chatter] 5 00:00:20,353 --> 00:00:24,065 [crowd chanting] Tap! Tap! Tap! Tap! Tap! Tap! Tap! 6 00:00:24,107 --> 00:00:27,277 Tap! Tap! Tap! Tap! Tap! 7 00:00:27,318 --> 00:00:29,279 Man, I put them up there with AC/DC, Motorheads. 8 00:00:29,362 --> 00:00:31,698 Spinal Tap is, you know, in the vortex. 9 00:00:31,781 --> 00:00:34,451 I listen to Tap, like, every night before I go to bed. 10 00:00:34,534 --> 00:00:37,078 [Marty] Really? You think that's calming? 11 00:00:37,120 --> 00:00:38,121 It's very calming. 12 00:00:38,204 --> 00:00:40,540 [chanting] Tap! Tap! Tap! 13 00:00:40,623 --> 00:00:42,625 Tap! Tap! Tap! 14 00:00:43,043 --> 00:00:46,588 Tap! Tap! Tap! Tap! Tap! 15 00:00:46,629 --> 00:00:49,049 Tap! Tap! Tap! 16 00:00:49,132 --> 00:00:51,926 Tap! Tap! Tap! 17 00:00:51,968 --> 00:00:54,304 [crowd cheering] 18 00:00:59,976 --> 00:01:02,145 [Marty] This is where it all happened, 19 00:01:02,187 --> 00:01:05,732 the site of Spinal Tap's reunion concert. 20 00:01:05,815 --> 00:01:08,568 Hi, I'm Marty DiBergi. 21 00:01:08,651 --> 00:01:11,905 Forty years ago, I was honored to direct a film called 22 00:01:11,988 --> 00:01:13,490 This is Spinal Tap. 23 00:01:13,573 --> 00:01:17,285 It chronicled what was to be Tap's final tour. 24 00:01:17,327 --> 00:01:19,454 But after the release of the film, 25 00:01:19,496 --> 00:01:22,999 Tap continued on and played such storied venues 26 00:01:23,083 --> 00:01:24,334 as Wembley Stadium. 27 00:01:24,417 --> 00:01:26,795 ♪ Where the demons dwell ♪ 28 00:01:26,836 --> 00:01:28,004 ♪ Where the banshees live ♪ 29 00:01:28,088 --> 00:01:29,089 Glastonbury. 30 00:01:29,172 --> 00:01:32,509 [rock music playing] 31 00:01:33,301 --> 00:01:35,178 And the Royal Albert Hall. 32 00:01:35,220 --> 00:01:37,764 ♪ Tonight, I'm gonna rock you ♪ 33 00:01:37,847 --> 00:01:39,348 Then, 15 years ago, 34 00:01:39,432 --> 00:01:41,184 lead guitarist Nigel Tufnel 35 00:01:41,267 --> 00:01:43,061 and David St. Hubbins, 36 00:01:43,144 --> 00:01:45,063 friends since childhood, 37 00:01:45,146 --> 00:01:48,358 mysteriously stopped talking to each other. 38 00:01:48,399 --> 00:01:52,695 And to the heartbreak of their loyal but shrinking fan base, 39 00:01:52,737 --> 00:01:54,447 Tap stopped performing. 40 00:01:54,531 --> 00:01:56,533 But I discovered that Hope Faith, 41 00:01:56,616 --> 00:01:59,994 the daughter of Tap's now deceased manager, Ian Faith, 42 00:02:00,036 --> 00:02:02,247 had inherited Tap's contract, 43 00:02:02,330 --> 00:02:04,457 which called for one more performance. 44 00:02:04,541 --> 00:02:07,377 When he passed away, were you surprised that he-- 45 00:02:07,460 --> 00:02:09,711 -Died? -Yeah, were you surprised? 46 00:02:09,753 --> 00:02:13,258 No. It's a miracle he lived as long as he did, to be honest. 47 00:02:13,341 --> 00:02:15,343 -Yeah, yeah, yeah. -Yeah. He was an angry man. 48 00:02:15,385 --> 00:02:18,972 [Ian] In the topsy-turvy world of heavy rock, 49 00:02:19,055 --> 00:02:23,143 having a good solid piece of wood in your hand is quite often useful. 50 00:02:23,226 --> 00:02:25,436 I mean, he didn't have much to leave me 51 00:02:25,520 --> 00:02:27,730 because when he died, there wasn't much of anything. 52 00:02:27,772 --> 00:02:30,567 But because I was next of kin, I got the contract, 53 00:02:30,608 --> 00:02:33,570 which I thought was pretty worthless, to be honest, no disrespect. 54 00:02:33,653 --> 00:02:35,572 The band hadn't played together for some time, 55 00:02:35,655 --> 00:02:37,281 so I just thought it was dead in the water. 56 00:02:37,365 --> 00:02:42,162 And then after the Garth Brooks song went viral... 57 00:02:42,245 --> 00:02:46,416 ♪ My baby fits me Like a flesh tuxedo ♪ 58 00:02:46,499 --> 00:02:51,004 ♪ He loves to sink me With his pink torpedo ♪ 59 00:02:51,087 --> 00:02:54,299 ♪ Big bottom, big bottom ♪ 60 00:02:54,382 --> 00:02:56,759 ♪ Talking about bum cakes ♪ 61 00:02:56,843 --> 00:02:58,595 ♪ Yeah, I got 'em ♪ 62 00:02:58,636 --> 00:03:01,931 So, I was like, "Oh, hang on, this isn't maybe worthless." 63 00:03:02,015 --> 00:03:03,141 [Marty] Hope was no fool. 64 00:03:03,224 --> 00:03:06,060 She knew a thing or two about hot irons 65 00:03:06,102 --> 00:03:07,312 and when to strike them. 66 00:03:07,395 --> 00:03:11,566 But hey, enough of my exposition. 67 00:03:12,025 --> 00:03:13,735 It's time to make some noise. 68 00:03:16,613 --> 00:03:19,199 ["All the Way Home" by Spinal Tap playing] 69 00:03:21,784 --> 00:03:26,789 ♪ Well, I'm sittin' here Besides the railroad track ♪ 70 00:03:27,248 --> 00:03:28,541 ♪ And I'm waiting For the train... ♪ 71 00:03:28,625 --> 00:03:30,501 [Marty] The first order of business, 72 00:03:30,585 --> 00:03:34,422 track down Nigel, David, and Derek. 73 00:03:34,464 --> 00:03:36,633 I found lead guitarist Nigel Tufnel 74 00:03:36,716 --> 00:03:40,303 living in the quaint village of Berwick-Upon-Tweed. 75 00:03:40,386 --> 00:03:42,472 He and his lady friend, Moira Babbage, 76 00:03:42,555 --> 00:03:45,642 were proprietors of a cheese and guitar shop. 77 00:03:45,725 --> 00:03:49,312 I'm just wondering why you chose this after the band broke up. 78 00:03:49,353 --> 00:03:51,814 Yeah, well, I thought, 79 00:03:51,898 --> 00:03:53,399 how do you make your life 80 00:03:53,483 --> 00:03:56,653 after rock and roll? Cheese. 81 00:03:56,694 --> 00:04:00,114 That's odd because you normally wouldn't think 82 00:04:00,156 --> 00:04:03,493 the rock and roll, now cheese. 83 00:04:03,576 --> 00:04:05,119 -Yeah. -You wouldn't think those-- 84 00:04:05,161 --> 00:04:06,955 Maybe not, but for me, it was. 85 00:04:06,996 --> 00:04:11,167 [Marty] And I see over there you have a number of guitars. 86 00:04:11,251 --> 00:04:13,336 -And you sell both? -Yes and no. 87 00:04:13,378 --> 00:04:16,505 Sometimes people come in with a guitar, you see? 88 00:04:16,547 --> 00:04:18,841 And they trade for cheese. 89 00:04:18,882 --> 00:04:20,343 -Really? -Yeah. 90 00:04:20,426 --> 00:04:22,387 -So, let's say-- -Sometimes it's the opposite. 91 00:04:22,470 --> 00:04:25,306 Sometimes people come in with cheese. 92 00:04:25,348 --> 00:04:27,141 -Yeah. -It goes both ways. 93 00:04:27,183 --> 00:04:28,559 What I do is I go like this 94 00:04:28,643 --> 00:04:32,814 because I trust my hands more than a scale. 95 00:04:32,855 --> 00:04:34,274 -I go like this. -Yeah. 96 00:04:34,357 --> 00:04:36,192 Then I go like this. Let's say... 97 00:04:36,234 --> 00:04:37,360 Yeah. 98 00:04:39,237 --> 00:04:41,281 -Close. Very close. -Yeah. 99 00:04:41,364 --> 00:04:42,907 So, a half a wheel of that cheese 100 00:04:42,991 --> 00:04:46,452 -would buy you that bass. -Trade it. Everyone's happy. 101 00:04:46,536 --> 00:04:48,913 Do you miss playing music? 102 00:04:48,997 --> 00:04:50,623 -I play music. -Where? 103 00:04:50,707 --> 00:04:51,207 At a pub. 104 00:04:51,291 --> 00:04:53,876 [Celtic music playing] 105 00:04:58,965 --> 00:05:02,343 [plays heavy rock note] 106 00:05:02,385 --> 00:05:04,345 [Marty] Do you miss playing with Spinal Tap? 107 00:05:04,387 --> 00:05:06,639 I don't miss the friction. 108 00:05:06,723 --> 00:05:10,393 You know, we had, um... friction. 109 00:05:10,476 --> 00:05:12,854 Yeah. Have you talked to David in the last 15 years? 110 00:05:12,895 --> 00:05:14,147 -I have not. No. -No? 111 00:05:14,230 --> 00:05:15,565 Or Derek. No, I haven't. 112 00:05:15,606 --> 00:05:17,400 -Really? -I haven't spoken to them at all. 113 00:05:17,483 --> 00:05:20,695 So, how do you feel after 15 years? 114 00:05:20,737 --> 00:05:22,780 I feel, um... 115 00:05:24,741 --> 00:05:25,950 nervous. 116 00:05:26,034 --> 00:05:27,994 Not about the playing bit. 117 00:05:28,077 --> 00:05:31,039 About the people part of it. 118 00:05:31,080 --> 00:05:32,248 -Yeah. -So. 119 00:05:32,332 --> 00:05:34,751 -Hello, love. Hello. -Hello. 120 00:05:34,792 --> 00:05:37,170 -And now, who's this? -This is Moira. 121 00:05:37,253 --> 00:05:38,254 -Oh, hi. -Nice to meet you. 122 00:05:38,338 --> 00:05:39,547 Nice to meet you. 123 00:05:39,589 --> 00:05:41,341 -And you work here with... -I do. 124 00:05:41,424 --> 00:05:44,218 You're standing where I was when I met him. 125 00:05:44,260 --> 00:05:45,261 Oh, you were a customer. 126 00:05:45,303 --> 00:05:47,305 She walked in, I saw her, 127 00:05:47,388 --> 00:05:50,475 and I thought, "Oh, my God." 128 00:05:50,558 --> 00:05:54,062 He gave me a piece of Wigmore, and it melted my heart. 129 00:05:54,103 --> 00:05:55,229 Oh, wow. 130 00:05:55,271 --> 00:05:56,939 It was so delicious. 131 00:05:57,023 --> 00:05:58,274 And I just got that feeling, 132 00:05:58,358 --> 00:06:00,777 you know, I want to... 133 00:06:00,860 --> 00:06:02,236 I want to, like, 134 00:06:02,278 --> 00:06:05,448 take off my clothes and stay forever. 135 00:06:05,490 --> 00:06:07,533 -Really? -And she did. 136 00:06:07,617 --> 00:06:09,410 So, that little piece of cheese... 137 00:06:09,452 --> 00:06:11,120 The Wigmore does it. 138 00:06:11,704 --> 00:06:13,790 [Marty] Lead guitarist David St. Hubbins 139 00:06:13,831 --> 00:06:16,417 was living in Morro Bay, California, 140 00:06:16,459 --> 00:06:18,336 and was still making music. 141 00:06:18,419 --> 00:06:20,630 -[singing in Spanish] -[band playing mariachi] 142 00:06:29,055 --> 00:06:31,057 [David] Would you like to see where the magic happens? 143 00:06:31,140 --> 00:06:32,016 [Marty] Yeah. 144 00:06:32,100 --> 00:06:33,476 -Wow. Wow. -Yeah. 145 00:06:33,558 --> 00:06:36,312 -Look at this. -This is incredible. 146 00:06:36,354 --> 00:06:37,814 This is where you do all your recording? 147 00:06:37,855 --> 00:06:40,233 -You do everything here? -Actually, I do it all there. 148 00:06:40,316 --> 00:06:41,317 -Oh, there. -Yeah. 149 00:06:41,359 --> 00:06:42,652 Everything in this studio 150 00:06:42,735 --> 00:06:45,571 would fit in this one's left hind leg. 151 00:06:45,655 --> 00:06:48,241 This is something I've been working on. 152 00:06:48,324 --> 00:06:50,451 This is for a podcast. 153 00:06:50,493 --> 00:06:51,786 It's one of those murder podcasts. 154 00:06:51,828 --> 00:06:54,705 -Oh, yeah. People love murder. -Yeah. They do. 155 00:06:54,789 --> 00:06:56,666 [Marty] They call it murder porn. 156 00:06:56,707 --> 00:06:59,210 [dramatic music over computer] 157 00:06:59,710 --> 00:07:01,671 [narrator] It was a day like any other. 158 00:07:01,754 --> 00:07:03,631 The sun was peeking through the Aspens 159 00:07:03,673 --> 00:07:06,467 in the quiet town of Silverton, Colorado. 160 00:07:06,926 --> 00:07:09,429 Joanne Miller was expected at the Skyview Diner 161 00:07:09,512 --> 00:07:11,514 to greet the breakfast crowd. 162 00:07:11,597 --> 00:07:13,683 However, on this brisk fall morning, 163 00:07:13,766 --> 00:07:16,102 Joanne Miller would never arrive 164 00:07:16,185 --> 00:07:17,812 to serve her hungry guests. 165 00:07:18,855 --> 00:07:20,314 But that's... 166 00:07:20,356 --> 00:07:22,066 the trouble with murder. 167 00:07:22,150 --> 00:07:24,694 -[police siren wailing] -So, you wrote the music... 168 00:07:24,777 --> 00:07:26,529 -Yeah. Yeah. -...for that podcast? 169 00:07:26,571 --> 00:07:27,864 -Yeah. -[turns siren off] 170 00:07:27,905 --> 00:07:29,699 So, you've been spending most of your time 171 00:07:29,782 --> 00:07:32,702 writing these scores, essentially, to the podcast? 172 00:07:32,784 --> 00:07:35,204 I'm just working on a score now for a film. 173 00:07:35,246 --> 00:07:36,414 -Oh, really? -Yeah. 174 00:07:36,497 --> 00:07:38,124 It's a horror film that takes place 175 00:07:38,207 --> 00:07:39,709 in a retirement community. 176 00:07:39,750 --> 00:07:42,378 It's called The Night of the Assisted Living Dead. 177 00:07:42,420 --> 00:07:43,629 -Yeah. -Yeah. 178 00:07:43,713 --> 00:07:45,923 I'll tell you what my biggest hit was. 179 00:07:46,007 --> 00:07:47,175 [chuckles] 180 00:07:47,216 --> 00:07:48,593 This is a little something. 181 00:07:48,676 --> 00:07:50,553 You're going to recognize it right away. 182 00:07:51,137 --> 00:07:52,722 [laid-back music playing] 183 00:07:52,805 --> 00:07:54,557 [automated voice] Your call is important to us, 184 00:07:54,640 --> 00:07:56,183 so please stay on the line. 185 00:07:56,225 --> 00:07:57,643 The first available operator 186 00:07:57,727 --> 00:07:59,854 will be happy to assist you. 187 00:08:03,149 --> 00:08:07,445 Your call is important to us, so please stay on the line. 188 00:08:07,528 --> 00:08:09,363 -That bit there. -Yeah. 189 00:08:09,405 --> 00:08:10,656 Favorite bit. 190 00:08:10,740 --> 00:08:12,909 [laid-back music continues] 191 00:08:13,951 --> 00:08:15,077 Oh, wow. 192 00:08:15,119 --> 00:08:16,245 It won a Holdy. 193 00:08:16,329 --> 00:08:17,538 -A Holdy? That's-- -Yeah. 194 00:08:17,580 --> 00:08:19,749 That's an award for hold on, you know... 195 00:08:19,790 --> 00:08:22,210 -Music for putting you on hold. -Putting you on hold music. 196 00:08:22,251 --> 00:08:25,630 Wow, that's interesting. You know, you haven't played together in 15 years. 197 00:08:25,713 --> 00:08:29,133 -Yeah. -And how do you feel about that? 198 00:08:29,217 --> 00:08:32,010 There was a stick in the spokes. Let's put it that way. 199 00:08:32,094 --> 00:08:35,431 There was a moment that I couldn't get over. 200 00:08:35,472 --> 00:08:38,476 And when Jeanine left, it all-- 201 00:08:38,558 --> 00:08:39,894 That all kind of came into focus. 202 00:08:39,936 --> 00:08:42,772 -Have you spoken to her since? -No. No. 203 00:08:42,855 --> 00:08:44,774 -Do you know where she is? -No. 204 00:08:44,857 --> 00:08:48,152 You know, I don't want to speak out of school, 205 00:08:48,236 --> 00:08:52,114 but I think you'd be surprised to find what happened to her. 206 00:08:52,156 --> 00:08:56,118 I'd just like to say that I hope she's found the right man. 207 00:08:56,494 --> 00:08:57,912 I didn't tell him about Jesus. 208 00:08:57,954 --> 00:09:00,623 I mean, I didn't want him to be jealous or anything. 209 00:09:00,706 --> 00:09:02,792 -[Marty] Yeah. -Because he might be. 210 00:09:02,875 --> 00:09:06,504 [Marty] A lot has happened since the last time I saw you. 211 00:09:06,587 --> 00:09:08,047 Can you tell me anything? 212 00:09:08,130 --> 00:09:09,173 What happened? 213 00:09:09,257 --> 00:09:10,675 We broke up, 214 00:09:10,758 --> 00:09:12,426 and I didn't know what to do. 215 00:09:12,468 --> 00:09:13,886 I had a nice cup of tea. 216 00:09:13,970 --> 00:09:17,139 -Right. -And as I'm having a cup of tea, 217 00:09:18,391 --> 00:09:22,478 I noticed this glow 218 00:09:22,520 --> 00:09:24,897 comes into the room, 219 00:09:25,898 --> 00:09:28,067 grows, 220 00:09:28,442 --> 00:09:31,153 almost like it grows inside me. 221 00:09:31,612 --> 00:09:35,783 And then... I hear this voice. 222 00:09:37,285 --> 00:09:39,120 This voice says to me, 223 00:09:39,161 --> 00:09:41,664 "Every breath you take, 224 00:09:42,415 --> 00:09:45,334 every move you make, 225 00:09:45,376 --> 00:09:46,460 I'll be watching you." 226 00:09:46,502 --> 00:09:49,171 That sounds like a-a-a song. 227 00:09:49,255 --> 00:09:50,423 Uh, The Police. 228 00:09:50,506 --> 00:09:52,633 That's a song that, uh... 229 00:09:52,675 --> 00:09:55,970 -Sting sings that in The Police. -Oh. 230 00:09:56,012 --> 00:09:57,305 Yeah. 231 00:09:57,346 --> 00:09:58,681 [Marty] Bass player Derek Smalls 232 00:09:58,764 --> 00:10:01,183 was living in London and became the curator 233 00:10:01,225 --> 00:10:04,687 and sole owner of a museum that featured glue 234 00:10:04,770 --> 00:10:07,607 from virtually every country in the world. 235 00:10:07,690 --> 00:10:09,734 Have you been playing music at all in the last-- 236 00:10:09,817 --> 00:10:12,737 Yes, I-I-I tried to organize a tour, 237 00:10:12,820 --> 00:10:16,324 and, uh, we had two symphony orchestras. 238 00:10:16,365 --> 00:10:17,366 [orchestral music playing] 239 00:10:17,408 --> 00:10:19,201 ♪ Hell toupee ♪ 240 00:10:21,704 --> 00:10:24,165 ♪ Hell toupee ♪ 241 00:10:24,665 --> 00:10:28,377 ♪ When it goes Old Satan knows ♪ 242 00:10:28,419 --> 00:10:31,881 ♪ There's hell toupee ♪ 243 00:10:31,964 --> 00:10:35,217 How long have you been running this glue museum? 244 00:10:35,301 --> 00:10:38,638 Glue had always been something that fascinated me. 245 00:10:38,721 --> 00:10:40,848 What keeps things together? 246 00:10:40,890 --> 00:10:43,934 -[both] Glue. -[Derek] What keeps people together? 247 00:10:44,018 --> 00:10:47,188 -[Marty] Glue. -[Derek] It's the adhesives of human behavior. 248 00:10:47,229 --> 00:10:50,483 I'm in a band that constantly is breaking apart 249 00:10:50,566 --> 00:10:51,817 and coming back together. 250 00:10:51,901 --> 00:10:54,570 -And you see yourself as... -Glue. 251 00:10:54,612 --> 00:10:56,405 -I want to show you something. -Okay. 252 00:10:56,489 --> 00:10:57,698 Come with me. 253 00:10:57,740 --> 00:10:59,575 Glue's made of all sorts of things. 254 00:10:59,617 --> 00:11:00,951 -Yeah. -Mainly animals 255 00:11:01,035 --> 00:11:04,622 in the first thousands of years, you know? 256 00:11:04,705 --> 00:11:08,751 This is from a tortoise in the Galapagos. 257 00:11:08,834 --> 00:11:12,922 You cannot get glue from a tortoise anymore. 258 00:11:12,963 --> 00:11:15,341 Oh, what is it, like outlawed or something? 259 00:11:15,424 --> 00:11:17,093 I think it's a union thing. 260 00:11:17,134 --> 00:11:22,515 This is the most valuable glue on this continent. 261 00:11:22,598 --> 00:11:23,933 Smell this. 262 00:11:24,308 --> 00:11:26,268 -Can you smell that? -Wow, that's very powerful. 263 00:11:26,352 --> 00:11:30,439 Yeah, you cannot get this. You cannot make this anymore. 264 00:11:30,481 --> 00:11:32,066 [sniffs] 265 00:11:32,441 --> 00:11:33,818 Oh! 266 00:11:36,112 --> 00:11:37,446 Is it... 267 00:11:37,530 --> 00:11:38,823 [snorts] 268 00:11:39,281 --> 00:11:41,492 Can you...? You can't get... Can you try...? 269 00:11:41,575 --> 00:11:42,660 You can't get that out? 270 00:11:42,743 --> 00:11:44,286 -No. -Uh-oh. 271 00:11:44,328 --> 00:11:45,579 Vivian! 272 00:11:45,621 --> 00:11:46,956 Can you bring some solvent, please? 273 00:11:46,997 --> 00:11:49,834 -Can we keep talking? -Yeah, okay. 274 00:11:49,917 --> 00:11:52,128 The band hasn't played together in 15 years. 275 00:11:52,169 --> 00:11:55,965 Do you have any idea what caused the rift? 276 00:11:56,006 --> 00:12:00,594 I was a representative of a cryptocurrency. 277 00:12:00,636 --> 00:12:01,762 [hard rock music playing] 278 00:12:01,804 --> 00:12:03,639 Hi, Derek Smalls here. 279 00:12:03,681 --> 00:12:05,433 Like everyone else in rock, 280 00:12:05,474 --> 00:12:07,101 I know a little bit about money, 281 00:12:07,143 --> 00:12:10,521 especially the newest kind of money, crypto. 282 00:12:10,604 --> 00:12:14,817 Everyone knows Peter Bruegel is a painter of great masterpieces. 283 00:12:14,859 --> 00:12:17,862 Now you can have the artist at BruegelCoin 284 00:12:17,945 --> 00:12:20,781 paint a masterpiece for your portfolio. 285 00:12:20,823 --> 00:12:24,243 I mean, I feel a little guilty about this. 286 00:12:24,326 --> 00:12:28,122 -I got David and Nigel to invest in it. -Oh. 287 00:12:28,164 --> 00:12:31,917 And maybe there's some bad feeling about that 288 00:12:32,001 --> 00:12:35,337 because it went-- It's worth zero. 289 00:12:35,838 --> 00:12:39,133 [Marty] So, for the first time in 15 years, 290 00:12:39,175 --> 00:12:42,094 David, Nigel, and Derek would meet again 291 00:12:42,178 --> 00:12:45,806 in the home of jazz, blues, and gumbo, 292 00:12:45,848 --> 00:12:47,850 the Big Easy, New Orleans. 293 00:12:47,892 --> 00:12:49,393 [jazzy music playing] 294 00:12:51,854 --> 00:12:53,773 [David] We're in the French Quarter now. 295 00:12:53,856 --> 00:12:55,065 We could do the ghost tour. 296 00:12:55,149 --> 00:12:58,068 The ghost tour. That might be fun. 297 00:12:58,152 --> 00:13:00,279 -But at night. -No, you don't do it in the day. 298 00:13:00,362 --> 00:13:03,699 -It'd scare me in the daytime. -In the daytime, ghosts are just rumors. 299 00:13:03,783 --> 00:13:05,201 [car door closes] 300 00:13:05,284 --> 00:13:07,870 -[Derek] Who's that? -[David] Who do you think it is? 301 00:13:07,912 --> 00:13:09,121 -[Derek] Oh. -[David] Have you seen him? 302 00:13:09,205 --> 00:13:11,999 [Derek] I got a postcard from him one Christmas. 303 00:13:12,041 --> 00:13:14,877 [David] Really? It's more than I got. 304 00:13:16,337 --> 00:13:17,630 Hello. 305 00:13:17,713 --> 00:13:19,673 -Hello. -[David] All good? 306 00:13:19,715 --> 00:13:21,717 Yeah. Long flight. 307 00:13:21,759 --> 00:13:23,302 [David] Yeah? 308 00:13:23,385 --> 00:13:24,553 Shut the door. 309 00:13:24,595 --> 00:13:26,388 [door closes] 310 00:13:26,472 --> 00:13:28,057 [sighs] 311 00:13:28,599 --> 00:13:29,892 There you are. 312 00:13:29,934 --> 00:13:31,727 Yeah. We're here. 313 00:13:31,811 --> 00:13:33,145 Hey, mate. 314 00:13:34,730 --> 00:13:37,358 This is quite a thing, isn't it? 315 00:13:37,399 --> 00:13:38,901 [cell phone rings] 316 00:13:40,444 --> 00:13:41,904 Excuse me. 317 00:13:43,572 --> 00:13:45,825 Hello, love. How are you doing? 318 00:13:45,908 --> 00:13:48,244 [Moira over phone] Hello. How are you? 319 00:13:48,285 --> 00:13:49,411 Oh, it's weird. 320 00:13:50,329 --> 00:13:52,414 -I'm off. -Yeah. 321 00:13:52,456 --> 00:13:54,083 I'll see you in a bit. 322 00:13:55,251 --> 00:13:59,296 It's very strange being without you and so far away. 323 00:13:59,380 --> 00:14:00,589 You know, it's... 324 00:14:00,673 --> 00:14:02,424 Have you met the others yet? 325 00:14:02,508 --> 00:14:03,843 [Nigel] Um... 326 00:14:04,426 --> 00:14:06,762 Just... Excuse me. 327 00:14:06,846 --> 00:14:09,223 Yeah. David's just coming through. 328 00:14:09,974 --> 00:14:12,560 [footsteps ascending] 329 00:14:13,143 --> 00:14:15,604 Don't know if this was a good idea or not. 330 00:14:15,646 --> 00:14:17,439 I just don't know. 331 00:14:17,523 --> 00:14:18,649 Give it time. 332 00:14:18,732 --> 00:14:20,442 [David] Do we have any towels? 333 00:14:21,652 --> 00:14:23,821 Do we have any towels? 334 00:14:23,904 --> 00:14:25,906 [Nigel] You know, it's so strange. 335 00:14:25,948 --> 00:14:28,158 I knew him when I was five years old. 336 00:14:28,242 --> 00:14:31,829 How was it last time you'd met? Was it fine the last time? 337 00:14:31,912 --> 00:14:34,915 No, it was-- It got a little tense, you know, 338 00:14:34,957 --> 00:14:37,084 when we did the last few gigs. 339 00:14:37,126 --> 00:14:39,837 I would say, "What's going on?" 340 00:14:39,920 --> 00:14:44,133 And he'd say, "As if you don't know," he said. 341 00:14:44,717 --> 00:14:46,093 Mm-hmm. 342 00:14:46,802 --> 00:14:49,471 Dora died, finally. 343 00:14:49,513 --> 00:14:50,890 No. 344 00:14:50,973 --> 00:14:53,475 So, we'll be selling a lot less Stilton. 345 00:14:53,559 --> 00:14:55,477 Oh, no. 346 00:14:55,561 --> 00:14:57,396 For years, the band had... 347 00:14:57,479 --> 00:15:01,650 Bobbi Flekman was their publicist, their PR person. 348 00:15:01,734 --> 00:15:04,820 -She was, yeah. -And, uh, you know, 349 00:15:04,904 --> 00:15:07,781 I'm just curious why you didn't reach out to her. 350 00:15:07,823 --> 00:15:08,949 I did reach out to her. 351 00:15:08,991 --> 00:15:10,492 -Oh, yeah? -A lot. 352 00:15:10,534 --> 00:15:11,577 She's busy. 353 00:15:11,660 --> 00:15:14,830 Listen to me. I still have PTSD 354 00:15:14,872 --> 00:15:16,916 from that Smell the Glove tour. 355 00:15:16,999 --> 00:15:19,585 -Oh. -It was so painful for me. 356 00:15:19,668 --> 00:15:21,503 -Right. -I can't even tell-- 357 00:15:21,545 --> 00:15:22,713 I became Buddhist. 358 00:15:22,796 --> 00:15:25,090 Hey, hey, hey. Here they are. 359 00:15:25,174 --> 00:15:27,635 -[David] Hello. How are you? -Hello! 360 00:15:27,676 --> 00:15:29,011 -Hi. -Good to see you, sweetie. 361 00:15:29,053 --> 00:15:31,055 [Marty] I understand Hope hired you 362 00:15:31,138 --> 00:15:32,681 to help promote the concert. 363 00:15:32,723 --> 00:15:33,807 How is that going? 364 00:15:33,849 --> 00:15:35,684 I would say I'm working 365 00:15:35,726 --> 00:15:38,771 as smoothly with Hope as with anyone I've ever worked with. 366 00:15:38,854 --> 00:15:40,022 -Really? -Yes. 367 00:15:40,105 --> 00:15:41,899 She's sort of... She's... 368 00:15:41,982 --> 00:15:43,192 Bless her, she's, you know, 369 00:15:43,275 --> 00:15:45,069 tremendously out of her depth. 370 00:15:45,152 --> 00:15:47,363 Um, and that's lovely, because, you know, 371 00:15:47,446 --> 00:15:49,531 it gives her the opportunity to grow as a person, 372 00:15:49,573 --> 00:15:52,368 and it gives me the opportunity to take advantage. 373 00:15:52,409 --> 00:15:54,620 Tomorrow, we're auditioning drummers. 374 00:15:54,703 --> 00:15:58,082 -Oh, yeah. -[Hope] We've lined up some more auditions. 375 00:15:58,165 --> 00:16:01,001 -That's a sore subject, innit? -[David] Yeah. 376 00:16:01,043 --> 00:16:02,753 For obvious reasons, there is some reluctance 377 00:16:02,836 --> 00:16:04,046 amongst the drumming community... 378 00:16:04,088 --> 00:16:05,130 -[David] We understand. -...to engage. 379 00:16:05,214 --> 00:16:06,882 -Yes. -We have actually started 380 00:16:06,924 --> 00:16:08,217 to put out advertisements 381 00:16:08,258 --> 00:16:10,761 that don't name the band at all 382 00:16:10,844 --> 00:16:12,262 in the hope that, you know, 383 00:16:12,346 --> 00:16:14,974 we can slowly walk people towards the position of being-- 384 00:16:15,057 --> 00:16:17,101 It's like a sneak gig. I like the way he thinks. 385 00:16:17,184 --> 00:16:20,729 The other guy was Artie Fufkin, who was their A&R guy. 386 00:16:20,771 --> 00:16:24,566 I mean, he was the guy who promoted their albums and all. 387 00:16:24,608 --> 00:16:28,070 He was great. And, again, he didn't want to know. 388 00:16:28,153 --> 00:16:30,864 Yeah, well, I was able to find him. 389 00:16:30,906 --> 00:16:32,032 -No way. -Yes. 390 00:16:32,074 --> 00:16:34,034 I was able to track him down. 391 00:16:34,076 --> 00:16:36,245 And he's gone in a completely different direction. 392 00:16:36,328 --> 00:16:38,455 [Artie] The whole industry had collapsed. 393 00:16:38,539 --> 00:16:40,833 -Yeah. Yeah. -You know, with the streaming 394 00:16:40,915 --> 00:16:42,835 and the thing, and the whatever, YouTube. 395 00:16:42,918 --> 00:16:45,129 How did you wind up with this? 396 00:16:45,212 --> 00:16:47,923 I woke up in the middle of the night, and I said... 397 00:16:48,007 --> 00:16:49,758 Two words were on my brain. 398 00:16:49,842 --> 00:16:51,260 "Dancing inflatables." 399 00:16:51,343 --> 00:16:54,138 If this is the final gig that Spinal Tap do, 400 00:16:54,221 --> 00:16:57,099 then what we need to do is secure your legacy. 401 00:16:57,182 --> 00:16:59,560 Now, the simplest, most effective way 402 00:16:59,601 --> 00:17:03,022 that we could do that is that if during the gig, 403 00:17:03,105 --> 00:17:05,648 at least one, but ideally no more than two of you, 404 00:17:05,733 --> 00:17:06,608 were to die. 405 00:17:07,901 --> 00:17:10,237 Uh, that's what I call the Elvis effect. 406 00:17:10,279 --> 00:17:12,781 It really allows for a sort of late flowering of... 407 00:17:12,865 --> 00:17:15,992 Do you mean pretend die? 408 00:17:16,076 --> 00:17:17,953 I think that would complicate matters. 409 00:17:18,037 --> 00:17:20,122 It's easier if you just... 410 00:17:20,204 --> 00:17:22,165 -[Derek] If we just expire? -If the exertion-- Expire. 411 00:17:22,249 --> 00:17:24,460 -Do you mean actually die? -Yes. 412 00:17:24,542 --> 00:17:27,921 -Yeah, but I don't want to. -That's a bit hard to arrange. 413 00:17:27,963 --> 00:17:29,381 [Simon] No, no, no, I appreciate that, 414 00:17:29,465 --> 00:17:32,593 but I think in terms of your legacy going forward, 415 00:17:32,634 --> 00:17:35,471 how you'll be remembered, how you'll be talked about, 416 00:17:35,554 --> 00:17:38,390 what effect that will have on record sales. 417 00:17:38,474 --> 00:17:41,351 I'm thinking documentaries, a huge memorial concert. 418 00:17:41,435 --> 00:17:43,812 You can do that without actually killing one of us, though. 419 00:17:43,854 --> 00:17:47,107 It's difficult to do a memorial concert when the person's alive. 420 00:17:47,149 --> 00:17:48,984 That's a sort of rule of thumb. 421 00:17:49,068 --> 00:17:52,071 [David] Would you settle for a coma? 422 00:17:52,154 --> 00:17:53,989 -Oh, now that's interesting. -[David] You know... 423 00:17:54,031 --> 00:17:56,033 Oh, now, David, that's interesting. 424 00:17:56,116 --> 00:17:58,077 That's a great bit of thinking outside, well, 425 00:17:58,160 --> 00:18:00,579 the literal box, I suppose, actually. 426 00:18:01,038 --> 00:18:02,414 [Simon] So, we have a few drummers lined up. 427 00:18:02,498 --> 00:18:04,333 [Hope] Some on Zoom, some in the room. 428 00:18:04,416 --> 00:18:06,585 Before we shut down your drummer, 429 00:18:06,668 --> 00:18:08,003 what happened to him? 430 00:18:08,087 --> 00:18:10,172 -Oh, Skippy. Sad. -Skippy. 431 00:18:10,255 --> 00:18:12,966 Yeah, really sad. Yeah, Skippy Skuffleton. 432 00:18:13,008 --> 00:18:15,260 He sneezed himself into oblivion. 433 00:18:15,344 --> 00:18:18,347 -What? -He had a terrible sneezing thing. 434 00:18:18,388 --> 00:18:21,600 -And he couldn't stop sneezing. -A sneezing fit. 435 00:18:21,683 --> 00:18:22,351 -Yeah. -Fit. 436 00:18:22,392 --> 00:18:24,645 -And it wouldn't stop. -No. 437 00:18:24,686 --> 00:18:26,939 -And he died. -Yeah. 438 00:18:27,022 --> 00:18:28,357 Is that medically possible? 439 00:18:28,440 --> 00:18:31,026 Well, we think that it was because he was allergic 440 00:18:31,110 --> 00:18:32,945 to the seeds inside the maracas. 441 00:18:33,028 --> 00:18:34,404 -He'd never played maracas. -Yeah. 442 00:18:34,488 --> 00:18:36,490 We wanted him to put maracas on a track. 443 00:18:36,532 --> 00:18:39,284 -But no one really knows. -Well, that's my theory anyway. 444 00:18:39,368 --> 00:18:41,328 Because it's all of a sudden... 445 00:18:41,370 --> 00:18:44,123 The important thing is he's dead. 446 00:18:45,040 --> 00:18:46,750 [Hope] Here we are, yeah. 447 00:18:47,167 --> 00:18:49,086 [David] So, how'd you find this place? 448 00:18:49,169 --> 00:18:50,337 [Derek] Wow, look at that. 449 00:18:50,379 --> 00:18:52,381 Well, there's only one in New Orleans. 450 00:18:52,422 --> 00:18:54,383 -Really? It's very homey. -This is the best one. 451 00:18:54,466 --> 00:18:56,927 If it's the only one, it'd better be the best one. 452 00:18:57,010 --> 00:19:00,430 -[Simon] Of course. Logically, it is. -[David] Very nice. Indeed. 453 00:19:00,514 --> 00:19:03,517 -Here we go. This is your new room. -This is nice. Isn't this nice? 454 00:19:03,559 --> 00:19:06,812 -[Nigel] This is all for us then? -[Simon] All for you. 455 00:19:07,187 --> 00:19:10,524 -[David] This is great. -Amazing. It's crazy. 456 00:19:10,566 --> 00:19:12,401 -This is very homey. I like it. -[Hope] Yeah. 457 00:19:12,442 --> 00:19:14,611 [David] The acoustics seem all right. 458 00:19:14,695 --> 00:19:16,321 -[Hope] Good. -[David] We're in business. 459 00:19:16,405 --> 00:19:19,283 I think we've got what we need, it looks like. 460 00:19:19,366 --> 00:19:21,827 -[Nigel] Hello, hello, hello! -[Derek] Sounds like a studio. 461 00:19:21,910 --> 00:19:23,579 -Give me an A. A. -[Derek] Huh? 462 00:19:23,620 --> 00:19:25,998 [all] ♪ A ♪ 463 00:19:26,415 --> 00:19:31,128 ♪ When I first laid eyes On County Dunne ♪ 464 00:19:31,211 --> 00:19:35,716 ♪ I was green As the hill so high ♪ 465 00:19:35,757 --> 00:19:40,637 ♪ But in later years The streets ran red ♪ 466 00:19:40,721 --> 00:19:45,475 ♪ With blood 'Neath the violet sky ♪ 467 00:19:45,559 --> 00:19:50,063 ♪ I loved me a lass Whose hair was long ♪ 468 00:19:50,105 --> 00:19:54,693 ♪ And brown As the finest stew ♪ 469 00:19:54,776 --> 00:19:59,823 ♪ And she swore by the stars In the jet-black night ♪ 470 00:19:59,907 --> 00:20:01,241 ♪ She'd be true ♪ 471 00:20:01,283 --> 00:20:05,871 ♪ As the sky so blue ♪ 472 00:20:05,954 --> 00:20:06,830 [clicks tongue] Nice. 473 00:20:06,914 --> 00:20:08,165 [David] Yeah, okay. 474 00:20:08,248 --> 00:20:10,167 You're not gonna do that on stage, though. 475 00:20:10,250 --> 00:20:11,585 [Simon] Cards on the table, 476 00:20:11,627 --> 00:20:13,462 the music industry have always hated me. 477 00:20:13,503 --> 00:20:16,256 They've always hated me, and a lot of that is jealousy. 478 00:20:16,298 --> 00:20:19,343 Um, but what they perceive as my "weakness," 479 00:20:19,426 --> 00:20:20,636 you know, is my superpower 480 00:20:20,719 --> 00:20:23,722 in that I don't give a shit about music. 481 00:20:23,805 --> 00:20:27,476 The reason for that is I suffer from a medical condition, 482 00:20:27,559 --> 00:20:30,187 um, called St. Cecilia's Curse, 483 00:20:30,270 --> 00:20:32,648 which means that I can't process music. 484 00:20:32,731 --> 00:20:35,400 So, I can't hear it, and I can't replicate it. 485 00:20:35,484 --> 00:20:37,319 So, ask me to sing any song. Name a song. 486 00:20:37,402 --> 00:20:39,112 Uh, "Happy Birthday to You." 487 00:20:39,154 --> 00:20:41,281 I can't sing it. Name another one. 488 00:20:41,323 --> 00:20:42,491 "The Best Things in Life Are Free." 489 00:20:42,532 --> 00:20:44,701 I can't sing it. You see, it's a curse. 490 00:20:44,785 --> 00:20:46,912 [David] We're gonna run the track by you. 491 00:20:46,995 --> 00:20:48,163 [Nigel] Yeah, have fun. 492 00:20:48,205 --> 00:20:50,707 We've stripped the actual drummer out. 493 00:20:50,791 --> 00:20:51,833 He's dead anyway. 494 00:20:51,917 --> 00:20:53,877 So, just thought you might 495 00:20:53,961 --> 00:20:56,338 -just give it a fly, you know. -[drummer] All right. 496 00:20:56,380 --> 00:20:59,549 ["Tonight I'm Gonna Rock You Tonight" playing] 497 00:21:08,850 --> 00:21:10,769 [playing discordantly] 498 00:21:19,278 --> 00:21:20,654 [percussion thudding] 499 00:21:28,370 --> 00:21:29,579 -Wow, um... -Uh, that was... 500 00:21:29,663 --> 00:21:31,540 -[Derek] Thank you. -Thank you. 501 00:21:31,581 --> 00:21:33,750 [Hope] I'm gonna try and sort some cleaning stuff out. 502 00:21:33,834 --> 00:21:35,502 -[David] Is he coming this way? -[Derek] Yeah. 503 00:21:35,544 --> 00:21:38,338 -We need someone who can-- -Hey, guys. 504 00:21:38,380 --> 00:21:40,507 We have Questlove on the line in the other room. 505 00:21:40,549 --> 00:21:42,551 -This might solve our problems. -Okay. 506 00:21:42,634 --> 00:21:44,261 Oh, here they are. Here they are. 507 00:21:44,344 --> 00:21:45,721 This is Spinal Tap. 508 00:21:45,804 --> 00:21:48,056 He's come back to us about the audition. 509 00:21:48,098 --> 00:21:49,725 Very nice. Yeah, very nice. 510 00:21:49,808 --> 00:21:52,644 -[groans] Oh, yeah. -Look who it is. Look who you are. 511 00:21:52,728 --> 00:21:54,646 -It's a pleasure to meet you. -How are you, guys? 512 00:21:54,730 --> 00:21:57,774 Good. Thank you for coming. Thank you for considering us. 513 00:21:57,858 --> 00:22:00,235 It's my pleasure. You guys are legends. 514 00:22:00,277 --> 00:22:03,155 [Nigel] Thank you. Well, so are you as well. 515 00:22:03,238 --> 00:22:05,574 So, you think you might fill the bill? 516 00:22:06,867 --> 00:22:07,826 You know, guys, 517 00:22:07,909 --> 00:22:09,119 uh... 518 00:22:09,202 --> 00:22:10,746 I have a colonoscopy to do, 519 00:22:10,829 --> 00:22:13,332 -so I don't know if I can do it. -[Derek] Ouch. 520 00:22:13,415 --> 00:22:15,709 What if we got an extra comfy stool for you? 521 00:22:15,751 --> 00:22:21,089 Guys, look, yes, you're legendary, but... 522 00:22:21,173 --> 00:22:23,342 I-I don't wanna die. 523 00:22:23,425 --> 00:22:25,761 -Not legendary enough. -Okay. All right. 524 00:22:25,802 --> 00:22:28,430 Okay, well, we've got to respect that. 525 00:22:28,472 --> 00:22:30,223 I-I would love to. 526 00:22:30,265 --> 00:22:32,434 I'm still doing the Chili Peppers. 527 00:22:32,517 --> 00:22:34,186 Yes, you are. We know, yeah. 528 00:22:34,269 --> 00:22:36,396 But it's a dangerous, dangerous, 529 00:22:36,438 --> 00:22:38,148 you know, gig for a drummer. 530 00:22:38,231 --> 00:22:40,108 We've only lost 11 or 12... 531 00:22:40,192 --> 00:22:41,693 -Eleven. -Eleven drummers. 532 00:22:41,777 --> 00:22:44,446 You know what? I got the guy for you. 533 00:22:44,488 --> 00:22:46,281 -[David] Who's that? -Lars. 534 00:22:46,323 --> 00:22:48,325 Lars from Metallica. 535 00:22:48,408 --> 00:22:50,744 -Lars Ulrich? -Yes. 536 00:22:50,786 --> 00:22:52,788 -He's good. -He's a great drummer. 537 00:22:52,871 --> 00:22:55,665 [David] How are you, Lars? Good to see you. 538 00:22:55,749 --> 00:22:58,460 Hope Faith. Do you remember... Do you remember Ian Faith, 539 00:22:58,502 --> 00:23:01,630 our manager from years back? That's his daughter. 540 00:23:01,671 --> 00:23:03,256 -[Hope] I'm Ian's daughter. -[David] That's right. 541 00:23:03,298 --> 00:23:05,050 How's your dad holding up? 542 00:23:05,133 --> 00:23:06,676 -My dad is dead. -Yeah. 543 00:23:06,760 --> 00:23:08,845 -He's not holding up at all. -So, he's holding down. 544 00:23:08,929 --> 00:23:11,473 [David] Yeah, so anyway, we've got this one gig. 545 00:23:11,515 --> 00:23:14,643 We're still short a drummer because things happen. 546 00:23:14,726 --> 00:23:17,020 That's very kind of you, though. Uh, this... 547 00:23:17,104 --> 00:23:19,314 So, this Metallica thing... 548 00:23:19,815 --> 00:23:21,691 We're a couple-- Four decades into it. 549 00:23:21,775 --> 00:23:23,777 You don't need to leave Metallica. 550 00:23:23,819 --> 00:23:25,821 -You can stay in Metallica. -It's just one gig, yeah. 551 00:23:25,862 --> 00:23:27,614 If they can find someone else for a night. 552 00:23:27,656 --> 00:23:29,491 -It's just one night. -It's one night. 553 00:23:29,574 --> 00:23:32,619 I have, however, heard, 554 00:23:32,661 --> 00:23:37,499 uh, that Chad Smith, the Red Hot Chili Peppers, 555 00:23:37,541 --> 00:23:39,334 I don't know if you've heard of Chad. 556 00:23:39,376 --> 00:23:41,878 I believe he may be looking for a gig. 557 00:23:41,962 --> 00:23:44,840 My question to you, really, is, having seen everybody... 558 00:23:44,923 --> 00:23:47,342 -[Derek] Yeah. -...do you need a drummer? 559 00:23:47,843 --> 00:23:50,595 [Hope] It's a rock band. No rock band doesn't have a drummer. 560 00:23:50,679 --> 00:23:53,306 -Yeah. -[Simon] I've put together 19 bands, 561 00:23:53,348 --> 00:23:55,517 three of whom have had number one hits. 562 00:23:55,559 --> 00:23:57,769 Not one of those people played an instrument. 563 00:23:57,853 --> 00:24:00,147 [woman] Thank you so much for having me. 564 00:24:00,188 --> 00:24:01,815 We got one more. We got one more. 565 00:24:01,857 --> 00:24:03,859 -Hi! -[David] Good to know. Hello. 566 00:24:03,900 --> 00:24:05,986 -Hi, everyone. -Hi. We spoke on the phone. 567 00:24:06,027 --> 00:24:08,613 -Hi. Didi, yeah? -How are you? Yeah, that's me. 568 00:24:08,697 --> 00:24:10,615 -I'm Simon. Nice to meet you. -Hi, Simon. Such a pleasure. 569 00:24:10,699 --> 00:24:12,367 -[David] What's your name? -Didi. 570 00:24:12,409 --> 00:24:14,578 -Didi. Hello. -Hi, such a pleasure. 571 00:24:14,661 --> 00:24:15,704 -Hello, Didi. -[David] And Derek. 572 00:24:15,787 --> 00:24:18,206 Hi, Derek. Wow, I can't believe... 573 00:24:18,248 --> 00:24:19,708 -Nigel. Yeah. -Hi. 574 00:24:19,749 --> 00:24:21,209 [David] We're gonna run a track down 575 00:24:21,293 --> 00:24:22,669 -and see what you're like. -Okay. 576 00:24:22,711 --> 00:24:25,213 I think we're done after this, don't you? 577 00:24:25,297 --> 00:24:27,549 [playing to rock music] 578 00:24:33,388 --> 00:24:35,724 ♪ Little girl You're just four feet ♪ 579 00:24:35,807 --> 00:24:38,602 ♪ And you still got Your baby teeth ♪ 580 00:24:38,685 --> 00:24:40,729 ♪ You're too young And I'm too well-hung ♪ 581 00:24:40,770 --> 00:24:42,522 ♪ But tonight I'm gonna rock you ♪ 582 00:24:42,564 --> 00:24:45,859 ♪ Tonight, I'm gonna rock you ♪ 583 00:24:55,243 --> 00:24:56,912 [guitar solo] 584 00:25:11,343 --> 00:25:14,095 -Oh! -[all cheer] 585 00:25:14,137 --> 00:25:16,723 Go! Oh, yes! 586 00:25:16,765 --> 00:25:18,600 [Marty] How does it feel to be 587 00:25:18,642 --> 00:25:20,852 the latest drummer for Spinal Tap? 588 00:25:20,936 --> 00:25:23,188 There's been a string, you know, of many drummers. 589 00:25:23,271 --> 00:25:27,609 Some of them met with some, you know, strange endings. 590 00:25:27,692 --> 00:25:30,570 How do you feel being the newest member? 591 00:25:30,612 --> 00:25:34,324 I mean, rock and roll is about living for today 592 00:25:34,407 --> 00:25:36,493 and leaving dying for another day. 593 00:25:36,576 --> 00:25:40,330 Very good point. I noticed they're setting up your drum kit over there. 594 00:25:40,413 --> 00:25:41,957 It's green. 595 00:25:41,998 --> 00:25:44,125 You chose that color. Is there any reason for that? 596 00:25:44,167 --> 00:25:47,629 [Didi] Yeah, Stumpy Pepys is one of my personal heroes. 597 00:25:47,712 --> 00:25:51,466 I decided to pay him a tribute for how he passed away 598 00:25:51,508 --> 00:25:53,468 in a bizarre gardening accident, 599 00:25:53,552 --> 00:25:55,595 -so hence the green... -Oh. 600 00:25:55,637 --> 00:25:56,972 ...and the pink underheads. 601 00:25:57,055 --> 00:25:58,890 And we're setting up some roses there. 602 00:25:58,974 --> 00:26:01,518 -Ah, I see. -And that's for my fallen hero. 603 00:26:01,601 --> 00:26:03,687 Next in line is Stumpy Joe, 604 00:26:03,770 --> 00:26:08,316 who unfortunately choked on someone else's vomit. 605 00:26:08,358 --> 00:26:09,484 Yes. 606 00:26:09,526 --> 00:26:13,071 I have, uh, a kit that looks... 607 00:26:13,154 --> 00:26:14,906 -Like vomit? -Yeah. 608 00:26:14,990 --> 00:26:18,827 What makes it look like vomit? Are there little pieces of corn? 609 00:26:18,910 --> 00:26:21,162 -[laughs] -Because I always notice when people throw up, 610 00:26:21,246 --> 00:26:23,957 there's always corn in there, even if they didn't eat corn. 611 00:26:23,999 --> 00:26:28,795 There is yellow mixed up with green and red. 612 00:26:28,837 --> 00:26:31,923 And I notice, this your snack? You're eating very healthy. 613 00:26:32,007 --> 00:26:35,176 I just have learned from all the rock and roll tragedies. 614 00:26:35,260 --> 00:26:39,222 -And so wanna try and up my chances of... -Right. 615 00:26:39,306 --> 00:26:43,393 -...maybe dodging this "curse." -I see what you're saying. 616 00:26:43,476 --> 00:26:44,644 -[Didi] I'm offering. -All right. 617 00:26:44,686 --> 00:26:46,229 -I'll take an almond. -Cheers. 618 00:26:46,313 --> 00:26:47,522 All right, yeah, cheers. 619 00:26:47,564 --> 00:26:49,149 -Dink. Right. -Dink. 620 00:26:49,190 --> 00:26:51,234 ♪ Lord, it's hard ♪ 621 00:26:51,318 --> 00:26:52,569 ♪ When you break up ♪ 622 00:26:52,652 --> 00:26:54,821 ♪ Lord, I'm crying ♪ 623 00:26:54,863 --> 00:26:57,616 [playing "Broken Hearted Blues"] 624 00:26:57,699 --> 00:27:01,036 [Marty] I'm curious as to why you chose New Orleans. 625 00:27:01,077 --> 00:27:04,623 There was a cancelation, a date opened up at the arena, 626 00:27:04,706 --> 00:27:08,627 and that was really why we came here. 627 00:27:08,710 --> 00:27:10,837 Oh, really? There was, like, all of a sudden... 628 00:27:10,879 --> 00:27:13,840 -Who was supposed to be there? -An evening with Stormy Daniels. 629 00:27:13,882 --> 00:27:15,884 -That was canceled. -Oh, canceled, so-- 630 00:27:15,925 --> 00:27:17,844 -And so, that made way for us. -And you slid in. 631 00:27:17,886 --> 00:27:19,638 -Slid right in. Yeah. -Yeah. 632 00:27:19,721 --> 00:27:21,723 Thank God we found someone. 633 00:27:21,806 --> 00:27:23,558 -She's great. -She's unbelievable. 634 00:27:23,600 --> 00:27:25,101 -She's bloody great. -[David] She's great. 635 00:27:25,185 --> 00:27:27,771 How do you suppose a girl grows up becoming a drummer? 636 00:27:27,854 --> 00:27:29,731 Because it's not natural. It doesn't-- 637 00:27:29,773 --> 00:27:31,900 Eating, exercise, you know. 638 00:27:31,941 --> 00:27:33,777 That's how one continues living. 639 00:27:33,860 --> 00:27:36,237 These days, you know, they can be anything. 640 00:27:37,864 --> 00:27:40,200 -[David] Oh, what's this? -[man] Move your plate. 641 00:27:40,241 --> 00:27:42,494 -[Derek] Where's that gonna go? -[David] Oh, wait a minute. 642 00:27:42,577 --> 00:27:47,957 [man] I have prepared a traditional Cajun dinner for three. 643 00:27:48,041 --> 00:27:50,502 Take your forks, your knives, and just go right at that. 644 00:27:50,794 --> 00:27:52,879 -All right, we'll try it. -Thank you so much. 645 00:27:52,921 --> 00:27:55,090 -It looks lovely, yeah. -You're welcome. 646 00:27:55,173 --> 00:27:59,260 Okay, for me, and I'm not trying to be unadventurous, 647 00:27:59,302 --> 00:28:01,096 but I think the corn is... 648 00:28:01,137 --> 00:28:03,515 -Probably your safest bet. Yeah. -...the only thing I can eat. 649 00:28:03,598 --> 00:28:06,101 -I might try the bangers. -[tour guide] Don't try to scare the ghost. 650 00:28:06,142 --> 00:28:09,104 Don't try to talk to them or yell "boo," don't do that. 651 00:28:09,145 --> 00:28:11,731 And get those monitors up really, really high, all right? 652 00:28:11,773 --> 00:28:13,441 -Excuse me. -Hello. 653 00:28:13,525 --> 00:28:14,901 -[Nigel] Hello. -Oh. 654 00:28:14,943 --> 00:28:16,444 -We're having dinner. -[tour guide] Oh, well, 655 00:28:16,486 --> 00:28:18,363 this is Sinister Sighting. 656 00:28:18,446 --> 00:28:19,989 It's a tour group, haunted tours. 657 00:28:20,073 --> 00:28:22,784 I bring them through every day. So, don't mind us. 658 00:28:22,867 --> 00:28:24,744 Hi. You guys go right ahead and have your dinner. 659 00:28:24,786 --> 00:28:26,079 Oh, now see, this is great. 660 00:28:26,121 --> 00:28:28,331 -These your instruments? -[David] Yes. 661 00:28:28,415 --> 00:28:31,418 Oh, well, you know, musically, you know who lives here? 662 00:28:31,459 --> 00:28:32,627 -[Derek] No. -Oh, my goodness. 663 00:28:32,669 --> 00:28:34,754 Fats Domino, Louis Armstrong. 664 00:28:34,796 --> 00:28:36,631 -They're dead. -They don't live anywhere. 665 00:28:36,715 --> 00:28:38,341 Well, their spirits live here, yeah. 666 00:28:38,425 --> 00:28:39,759 Put those up high now. 667 00:28:39,801 --> 00:28:41,511 -[device warbling] -This was not mentioned. 668 00:28:41,594 --> 00:28:42,637 Will this keep? 669 00:28:42,721 --> 00:28:44,973 [keyboard playing guitar notes] 670 00:28:52,897 --> 00:28:54,816 It was a one-nighter I was supposed to play with them. 671 00:28:54,899 --> 00:28:56,651 -Oh, really? Just one night? -One-nighter. 672 00:28:56,693 --> 00:28:59,070 -And that turned into 33 years. -I didn't know what gig it was. 673 00:28:59,154 --> 00:29:01,656 They gave me an address in Beverly Hills, 674 00:29:01,698 --> 00:29:03,199 and it was a bris. 675 00:29:03,283 --> 00:29:08,955 ♪ Listen to what The flower people say ♪ 676 00:29:09,664 --> 00:29:12,709 ♪ Ah, ah, ah, ah, ah ♪ 677 00:29:12,792 --> 00:29:14,002 You care to join us? 678 00:29:14,043 --> 00:29:15,920 -What's that? -[David] Care to join-- 679 00:29:16,004 --> 00:29:18,423 I think we all do the "ah's," or you do the "ah's," 680 00:29:18,506 --> 00:29:19,632 and I come in underneath. 681 00:29:19,674 --> 00:29:21,551 [sighs] 682 00:29:21,926 --> 00:29:23,720 -♪ Listen ♪ -♪ Shh ♪ 683 00:29:23,803 --> 00:29:27,599 ♪ To what The flower people say ♪ 684 00:29:28,016 --> 00:29:31,227 ♪ Ah, la, la, la, la, la ♪ 685 00:29:31,311 --> 00:29:35,190 But were you doing "la, la's" at the end instead of "ah's"? 686 00:29:35,273 --> 00:29:35,899 ♪ La, la, la ♪ 687 00:29:35,982 --> 00:29:37,734 Was I hearing "la, la's"? 688 00:29:37,817 --> 00:29:39,360 [David] ♪ La, la, la ♪ 689 00:29:39,402 --> 00:29:42,238 -Do it again. -[David] No, I don't want to hear it. 690 00:29:42,322 --> 00:29:43,698 Here we go. 691 00:29:43,740 --> 00:29:45,033 ♪ Ah, la, la ♪ 692 00:29:45,116 --> 00:29:46,868 [David] No, I don't want the "la's." 693 00:29:46,951 --> 00:29:48,953 Where did the "la's" come from? 694 00:29:49,037 --> 00:29:51,414 -[Jeff] They should be "ah's." -[David] It's "ah's." 695 00:29:51,498 --> 00:29:52,874 Well, I've been doing "la's." 696 00:29:52,916 --> 00:29:54,709 You've never done that in your life. 697 00:29:54,751 --> 00:29:56,169 I think I have. 698 00:29:56,211 --> 00:29:58,213 Let's hear all about it another time. 699 00:30:00,548 --> 00:30:02,008 [guitar being strummed] 700 00:30:10,558 --> 00:30:13,394 [cell phone ringing] 701 00:30:16,940 --> 00:30:19,400 -Hello. -[Moira] Hi. 702 00:30:19,442 --> 00:30:21,694 -Ah. -Couldn't sleep. 703 00:30:21,736 --> 00:30:24,364 Do you know what? Jim died today. 704 00:30:24,405 --> 00:30:25,740 Jim died? 705 00:30:25,824 --> 00:30:28,368 Wha-- But he wasn't that old. 706 00:30:28,409 --> 00:30:29,661 And do you know what? 707 00:30:29,744 --> 00:30:31,663 My worst fear is that cheese 708 00:30:31,746 --> 00:30:33,957 is upping everyone's cholesterol. 709 00:30:34,040 --> 00:30:35,959 No, it's-- I don't think, no. 710 00:30:36,042 --> 00:30:38,962 People eat cheese and don't die, don't they? 711 00:30:39,045 --> 00:30:41,089 [David] Got it. Got it. 712 00:30:41,130 --> 00:30:43,591 "Don't go spending all your money." 713 00:30:43,633 --> 00:30:47,428 -[Nigel] Yeah. Okay. Yeah. -"Save your pennies for--" 714 00:30:47,470 --> 00:30:48,680 David, give me a sec. 715 00:30:48,763 --> 00:30:50,056 -Oh, sorry. -Just... 716 00:30:50,098 --> 00:30:52,517 -Hello. -[Nigel] Yeah. 717 00:30:53,101 --> 00:30:55,895 -Are things better with David? -No. 718 00:30:55,937 --> 00:31:00,024 I don't understand this coldness. 719 00:31:00,108 --> 00:31:03,111 Even though I've known him since we were children, 720 00:31:03,152 --> 00:31:06,489 I just can't say, "What is going on?" 721 00:31:06,573 --> 00:31:07,949 I can say it to you. 722 00:31:07,991 --> 00:31:09,826 Could you sing it out, like in a song? 723 00:31:09,909 --> 00:31:11,619 Like just sing it out? 724 00:31:11,661 --> 00:31:13,413 Oh, yeah. I could do that. 725 00:31:13,454 --> 00:31:14,789 I could write a song, 726 00:31:14,873 --> 00:31:16,791 and that would be my way 727 00:31:16,833 --> 00:31:18,459 of communicating with him. 728 00:31:18,543 --> 00:31:20,128 ♪ David ♪ 729 00:31:20,211 --> 00:31:23,798 ♪ What's going on with you? ♪ 730 00:31:23,840 --> 00:31:26,885 ♪ Are you feeling blue? ♪ 731 00:31:26,968 --> 00:31:29,679 ♪ Is it me or you? ♪ 732 00:31:29,762 --> 00:31:31,264 See, it would be something like that. 733 00:31:31,306 --> 00:31:33,850 He might start to harmonize like... 734 00:31:33,933 --> 00:31:35,351 ♪ Nothing much ♪ 735 00:31:35,435 --> 00:31:36,477 Yeah. 736 00:31:36,519 --> 00:31:39,480 I wonder if I'd have the publishing of that. 737 00:31:39,564 --> 00:31:41,441 [guitar strumming] 738 00:31:49,574 --> 00:31:50,950 Do the F. 739 00:31:51,826 --> 00:31:54,162 [humming] 740 00:32:05,673 --> 00:32:07,508 What, what, what, what, what? 741 00:32:08,968 --> 00:32:10,345 No, just give it a chance. 742 00:32:10,428 --> 00:32:12,889 -I know what you're gonna say. -We're doing it. 743 00:32:12,972 --> 00:32:18,102 And it's like a car going into a wall. 744 00:32:18,186 --> 00:32:20,021 There's a beautiful figure there you're not hearing. 745 00:32:20,063 --> 00:32:22,649 I hear it. You've changed the time signature. 746 00:32:22,690 --> 00:32:26,486 You can't hear it over the sound of your mind slapping shut. 747 00:32:26,527 --> 00:32:29,030 -Look. -You've changed this time signature just-- 748 00:32:29,113 --> 00:32:31,157 -It goes to six-eight for two bars. -Well, I know. 749 00:32:31,199 --> 00:32:32,992 -This is not Stockhausen. -But it just jumps at you, 750 00:32:33,034 --> 00:32:35,453 -like a cat jumping. -That's a good thing. 751 00:32:35,536 --> 00:32:38,706 -[Nigel] Okay, go. Go. -[David] One, two, three, and... 752 00:32:38,748 --> 00:32:41,376 [strumming song] 753 00:32:41,417 --> 00:32:42,293 Yeah! 754 00:32:43,962 --> 00:32:45,296 You can keep that energy going 755 00:32:45,380 --> 00:32:47,465 even if you don't care for the chords. 756 00:32:49,384 --> 00:32:50,301 F. 757 00:32:53,513 --> 00:32:54,597 G. 758 00:32:55,682 --> 00:32:58,184 And... 759 00:33:02,063 --> 00:33:04,399 I don't know why this is so hard for you to grasp. 760 00:33:04,482 --> 00:33:06,985 -I'm grasping it. That's the problem. -It's really simple. 761 00:33:07,068 --> 00:33:09,320 That is the problem. I'm actually grasping it. 762 00:33:09,404 --> 00:33:12,407 -Once you've grasped it-- -And my fingers are saying, "Don't." 763 00:33:12,490 --> 00:33:15,034 -[David] Care to weigh in? -[Nigel] You're not saying a word. 764 00:33:15,076 --> 00:33:16,536 I'm not saying a word. 765 00:33:16,577 --> 00:33:18,871 No, I know. You don't have to say you're not. 766 00:33:18,913 --> 00:33:22,583 -He's about to say a word. -Pointing out I was not saying a word. 767 00:33:22,667 --> 00:33:25,712 -Now I'm gonna say a word. -[Nigel] Okay, what's the word? 768 00:33:25,753 --> 00:33:27,380 Is it like this all the time? 769 00:33:27,422 --> 00:33:29,507 Uh, sometimes. 770 00:33:29,590 --> 00:33:32,427 [strumming guitar] 771 00:33:35,138 --> 00:33:37,432 [snapping rhythmically] 772 00:33:40,601 --> 00:33:41,561 F. 773 00:33:47,942 --> 00:33:50,236 [David scatting] 774 00:33:54,240 --> 00:33:57,827 This B flat, which becomes a B in the E chord 775 00:33:57,910 --> 00:33:59,287 and brings us right back to the top. 776 00:33:59,328 --> 00:34:01,372 No, you can explain it all you want. 777 00:34:01,456 --> 00:34:03,416 Do you think they'd mind if I interrupted? 778 00:34:03,458 --> 00:34:05,126 Is that what's happening in that bit? 779 00:34:05,168 --> 00:34:07,378 No, what's happening is that you're pushing back 780 00:34:07,462 --> 00:34:09,380 against anything you don't care for, 781 00:34:09,464 --> 00:34:11,632 or anything you don't understand, which is a lot. 782 00:34:11,674 --> 00:34:12,800 Hey, guys. 783 00:34:12,842 --> 00:34:14,342 -Can you hear me? -Yeah. 784 00:34:14,427 --> 00:34:15,636 Paul here. 785 00:34:15,719 --> 00:34:17,764 Is that... Is that the Paul? 786 00:34:17,804 --> 00:34:18,973 It's one of them. 787 00:34:19,056 --> 00:34:20,516 [Nigel] It's the one, actually. 788 00:34:20,600 --> 00:34:23,436 Well, I was listening, and I got a suggestion for you. 789 00:34:23,478 --> 00:34:25,897 -I don't wanna interrupt, but... -[Derek] Yeah. 790 00:34:25,980 --> 00:34:27,857 Yeah, you can come in. Come in. 791 00:34:27,940 --> 00:34:29,734 -Do we stand? -[Derek] Do we salute? 792 00:34:29,817 --> 00:34:31,152 I think we should stand, yeah. 793 00:34:31,194 --> 00:34:32,737 -[all] Hello. -How are you guys? 794 00:34:32,820 --> 00:34:35,197 -[Nigel] Wow, that's amazing. -I was just rehearsing 795 00:34:35,281 --> 00:34:37,074 and I was passing, so I thought I'd just drop in, 796 00:34:37,158 --> 00:34:39,327 -say hello. Yeah. -Hello. 797 00:34:39,409 --> 00:34:43,039 I don't think of you as a heavy metal guy. 798 00:34:43,121 --> 00:34:45,416 -I thought these guys are great. -Really? 799 00:34:45,500 --> 00:34:49,504 And you know, the lyrics, it's almost educational. 800 00:34:49,587 --> 00:34:53,174 Yeah, anyone who can write about... 801 00:34:54,175 --> 00:34:56,844 -a flesh tuxedo... -Yes. 802 00:34:56,928 --> 00:34:58,513 ...and a pink torpedo. 803 00:34:58,554 --> 00:35:02,183 -That's literature, really. -Yeah. Yeah, yeah, yeah. 804 00:35:02,266 --> 00:35:03,810 Listen, you have a note for us? 805 00:35:03,851 --> 00:35:06,687 Yeah, you know, I was listening to what you're doing, 806 00:35:06,771 --> 00:35:08,189 and it's going along great. 807 00:35:08,272 --> 00:35:10,858 -Yeah, it's a nice tempo, yeah. -And then, 808 00:35:10,942 --> 00:35:12,944 it seemed to fall apart. 809 00:35:13,027 --> 00:35:14,862 -So, it's just E... -[Paul] Yeah. 810 00:35:14,946 --> 00:35:16,614 ♪ Ba-ba ♪ 811 00:35:16,697 --> 00:35:19,617 ♪ G, C, A, F ♪ 812 00:35:19,700 --> 00:35:21,786 [humming] 813 00:35:21,869 --> 00:35:24,038 -Yeah. -The G is good, right? 814 00:35:24,497 --> 00:35:26,457 Then it goes to the six-eight, major seven. 815 00:35:27,708 --> 00:35:31,212 [scatting] 816 00:35:31,921 --> 00:35:32,922 That's the bit. 817 00:35:33,381 --> 00:35:35,508 It kind of went somewhere else. 818 00:35:35,550 --> 00:35:38,594 It didn't seem to fit with the... 819 00:35:38,678 --> 00:35:39,387 [strums] 820 00:35:39,428 --> 00:35:41,139 ...you know, this rocky feel. 821 00:35:41,222 --> 00:35:42,557 There is a case to be made 822 00:35:42,598 --> 00:35:46,185 for a kind of a standalone bit of four bars. 823 00:35:46,227 --> 00:35:48,563 [Nigel] Yeah, if it stands alone in another room. 824 00:35:48,646 --> 00:35:50,398 It sounds like we're playing, then it's like, 825 00:35:50,439 --> 00:35:52,525 "Let's go on holiday somewhere." 826 00:35:52,567 --> 00:35:55,361 I think it works. I think it bloody works, but... 827 00:35:55,403 --> 00:35:58,531 Well, it's not for me to say, but... 828 00:35:58,573 --> 00:36:00,575 [Nigel] It sort of is, actually, yeah. 829 00:36:00,616 --> 00:36:04,370 Well, just lose that bit and go back to where you were. 830 00:36:04,412 --> 00:36:06,038 We'll take it under advisement. 831 00:36:06,080 --> 00:36:07,331 What does that mean? 832 00:36:07,415 --> 00:36:09,167 He's gonna call his lawyer. 833 00:36:09,250 --> 00:36:10,668 Listen, it's all creative. 834 00:36:10,751 --> 00:36:12,712 [Nigel] Well, it is until you get to that bit. 835 00:36:12,753 --> 00:36:16,174 Yeah. Then it's not creative. Then it's like a wrecking ball. 836 00:36:16,257 --> 00:36:17,925 Why don't we do something else? 837 00:36:18,009 --> 00:36:20,428 -"Cups and Cakes"? -Oh, my God. 838 00:36:20,511 --> 00:36:22,263 See, that's not got a funny bit in the middle. 839 00:36:22,305 --> 00:36:24,974 No, exactly. That makes sense. 840 00:36:25,057 --> 00:36:26,976 -[Paul] Unlike... -Okay, yeah, yeah. 841 00:36:27,059 --> 00:36:28,686 You don't have to belabor it. 842 00:36:28,769 --> 00:36:29,770 Let's try it, yeah. 843 00:36:29,812 --> 00:36:30,938 [strumming] 844 00:36:31,022 --> 00:36:32,398 E. 845 00:36:33,566 --> 00:36:34,734 A minor. 846 00:36:35,651 --> 00:36:36,652 G. 847 00:36:40,323 --> 00:36:44,535 ♪ Cups and cakes Cups and cakes ♪ 848 00:36:44,619 --> 00:36:48,623 ♪ Oh, what good things His mother makes ♪ 849 00:36:48,664 --> 00:36:52,460 ♪ You've got to take tea Won't you take it with me? ♪ 850 00:36:52,543 --> 00:36:56,422 ♪ What a gay time it will be ♪ 851 00:36:57,548 --> 00:37:01,552 ♪ Cups and cakes Cups and cakes ♪ 852 00:37:01,636 --> 00:37:05,765 ♪ Please make sure That nothing breaks ♪ 853 00:37:05,806 --> 00:37:10,186 ♪ The china's so dear And the treacle so clear ♪ 854 00:37:10,269 --> 00:37:15,107 ♪ And I'm glad That you are here ♪ 855 00:37:15,149 --> 00:37:19,195 ♪ Milk and sugar Bread and jam ♪ 856 00:37:19,278 --> 00:37:23,324 ♪ Yes, please, sir And thank you, ma'am ♪ 857 00:37:23,866 --> 00:37:25,326 ♪ Here I am ♪ 858 00:37:25,409 --> 00:37:27,495 B again. ♪ Ba, ba, ba ♪ 859 00:37:27,578 --> 00:37:29,664 -Instrumental. -♪ Cups and cakes ♪ 860 00:37:29,747 --> 00:37:31,040 [scatting] 861 00:37:31,123 --> 00:37:32,833 Yeah. Toy drummer, yeah. 862 00:37:32,875 --> 00:37:34,835 [scatting] 863 00:37:39,006 --> 00:37:41,259 ♪ Oh, cups and cakes ♪ 864 00:37:41,342 --> 00:37:43,177 ♪ Cups and cakes ♪ 865 00:37:43,261 --> 00:37:47,556 ♪ I'm so full, my tummy aches ♪ 866 00:37:47,640 --> 00:37:51,686 ♪ How sad it must end But I'm glad I'd a friend ♪ 867 00:37:51,727 --> 00:37:55,523 ♪ Sharing cups and cakes With me ♪ 868 00:37:55,606 --> 00:37:59,277 -♪ Cups and cakes with me ♪ -♪ With me ♪ 869 00:37:59,360 --> 00:38:02,863 -A, B. -♪ Cups and cakes ♪ 870 00:38:03,281 --> 00:38:05,324 -♪ Cups and cakes ♪ -♪ Ah ♪ 871 00:38:05,366 --> 00:38:07,326 [Paul] Yeah! Huh? Yeah. 872 00:38:07,368 --> 00:38:09,078 I have to know, how does it feel 873 00:38:09,161 --> 00:38:10,913 to be playing with Paul McCartney? 874 00:38:10,997 --> 00:38:13,374 -I was a bit put off. -Why? 875 00:38:13,457 --> 00:38:15,710 Well, because, I mean, you know, he came in, 876 00:38:15,751 --> 00:38:17,962 he immediately started throwing his weight around. 877 00:38:18,045 --> 00:38:21,382 [Marty] I would think that they would respect your opinion. 878 00:38:21,424 --> 00:38:23,301 I mean, it's not like you don't have... 879 00:38:23,384 --> 00:38:25,094 -Seemed like that. -...experience doing that. 880 00:38:25,177 --> 00:38:27,722 I'm not sure David respected me. 881 00:38:27,763 --> 00:38:30,850 You know, he's got this sort of, like, toxic personality 882 00:38:30,891 --> 00:38:32,226 he spreads everywhere. 883 00:38:32,310 --> 00:38:33,644 I'm not gonna let that worry me. 884 00:38:33,728 --> 00:38:36,230 [Marty] No, I think that's wise on your part. 885 00:38:36,272 --> 00:38:38,941 Yeah. It's all right. He doesn't want it? 886 00:38:39,025 --> 00:38:40,234 -Yeah. -Screw him. 887 00:38:40,318 --> 00:38:41,861 But as a kid growing up in Squatney, 888 00:38:41,902 --> 00:38:46,407 did you ever think you'd be playing with a Beatle? 889 00:38:46,490 --> 00:38:50,703 No. It was a thrill that I wish I could enjoy more, 890 00:38:50,745 --> 00:38:53,247 but it's only due to the flaws in my character, 891 00:38:53,289 --> 00:38:55,207 which I'm rather proud of. 892 00:38:55,249 --> 00:38:57,084 Obviously, there'll be the regular merch. 893 00:38:57,168 --> 00:38:58,544 -Uh, T-shirts... -T-shirts and stuff. 894 00:38:58,586 --> 00:39:00,713 -[Simon] And hats. -[Hope] And caps. 895 00:39:00,755 --> 00:39:03,424 [Simon] If you think about the age of your audience, 896 00:39:03,466 --> 00:39:05,760 we should actually be trying to partner with, say, 897 00:39:05,801 --> 00:39:08,596 companies that do stairlifts and walk-in showers. 898 00:39:08,637 --> 00:39:11,015 You know, those hammocks that lower you into a bath. 899 00:39:11,098 --> 00:39:14,727 That kind of thing would sell with your demographic tremendously well. 900 00:39:14,769 --> 00:39:17,146 I don't know how you're gonna sell that at a concert. 901 00:39:17,229 --> 00:39:18,564 [Marty] You brought Simon in. 902 00:39:18,606 --> 00:39:21,317 So, you feel like it was a smart move on your part. 903 00:39:21,400 --> 00:39:23,402 I think it's about knowing who you are 904 00:39:23,444 --> 00:39:25,029 -and what your skill set is. -Right. 905 00:39:25,112 --> 00:39:26,947 And I just think there are things 906 00:39:27,031 --> 00:39:29,367 that I know that I can't do, 907 00:39:29,450 --> 00:39:30,910 the skills that Simon has. 908 00:39:30,951 --> 00:39:33,704 But I know that I've got, like, soft skills, you know, 909 00:39:33,788 --> 00:39:35,790 and I've got a connection with the band, 910 00:39:35,873 --> 00:39:39,335 and obviously, I know them because of my dad and all that. 911 00:39:39,418 --> 00:39:41,587 So, I bring that, and then he brings 912 00:39:41,629 --> 00:39:44,799 that kind of slightly cold... 913 00:39:44,840 --> 00:39:47,718 Um, trying to find the right word without seeming mean, 914 00:39:47,802 --> 00:39:50,179 but just that sort of shitty vibe. 915 00:39:50,262 --> 00:39:53,391 If I said, "What are people drinking a lot of," what would you say? 916 00:39:53,474 --> 00:39:55,476 -Beer. -[Simon] Well, yes, certainly beer. 917 00:39:55,518 --> 00:39:56,811 -[David] Tea. -True, tea. 918 00:39:56,852 --> 00:39:58,979 -Coffee. -But what are people drinking 919 00:39:59,063 --> 00:40:00,231 a lot of? 920 00:40:00,314 --> 00:40:01,482 -Water. -[Hope] Yes. 921 00:40:01,524 --> 00:40:04,318 And Hope has had a rather brilliant idea. 922 00:40:04,402 --> 00:40:06,278 -[David] Look at that. -Tap water. 923 00:40:06,320 --> 00:40:08,239 Tap water. 924 00:40:08,322 --> 00:40:09,323 -Look at that. -Look at the shape. 925 00:40:09,407 --> 00:40:10,825 [Derek] It's almost too perfect. 926 00:40:10,908 --> 00:40:13,411 But what's inside is some kind of special water. 927 00:40:13,494 --> 00:40:14,995 -No. -It says "artisan" there. 928 00:40:15,079 --> 00:40:16,247 It's just tap water. 929 00:40:16,330 --> 00:40:17,456 It's tap water, yeah. 930 00:40:17,498 --> 00:40:19,417 Now, the piece of resistance... 931 00:40:19,500 --> 00:40:21,502 -Yes. -...is... 932 00:40:21,544 --> 00:40:22,878 -Here we go. -[Derek] Whatever it is. 933 00:40:22,962 --> 00:40:25,589 I think it's great. I think it's fantastic. 934 00:40:25,673 --> 00:40:27,258 [Hope] This isn't it. It's got a sheet over it. 935 00:40:27,341 --> 00:40:28,676 We can agree it was an outrage 936 00:40:28,717 --> 00:40:30,678 that you were not inducted into 937 00:40:30,719 --> 00:40:32,721 the Rock & Roll Hall of Fame, that you were refused entry. 938 00:40:32,805 --> 00:40:36,517 I think it was the letter that upset me, 939 00:40:36,559 --> 00:40:38,436 which just said, "Fuck off." 940 00:40:38,519 --> 00:40:40,771 -Yes. -You could say, "No, not yet." 941 00:40:40,855 --> 00:40:42,982 [Derek] It said, "Fuck off. Sincerely yours." 942 00:40:43,023 --> 00:40:44,525 Yeah, well, that's true. 943 00:40:44,567 --> 00:40:46,527 -[Hope] Brace yourself. -[Simon] We present... 944 00:40:46,610 --> 00:40:49,613 the International House of Rock. 945 00:40:49,697 --> 00:40:51,282 -[David] I'll be. -[Derek] This is like 946 00:40:51,365 --> 00:40:53,033 the Rock & Roll Hall of Fame? 947 00:40:53,075 --> 00:40:54,910 Like the Rock & Roll Hall of Fame, only better 948 00:40:54,994 --> 00:40:56,704 -because it will have you in it. -[Hope] Yeah. 949 00:40:56,787 --> 00:40:59,457 We're going to build precisely this structure 950 00:40:59,540 --> 00:41:04,462 and in it, we're going to memorialize Tap. 951 00:41:04,545 --> 00:41:06,881 Rock in general, but Tap specifically. 952 00:41:06,922 --> 00:41:09,425 -Can I ask a question? -[Simon] Yes. 953 00:41:09,508 --> 00:41:11,427 [Nigel] There's only four people. 954 00:41:11,510 --> 00:41:12,887 [Hope] Yeah, but there'll be more. 955 00:41:12,928 --> 00:41:14,805 These are just little models, aren't they? 956 00:41:14,889 --> 00:41:18,058 So, you're saying this is gonna be big, like, a real...? 957 00:41:18,100 --> 00:41:20,895 -Not just a toy? -[Simon] Oh, yeah, absolutely. 958 00:41:20,978 --> 00:41:24,106 [David] I don't know why I keep wanting pancakes. 959 00:41:25,149 --> 00:41:26,150 Why is that? 960 00:41:26,233 --> 00:41:28,319 ♪ You got problems ♪ 961 00:41:28,611 --> 00:41:31,238 ♪ Baby, you whine and you beg ♪ 962 00:41:31,322 --> 00:41:32,907 ♪ When I'm busy ♪ 963 00:41:32,948 --> 00:41:35,409 ♪ Baby, you wanna dance With my leg ♪ 964 00:41:35,493 --> 00:41:37,620 ♪ I'm gonna chain you ♪ 965 00:41:37,703 --> 00:41:40,831 ♪ I'll make you Sleep out of doors ♪ 966 00:41:41,248 --> 00:41:45,336 ♪ You're so fetching When you're down on all fours ♪ 967 00:41:45,711 --> 00:41:47,880 ♪ And when you hear Your master ♪ 968 00:41:47,922 --> 00:41:50,758 ♪ You will come A little faster ♪ 969 00:41:50,799 --> 00:41:53,093 ♪ Thanks to Bitch School ♪ 970 00:41:55,554 --> 00:41:58,641 ♪ Bitch School ♪ 971 00:42:00,476 --> 00:42:02,603 ♪ Bitch School ♪ 972 00:42:02,645 --> 00:42:05,231 ♪ Gonna have to take you Back to ♪ 973 00:42:05,272 --> 00:42:08,025 ♪ Bitch School ♪ 974 00:42:10,611 --> 00:42:14,114 Attagirl. On the paper. 975 00:42:14,156 --> 00:42:15,533 That's it. 976 00:42:16,116 --> 00:42:18,702 Wow. Wow. 977 00:42:18,786 --> 00:42:20,287 -Hi. -Fucking brilliant. 978 00:42:20,371 --> 00:42:21,830 Legend. Oh, my gosh. 979 00:42:21,914 --> 00:42:23,916 -Yeah, that's wonderful. -I love playing with you. 980 00:42:23,958 --> 00:42:26,627 Oh, well, thank you. I love playing with you. 981 00:42:26,669 --> 00:42:29,964 So, listen, since we're playing together, 982 00:42:30,297 --> 00:42:33,050 why don't we, uh, play together? 983 00:42:33,133 --> 00:42:34,843 Oh, my gosh, I am... 984 00:42:34,927 --> 00:42:37,471 -I am beyond flattered. -Well, you know. 985 00:42:37,513 --> 00:42:39,848 I just, I can't believe... Oh, my God. 986 00:42:39,932 --> 00:42:42,685 Speaking of playing together, this is my girlfriend. 987 00:42:42,768 --> 00:42:44,979 -Hi! -[Didi] Hi, Annie. 988 00:42:45,020 --> 00:42:46,647 [Didi laughs] 989 00:42:48,732 --> 00:42:50,734 -Hi, everyone. -This is my girlfriend. 990 00:42:50,818 --> 00:42:52,778 -Hi, I'm Annie. -[all] Annie. 991 00:42:52,820 --> 00:42:54,280 -Great to meet you. -This is Derek. 992 00:42:54,321 --> 00:42:56,657 Nice to meet you. Congratulations. 993 00:42:56,740 --> 00:42:58,993 Thank you so much. I'm the luckiest. 994 00:42:59,076 --> 00:43:01,829 My grandpa took me to see y'all when I was a little girl. 995 00:43:01,870 --> 00:43:03,998 -[David] Yeah. -Oh, yeah, it was a good time. 996 00:43:04,039 --> 00:43:07,001 I've been noticing this-- The pedalboard that you have. 997 00:43:07,042 --> 00:43:09,795 -Do you use every single one? -[Nigel] Every one of them. 998 00:43:09,837 --> 00:43:11,505 This, of course, you know what this is. 999 00:43:11,589 --> 00:43:12,673 [Marty] Yeah, that's the pedal. 1000 00:43:12,756 --> 00:43:14,508 -Well, no, it's a wah. -Yeah. 1001 00:43:14,592 --> 00:43:16,677 [playing funky wah-wah] 1002 00:43:16,760 --> 00:43:18,512 ♪ Wah, wah, wah, wah ♪ 1003 00:43:18,596 --> 00:43:20,848 ♪ Wah, wah, wah, wah ♪ 1004 00:43:20,889 --> 00:43:23,142 ♪ Wah, wah, wah, wah... ♪ 1005 00:43:23,183 --> 00:43:25,728 Well, don't keep doing it. You're doing it vocally. 1006 00:43:25,811 --> 00:43:27,688 -This is doing it for you. -Oh. Oh, yeah. 1007 00:43:27,771 --> 00:43:30,482 -What's that look like to you? -Like a wedge of cheese. 1008 00:43:30,524 --> 00:43:34,111 No, it's a pizza, but now... 1009 00:43:34,194 --> 00:43:37,072 [notes blurting] 1010 00:43:39,825 --> 00:43:42,703 It's like someone singing through a duck. 1011 00:43:42,745 --> 00:43:45,539 -And you need that duck sound? -No. 1012 00:43:45,581 --> 00:43:47,958 No, I don't need it, but I love it. 1013 00:43:48,042 --> 00:43:50,169 But you can mix these all up, that's the beauty of it. 1014 00:43:50,210 --> 00:43:53,088 If it weren't for this guitar, which is amazing. 1015 00:43:53,172 --> 00:43:56,050 -It's got the Union Jack on it. -Yes, that's obvious, isn't it? 1016 00:43:56,091 --> 00:43:57,885 But here's the great part. Look at this. 1017 00:43:57,968 --> 00:44:00,554 [Marty] Oh, look, the Spinal Tap logo. 1018 00:44:00,596 --> 00:44:02,139 But this board 1019 00:44:02,222 --> 00:44:06,060 can be used as a cutting board for cheese. 1020 00:44:06,143 --> 00:44:08,312 Oh, there's a little piece of cheese in there. 1021 00:44:08,395 --> 00:44:09,897 -There's cheese in here. -Yeah. 1022 00:44:09,980 --> 00:44:14,193 And then, inside it is the cheese grater. 1023 00:44:14,234 --> 00:44:17,571 So, let's say you were playing, and you play a gig 1024 00:44:17,613 --> 00:44:19,740 or just at home, and you think, 1025 00:44:19,823 --> 00:44:22,201 "I'd like to have some cheese, 1026 00:44:22,242 --> 00:44:25,496 but I don't want to have to go into the kitchen." 1027 00:44:25,579 --> 00:44:27,623 It's right here. There's an issue, though. 1028 00:44:27,706 --> 00:44:30,209 You can't put my favorite cheese in here. 1029 00:44:30,250 --> 00:44:31,543 Why not? 1030 00:44:31,585 --> 00:44:32,836 -Stinky? -Yeah. 1031 00:44:32,920 --> 00:44:36,382 -Yeah. -Smell like a little person 1032 00:44:36,423 --> 00:44:38,008 had died in that little hole. 1033 00:44:38,092 --> 00:44:40,761 -Right. -Which would be sad and smelly. 1034 00:44:40,844 --> 00:44:42,596 If you're playing loud, 1035 00:44:42,680 --> 00:44:44,932 you wouldn't hear a little person. 1036 00:44:45,015 --> 00:44:47,226 [in squeaky voice] "I've got to get out of here." 1037 00:44:47,267 --> 00:44:49,103 -Right, right. -"I've got to get out of here." 1038 00:44:49,186 --> 00:44:51,814 "I'm trapped in here, and I can't get out of here." 1039 00:44:51,897 --> 00:44:55,567 But are there people this size? 1040 00:44:55,609 --> 00:44:57,569 [in normal voice] It could happen, yeah. 1041 00:44:57,611 --> 00:44:59,405 [Spinal Tap] Good morning, New Orleans. 1042 00:44:59,446 --> 00:45:01,115 This is Spinal Tap. 1043 00:45:01,156 --> 00:45:03,158 [Derek] If you're looking for a proper ass-kicking... 1044 00:45:03,242 --> 00:45:05,911 [Nigel] Come to the Lakefront Arena Saturday night... 1045 00:45:05,953 --> 00:45:09,540 [David] And let Tap tap into your central nervous system. 1046 00:45:09,623 --> 00:45:10,874 [all] Be there! 1047 00:45:10,958 --> 00:45:12,876 ♪ Make it cash on delivery ♪ 1048 00:45:12,960 --> 00:45:16,213 ♪ If you wanna close The deal with me ♪ 1049 00:45:19,967 --> 00:45:22,177 -How's it going? -Really good. 1050 00:45:23,804 --> 00:45:25,973 Are they going to be sitting down the whole time? 1051 00:45:26,765 --> 00:45:28,142 What do you mean? 1052 00:45:28,183 --> 00:45:30,728 Are they going to be sitting down the whole time? 1053 00:45:30,811 --> 00:45:32,938 -Because at this moment-- -You mean today? 1054 00:45:32,980 --> 00:45:35,774 I mean, in general, because I'm thinking, 1055 00:45:35,816 --> 00:45:37,067 have these people got legs? 1056 00:45:37,151 --> 00:45:39,111 You know, that is where I'm at the-- 1057 00:45:39,153 --> 00:45:42,114 I just see them sitting down. Where's the movement? 1058 00:45:42,156 --> 00:45:44,825 ♪ I'd look somewhere else If I were you ♪ 1059 00:45:44,908 --> 00:45:47,161 ♪ Cash on delivery ♪ 1060 00:45:47,244 --> 00:45:49,830 Does Taylor Swift stand still on stage? 1061 00:45:49,872 --> 00:45:51,331 They don't dance, do they? 1062 00:45:51,415 --> 00:45:52,583 -Okay. -They don't dance. 1063 00:45:52,666 --> 00:45:54,293 -Has anyone ever seen-- -Oh, my God. 1064 00:45:54,334 --> 00:45:57,254 -Well, let's ask the question. -Dance, dancing. 1065 00:45:57,337 --> 00:45:59,506 Is it loud enough? 1066 00:45:59,590 --> 00:46:01,759 Gents, it feels static. 1067 00:46:01,842 --> 00:46:03,510 -[Nigel] What's that? -Static. A little-- 1068 00:46:03,552 --> 00:46:06,346 -You're getting feedback from that thing. -No, no, no, no, no. 1069 00:46:06,388 --> 00:46:10,100 I mean, are you going to be sitting down the whole time? 1070 00:46:10,184 --> 00:46:12,728 -[David] Sitting down when? -They're rehearsing. 1071 00:46:12,811 --> 00:46:14,188 [Simon] Here's a lovely little idea. 1072 00:46:14,229 --> 00:46:16,690 How about rehearsing facing the way you're going to? 1073 00:46:16,774 --> 00:46:19,067 Eventually, we turn around the other way. 1074 00:46:19,151 --> 00:46:21,820 And when is "eventually"? Do you have a sort of... 1075 00:46:21,862 --> 00:46:24,239 -You want an estimate? Later. -[Simon] Yes. 1076 00:46:24,323 --> 00:46:27,951 At some point, they're gonna have to rehearse dances or other moves-- 1077 00:46:28,035 --> 00:46:30,370 We talked through the dancing. You don't have to dance. 1078 00:46:30,454 --> 00:46:33,791 Oh, you thinking more sort of like a Korean boy band? 1079 00:46:33,874 --> 00:46:35,667 Is that what you're imagining in your head? 1080 00:46:35,709 --> 00:46:37,795 [Simon] Well, I manage a Korean boy band. 1081 00:46:37,878 --> 00:46:39,880 They're not Korean, but they identify as Korean. 1082 00:46:39,922 --> 00:46:41,757 -Korean style? -[Simon] Yes. 1083 00:46:41,840 --> 00:46:43,383 -Yeah. -They're Nicaraguan, I think. 1084 00:46:43,425 --> 00:46:46,970 But anyway, the point is we are in a post-K-Pop world. 1085 00:46:47,054 --> 00:46:48,889 People are going to expect movement. 1086 00:46:48,931 --> 00:46:50,724 Do you know what this sound is? 1087 00:46:50,808 --> 00:46:53,101 [playing keyboard] 1088 00:46:53,185 --> 00:46:56,313 -[Simon] What is that sound? -That's time being wasted, okay? 1089 00:46:56,396 --> 00:46:58,816 I'm really sorry, and he and I will talk. 1090 00:46:58,899 --> 00:47:00,359 You're antagonizing them. 1091 00:47:00,400 --> 00:47:02,903 -They're children. -People can't make music... 1092 00:47:02,986 --> 00:47:05,572 People can't make music if they feel like shit. 1093 00:47:05,614 --> 00:47:07,741 Well, that's frankly not true. 1094 00:47:07,783 --> 00:47:09,785 Secondly, they're children. 1095 00:47:09,868 --> 00:47:11,370 They're behaving like children. 1096 00:47:11,411 --> 00:47:13,038 You're making it so not fun, 1097 00:47:13,080 --> 00:47:15,207 and I really want it to be fun! 1098 00:47:15,249 --> 00:47:17,751 -It's not meant to be fun, Hope. -Why? 1099 00:47:17,835 --> 00:47:20,504 Because it's the music business. 1100 00:47:20,754 --> 00:47:22,047 -He's shady, I think. -Yeah. Yeah. 1101 00:47:22,089 --> 00:47:24,800 But that's a job where that's a plus. 1102 00:47:24,883 --> 00:47:27,219 You need some shady. But not all the time. 1103 00:47:27,261 --> 00:47:30,722 And we're not saying Slim Shady. We're just saying shady. 1104 00:47:30,764 --> 00:47:32,850 -Just shady. -[Marty] Just shady, yeah. 1105 00:47:32,933 --> 00:47:35,894 -But he's a bit slim, yeah. -Yeah, he's slim. 1106 00:47:35,936 --> 00:47:38,021 And he does something I've noticed. 1107 00:47:38,105 --> 00:47:39,523 Doesn't button his shirt up. 1108 00:47:39,606 --> 00:47:42,109 He doesn't button his shirts, A. 1109 00:47:42,150 --> 00:47:45,946 And two, he winks. You don't trust a winker. 1110 00:47:45,988 --> 00:47:48,115 -As opposed to a wanker. -That's a different thing. 1111 00:47:48,198 --> 00:47:50,534 -He's a wanker as well. -You can always trust a wanker. 1112 00:47:50,617 --> 00:47:53,787 That's right. You just, you know, don't shake his hand. 1113 00:47:53,829 --> 00:47:55,080 I've never really done anything 1114 00:47:55,122 --> 00:47:57,291 with a band like Spinal Tap before. 1115 00:47:57,332 --> 00:47:59,793 -So, it's a challenge. -It's fascinating to watch them. 1116 00:47:59,877 --> 00:48:02,588 It takes quite a lot of self-actualization, 1117 00:48:02,629 --> 00:48:04,464 uh, not to develop at all, 1118 00:48:04,548 --> 00:48:08,051 either musically or personally, in an entire lifetime. 1119 00:48:08,135 --> 00:48:10,304 And I sort of want to see that up close. 1120 00:48:10,387 --> 00:48:13,307 There's a sort of anthropological interest. 1121 00:48:13,390 --> 00:48:16,476 [Henry] Very good. Now, that's the perfect pose right there. 1122 00:48:16,518 --> 00:48:20,147 You're like the most famous rock and roll photographer in the world. 1123 00:48:20,230 --> 00:48:23,108 Henry Diltz. Everybody knows Henry Diltz. 1124 00:48:23,150 --> 00:48:25,319 I mean, this is an iconic photo. 1125 00:48:25,360 --> 00:48:27,654 Crosby Stills and Nash sitting on that couch. 1126 00:48:27,696 --> 00:48:31,533 So, you don't feel like you're stealing from yourself in a way? 1127 00:48:31,617 --> 00:48:33,327 No. No, just reliving. 1128 00:48:33,368 --> 00:48:36,830 [Henry] Okay. Let's walk over here. 1129 00:48:36,872 --> 00:48:39,207 It feels like you've brought us to a place 1130 00:48:39,291 --> 00:48:43,378 where the dead people are, but we're not dead yet. 1131 00:48:43,462 --> 00:48:46,965 No, but we have to start thinking about that and get used to it. 1132 00:48:47,007 --> 00:48:48,342 We'll take a few. 1133 00:48:48,383 --> 00:48:50,052 -[shutter clicking] -Real good. Yeah. 1134 00:48:50,135 --> 00:48:52,679 That looks fabulous. Here we go. 1135 00:48:52,721 --> 00:48:54,014 Yeah, look at that. 1136 00:48:54,056 --> 00:48:55,849 [Derek] And I started thinking about 1137 00:48:55,891 --> 00:49:00,103 what I would be like after I died. 1138 00:49:00,187 --> 00:49:01,897 So, it's like an afterlife thing or...? 1139 00:49:01,980 --> 00:49:04,316 Yes, and I'm going, "What now?" 1140 00:49:04,358 --> 00:49:06,818 That's what the premise of this is. 1141 00:49:06,860 --> 00:49:08,737 -Lay it on us. -[Derek] Yeah. 1142 00:49:08,820 --> 00:49:10,405 [drum track playing] 1143 00:49:10,489 --> 00:49:11,782 That's the drum part. 1144 00:49:11,865 --> 00:49:14,076 [David] Yeah. We can hear that, yeah. 1145 00:49:15,035 --> 00:49:17,329 [guitar riff plays] 1146 00:49:20,207 --> 00:49:24,294 ♪ It's getting near The final lane ♪ 1147 00:49:24,378 --> 00:49:28,173 ♪ Says a neighbor Says a friend ♪ 1148 00:49:28,215 --> 00:49:32,177 ♪ But as I take My final leave ♪ 1149 00:49:32,219 --> 00:49:35,555 ♪ Don't protest Do not grieve ♪ 1150 00:49:35,597 --> 00:49:36,765 I'm feeling... 1151 00:49:36,848 --> 00:49:38,016 ♪ Here's my promise ♪ 1152 00:49:38,058 --> 00:49:40,852 ♪ After I burn ♪ 1153 00:49:40,894 --> 00:49:43,855 ♪ I'm gonna be rocking ♪ 1154 00:49:43,897 --> 00:49:46,942 ♪ In the urn ♪ 1155 00:49:47,025 --> 00:49:48,819 -Wow. -That's great. 1156 00:49:48,902 --> 00:49:50,362 That repeats, and there's a bridge. 1157 00:49:50,404 --> 00:49:53,407 "One thing I know about the great hereafter, 1158 00:49:53,448 --> 00:49:57,244 I'll still be blitzing eardrums on the highest rafter. 1159 00:49:57,285 --> 00:49:59,246 You think I was hot at our legendary bashes." 1160 00:49:59,329 --> 00:50:01,248 -I mean all of us. -[David] Yeah, yeah. 1161 00:50:01,331 --> 00:50:03,959 "Wait till you see me when I'm all ashes." 1162 00:50:04,418 --> 00:50:07,212 -Oh, bashes, ashes. Good, good. -Bashes, ashes. 1163 00:50:07,254 --> 00:50:09,172 "But a lifetime of loud helped me learn 1164 00:50:09,256 --> 00:50:11,258 I'm gonna be rocking and rolling and rocking." 1165 00:50:11,299 --> 00:50:14,261 ♪ Gonna be rocking in the urn ♪ 1166 00:50:14,344 --> 00:50:16,263 But you did it lower when you sang it. 1167 00:50:16,346 --> 00:50:20,267 ♪ I'm gonna be rocking In the urn ♪ 1168 00:50:20,308 --> 00:50:21,935 [David] It's got great promise. 1169 00:50:22,019 --> 00:50:23,520 It's philosophical. 1170 00:50:23,603 --> 00:50:26,148 -It is deep, and it's profound. -It is deep. 1171 00:50:26,231 --> 00:50:28,775 It's as deep as it goes, yeah, if you think about it. 1172 00:50:28,859 --> 00:50:31,111 [drums playing] 1173 00:50:34,322 --> 00:50:36,366 [man] Check, check, check, check, check. 1174 00:50:39,286 --> 00:50:44,750 This is an exercise regime to get you on your feet, 1175 00:50:44,791 --> 00:50:47,085 up and about, jiggling around. 1176 00:50:47,127 --> 00:50:48,754 -Hey, and there they are. -[Simon] This is Bob. 1177 00:50:48,795 --> 00:50:51,631 Mr. Tufnel, how do you do? It's a pleasure to meet you. 1178 00:50:51,673 --> 00:50:54,634 -Hey, Mr. St. Hubbins. -St. Hubbins, correct. 1179 00:50:54,718 --> 00:50:57,637 -You must be Dr. Smalls. -I must be Derek Smalls. 1180 00:50:57,721 --> 00:51:00,474 How do you do, Derek Smalls? It's a pleasure to meet you. 1181 00:51:00,515 --> 00:51:03,226 My name's Bob Kitness, Bob Kitness Fitness. 1182 00:51:03,310 --> 00:51:05,312 -We're rehearsing here today. -[Nigel] What's going on? 1183 00:51:05,353 --> 00:51:07,481 Well, we're gonna do a nice workout for you 1184 00:51:07,564 --> 00:51:09,691 so that you're ready for your big presentation. 1185 00:51:09,775 --> 00:51:13,236 You look like you've done a bit of conspicuous consumption. 1186 00:51:13,320 --> 00:51:15,906 God knows I have. [laughs] 1187 00:51:15,989 --> 00:51:17,157 -When is this happening? -The workout? 1188 00:51:17,199 --> 00:51:19,117 -Yeah. -Right now. 1189 00:51:19,159 --> 00:51:21,119 Ready? And we're gonna do a big breath in. 1190 00:51:21,161 --> 00:51:22,996 -[inhales] -[plays ascending scale] 1191 00:51:23,080 --> 00:51:24,706 And a big breath out. 1192 00:51:24,790 --> 00:51:25,999 [plays descending scale] 1193 00:51:26,041 --> 00:51:27,417 And a big breath in. 1194 00:51:28,794 --> 00:51:30,087 And a big breath out. 1195 00:51:30,462 --> 00:51:32,005 There you go. Well done, everybody. 1196 00:51:32,047 --> 00:51:34,382 Before we get into the actual workout, 1197 00:51:34,466 --> 00:51:36,176 I saw dates of birth on you fellas, 1198 00:51:36,218 --> 00:51:39,179 and it sounds to me like the candles 1199 00:51:39,221 --> 00:51:41,556 are starting to cost a little bit more than the cake. 1200 00:51:41,640 --> 00:51:45,393 [Bob laughs] But I would like to ask you a few questions. 1201 00:51:45,477 --> 00:51:47,646 These are standard boilerplate-type questions. 1202 00:51:47,687 --> 00:51:51,274 Number one, does anyone have any penis pain? 1203 00:51:51,775 --> 00:51:53,985 They're exercising? They need to be rehearsing. 1204 00:51:54,027 --> 00:51:56,071 They need to be exercising. 1205 00:51:56,154 --> 00:51:57,948 [Bob] Lifting our leg and twisting around 1206 00:51:58,031 --> 00:52:00,200 keeps us nice and fit. 1207 00:52:00,283 --> 00:52:01,701 You're kidding. They're really old, Simon. 1208 00:52:01,743 --> 00:52:04,162 Which is precisely why they need exercising, understand? 1209 00:52:04,204 --> 00:52:06,456 ♪ Da-da-da-da-da-da ♪ 1210 00:52:06,540 --> 00:52:07,874 Yeah! 1211 00:52:07,958 --> 00:52:09,626 [laughs] 1212 00:52:09,709 --> 00:52:10,752 Boy, that's living! 1213 00:52:10,836 --> 00:52:12,754 [playing "Big Bottom"] 1214 00:52:18,552 --> 00:52:23,056 ♪ The bigger the cushion The sweeter the pushin' ♪ 1215 00:52:23,140 --> 00:52:25,308 ♪ That's what I said ♪ 1216 00:52:26,977 --> 00:52:31,773 ♪ The looser the waistband The deeper the quicksand ♪ 1217 00:52:31,857 --> 00:52:34,317 ♪ So I have read ♪ 1218 00:52:35,735 --> 00:52:40,323 ♪ My baby fits me Like a flesh tuxedo ♪ 1219 00:52:40,407 --> 00:52:44,744 ♪ I like to sink 'em With my pink torpedo ♪ 1220 00:52:45,078 --> 00:52:48,498 ♪ Big bottom Big bottom ♪ 1221 00:52:48,582 --> 00:52:53,253 ♪ Talk about bum cakes My girl's got 'em ♪ 1222 00:52:53,503 --> 00:52:57,132 ♪ Big bottom Drive me out of my mind ♪ 1223 00:52:57,215 --> 00:53:01,428 ♪ How could I Leave this behind? ♪ 1224 00:53:01,511 --> 00:53:03,263 [farts] 1225 00:53:04,097 --> 00:53:05,640 What the fuck? 1226 00:53:06,600 --> 00:53:08,059 What was that? 1227 00:53:08,101 --> 00:53:09,811 Was that my guitar doing that? 1228 00:53:09,895 --> 00:53:10,979 Well, I prerecorded that. 1229 00:53:11,062 --> 00:53:13,398 He farted earlier, recorded it. 1230 00:53:13,440 --> 00:53:15,650 [stammers] That's not clever. 1231 00:53:15,734 --> 00:53:17,027 Farts are funny. 1232 00:53:17,360 --> 00:53:20,363 I can't argue with you in-in-in principle, 1233 00:53:20,447 --> 00:53:23,074 but I don't think it's appropriate. Look at this. 1234 00:53:23,116 --> 00:53:25,994 I think it could be more subtle. 1235 00:53:26,077 --> 00:53:27,370 Like a... [blows raspberry] 1236 00:53:27,454 --> 00:53:30,457 No, imagine you're on public transport, 1237 00:53:30,498 --> 00:53:33,627 and there's an old lady sitting next to you, 1238 00:53:33,668 --> 00:53:35,295 and she's got a little bag, you know. 1239 00:53:35,337 --> 00:53:37,964 She's looking in her bag for a mint or something. 1240 00:53:38,048 --> 00:53:39,132 And then you hear... 1241 00:53:39,174 --> 00:53:40,300 [purrs] 1242 00:53:40,342 --> 00:53:42,636 And you're trying to be polite. 1243 00:53:42,677 --> 00:53:46,264 You look over and try to pretend that you didn't hear it, 1244 00:53:46,306 --> 00:53:47,807 but you can't not have heard it. 1245 00:53:47,849 --> 00:53:50,143 So we're on the same page, you want me to go find 1246 00:53:50,227 --> 00:53:51,353 an old lady farting on a bus? 1247 00:53:51,436 --> 00:53:52,646 [Nigel] No, not literally. 1248 00:53:52,729 --> 00:53:56,399 This is a story. It didn't actually happen. 1249 00:53:56,483 --> 00:53:58,360 [Nigel] You're starting with "Hell Hole." 1250 00:53:58,443 --> 00:54:00,987 No, I was saying tentatively start with "Majesty." 1251 00:54:01,071 --> 00:54:02,530 Oh, "Majesty." That's a good-- 1252 00:54:02,614 --> 00:54:04,407 It's like an intro. Come in with the robes. 1253 00:54:04,491 --> 00:54:06,368 So, we got kind of a mini set, 1254 00:54:06,451 --> 00:54:11,164 a mini inset of "Clam Caravan" and... 1255 00:54:11,248 --> 00:54:13,667 -"Gimme." Yes. Okay. -..."Gimme." Yes. 1256 00:54:13,750 --> 00:54:17,587 And then turn it up again for "Cash on Delivery." 1257 00:54:17,671 --> 00:54:20,340 And then double the tempo for "Diva Fever." 1258 00:54:20,423 --> 00:54:23,260 And then you're gonna be good to come 1259 00:54:23,343 --> 00:54:24,970 after "Gimme Some Money." 1260 00:54:25,011 --> 00:54:26,846 [playing "Gimme Some Money"] 1261 00:54:26,888 --> 00:54:28,848 [playing harmonica] 1262 00:54:45,323 --> 00:54:48,660 ♪ Gimme some money ♪ 1263 00:54:49,035 --> 00:54:51,371 ♪ Gimme some money ♪ 1264 00:54:52,038 --> 00:54:54,582 ♪ Gimme some money ♪ 1265 00:54:55,333 --> 00:54:57,627 ♪ Gimme some money ♪ 1266 00:54:59,212 --> 00:55:01,631 ♪ Gimme some money ♪ 1267 00:55:02,590 --> 00:55:05,302 [quieter] ♪ Gimme some money ♪ 1268 00:55:05,885 --> 00:55:08,513 ♪ Gimme some money ♪ 1269 00:55:09,431 --> 00:55:11,891 ♪ Gimme some money ♪ 1270 00:55:13,393 --> 00:55:15,729 [softer] ♪ Gimme some money ♪ 1271 00:55:16,396 --> 00:55:20,066 ♪ Gimme some money ♪ 1272 00:55:20,150 --> 00:55:23,320 ♪ Gimme some money ♪ 1273 00:55:23,403 --> 00:55:26,948 ♪ Ay, ay, ay ♪ 1274 00:55:27,032 --> 00:55:28,616 All right, wasn't bad. 1275 00:55:28,700 --> 00:55:31,745 Musically, you seem to be grooving pretty good. 1276 00:55:31,786 --> 00:55:35,540 I mean, you seem to be gelling, you know, in rehearsals. 1277 00:55:35,582 --> 00:55:37,709 Not to be profound or anything... 1278 00:55:37,751 --> 00:55:39,919 And it would be a first time for me. 1279 00:55:39,961 --> 00:55:44,424 ...but I think the more we retreat into the music, 1280 00:55:44,507 --> 00:55:47,344 the more we yield to the cowardice we feel 1281 00:55:47,427 --> 00:55:50,013 about confronting one another with things, 1282 00:55:50,096 --> 00:55:51,765 the nicer things become. 1283 00:55:51,806 --> 00:55:54,434 Be honest, how does it look? No, don't pull too hard. 1284 00:55:54,517 --> 00:55:56,478 -Sorry. -[Nigel] Looks like bug eyes. 1285 00:55:56,561 --> 00:55:58,146 Yes, that is the point, because they are bugs. 1286 00:55:58,229 --> 00:55:59,647 I can't see, though. 1287 00:55:59,731 --> 00:56:02,442 How-- How would I find the stage? 1288 00:56:02,484 --> 00:56:04,444 [Hope] Derek, what about that? 1289 00:56:04,527 --> 00:56:06,613 -[Derek] Now you're talking. -I could see you in that. 1290 00:56:06,654 --> 00:56:08,656 -This is perfect. I love this. -What we could do is... 1291 00:56:08,740 --> 00:56:11,534 -Oh, this is me. This is me. -[Hope] That looks fantastic. 1292 00:56:11,618 --> 00:56:14,287 Oh, this shirt is for my mother. It's not for you. 1293 00:56:14,371 --> 00:56:16,206 She really loves this blouse, you know. 1294 00:56:16,289 --> 00:56:17,457 I have another really good thing. 1295 00:56:17,540 --> 00:56:20,293 -That is... Oh, yes. -[Hope] Yes. 1296 00:56:20,377 --> 00:56:22,462 -Would you like to put these on? -I'll try. 1297 00:56:22,545 --> 00:56:23,797 [Hope] The thing about the glasses is 1298 00:56:23,838 --> 00:56:25,548 -they take away something from-- -Like this? 1299 00:56:25,632 --> 00:56:27,550 I think that looks very futuristic. 1300 00:56:27,634 --> 00:56:29,427 So, it's all bugs, is what you've done. 1301 00:56:29,469 --> 00:56:31,805 Let me tell you something. Insect means pestilence. 1302 00:56:31,846 --> 00:56:34,724 And what is more rock and roll than pestilence? 1303 00:56:34,808 --> 00:56:38,311 What's more rock and roll than disease, is what you're saying? 1304 00:56:38,395 --> 00:56:39,729 [Yasmine] Absolutely. 1305 00:56:39,813 --> 00:56:41,648 Derek, you're the glue. You're the-- 1306 00:56:41,731 --> 00:56:43,817 He's the elder statesman, in a way. 1307 00:56:43,858 --> 00:56:46,611 And he doesn't want to be the silly one running about, 1308 00:56:46,653 --> 00:56:48,738 because we can run around and make faces and play. 1309 00:56:48,822 --> 00:56:51,783 Who amongst you is the silly one? 1310 00:56:52,409 --> 00:56:54,077 I'd say it's got to be him. 1311 00:56:54,160 --> 00:56:55,662 -You're the silly one? -Yeah. 1312 00:56:55,745 --> 00:56:56,663 Mm... 1313 00:56:56,746 --> 00:56:58,456 [Nigel] What are you laughing at? 1314 00:56:58,498 --> 00:57:00,500 I've noticed you're happier than you were. 1315 00:57:00,542 --> 00:57:03,378 -Really? -You used to be gloomy. 1316 00:57:03,461 --> 00:57:04,754 I was more sullen? 1317 00:57:04,838 --> 00:57:06,256 Well, sullen 1318 00:57:06,339 --> 00:57:07,674 and questioning your own... 1319 00:57:07,715 --> 00:57:09,717 "Should I be doing this?" And-- 1320 00:57:09,801 --> 00:57:12,595 Well, I know that, you know, you weren't all that thrilled 1321 00:57:12,679 --> 00:57:15,598 the first time when the film came out. 1322 00:57:15,682 --> 00:57:20,270 You maybe thought I didn't do you justice. 1323 00:57:20,353 --> 00:57:21,896 Do you feel that still? I mean... 1324 00:57:21,980 --> 00:57:24,524 We have taken you off the hook for the first film. 1325 00:57:24,607 --> 00:57:26,025 -[Marty] That makes me... -You were there. 1326 00:57:26,109 --> 00:57:29,571 You witnessed some of the ups and some of the downs. 1327 00:57:29,654 --> 00:57:33,283 You see, some people think, "Oh, it was all down." 1328 00:57:33,366 --> 00:57:35,201 But you saw things that were good. 1329 00:57:35,243 --> 00:57:36,619 Yes, I saw a lot of good things. 1330 00:57:36,703 --> 00:57:38,455 You saw us reach the stage... 1331 00:57:38,538 --> 00:57:40,707 -But people do say to us... -...many the night. 1332 00:57:40,790 --> 00:57:42,792 Many times. Sometimes you couldn't find the stage. 1333 00:57:42,876 --> 00:57:45,253 [Derek] Most of the time we did. -Other times... 1334 00:57:45,336 --> 00:57:47,672 -We did, mostly. Yeah. -Yeah. 1335 00:57:47,714 --> 00:57:50,925 ♪ Here she comes That rainy day sun ♪ 1336 00:57:51,009 --> 00:57:54,721 ♪ Peeking in and out The falling raindrops ♪ 1337 00:57:54,804 --> 00:57:58,224 ♪ Smiling down on everyone ♪ 1338 00:57:58,308 --> 00:58:00,518 Gentlemen! Boys, boys, boys! 1339 00:58:00,560 --> 00:58:02,520 [David laughing] Oh! 1340 00:58:02,562 --> 00:58:03,646 -We have a visitor. -Hey, everyone. 1341 00:58:03,730 --> 00:58:05,064 [David] Oh, a special guest. 1342 00:58:05,148 --> 00:58:06,691 Welcome, welcome. 1343 00:58:06,733 --> 00:58:08,776 What an honor. So good to see you. 1344 00:58:08,860 --> 00:58:10,737 [Marty] How much were you aware 1345 00:58:10,820 --> 00:58:13,072 of Spinal Tap, you know, in the early days? 1346 00:58:13,156 --> 00:58:15,867 Were you aware of the band? Did you know about this band? 1347 00:58:15,909 --> 00:58:17,410 -Yeah, I knew about the band. -Yeah? 1348 00:58:17,494 --> 00:58:21,080 Um, and, yeah, I was a big fan, actually. 1349 00:58:21,164 --> 00:58:23,750 -Really? I'm surprised. -They're underrated musicians. 1350 00:58:23,791 --> 00:58:26,127 These guys just aren't a heavy rock and roll band. 1351 00:58:26,211 --> 00:58:27,504 -They're really good. -Right. 1352 00:58:27,587 --> 00:58:29,088 For example, in the bit in "Stonehenge" 1353 00:58:29,130 --> 00:58:30,965 where he plays the mandolin. I love the mandolin. 1354 00:58:31,049 --> 00:58:33,635 That's-- Most heavy metal bands couldn't do that. 1355 00:58:33,718 --> 00:58:36,513 Did you recognize that tune? That was the flip side of-- 1356 00:58:36,596 --> 00:58:39,182 That was "Rainy Day Sun." Yeah. 1357 00:58:39,265 --> 00:58:40,558 Flip side of "Flower People." 1358 00:58:40,600 --> 00:58:42,185 -Let's do "Flower People." -Big fan. 1359 00:58:42,268 --> 00:58:43,978 -[David] Would you like to? -Let's do "Flower People." 1360 00:58:44,062 --> 00:58:46,773 Yeah, that would be great. Yeah. Fantastic, yeah. 1361 00:58:46,856 --> 00:58:48,775 I'll just have to follow you guys, okay? 1362 00:58:48,816 --> 00:58:51,069 [David] Okay. We've followed you many times. 1363 00:58:51,110 --> 00:58:52,153 [laughs] 1364 00:58:52,237 --> 00:58:53,905 [playing "Flower People"] 1365 00:59:00,828 --> 00:59:05,959 ♪ Listen to what The flower people say ♪ 1366 00:59:07,627 --> 00:59:10,004 ♪ Ah, ah, ah, ah, ah ♪ 1367 00:59:10,088 --> 00:59:11,631 ♪ Listen ♪ 1368 00:59:11,673 --> 00:59:16,135 ♪ It's getting louder Every day ♪ 1369 00:59:18,555 --> 00:59:20,473 -♪ Listen ♪ - ♪ Shh ♪ 1370 00:59:20,515 --> 00:59:23,977 ♪ It's like a bolt Out of the blue ♪ 1371 00:59:25,270 --> 00:59:27,480 ♪ Ah, ah, ah, ah, ah ♪ 1372 00:59:27,522 --> 00:59:29,399 ♪ Listen ♪ 1373 00:59:29,482 --> 00:59:34,028 ♪ It could be calling now For you ♪ 1374 00:59:37,323 --> 00:59:41,035 ♪ Flower people, walk on by ♪ 1375 00:59:41,578 --> 00:59:44,956 ♪ Flower people Don't you cry ♪ 1376 00:59:44,998 --> 00:59:48,167 -♪ It's not too late ♪ -♪ No ♪ 1377 00:59:48,251 --> 00:59:49,544 ♪ Not too late ♪ 1378 00:59:49,627 --> 00:59:52,088 ♪ It's not too late ♪ 1379 00:59:52,171 --> 00:59:54,674 ♪ No ♪ 1380 00:59:58,720 --> 01:00:00,513 [Marty] When they called and asked you, 1381 01:00:00,555 --> 01:00:02,098 you said, "Okay, I'll do this"? 1382 01:00:02,181 --> 01:00:05,476 Oh, it was an honor. It was like having your first hit record, 1383 01:00:05,518 --> 01:00:07,854 to be asked to do this. It was like, wow. 1384 01:00:07,895 --> 01:00:09,897 Are you kidding me? I didn't have to even think about it. 1385 01:00:09,981 --> 01:00:11,858 Had you ever met any members of the band? 1386 01:00:11,899 --> 01:00:13,526 [Elton] No, I've never met them. 1387 01:00:13,568 --> 01:00:14,902 It's funny that we all travel around. 1388 01:00:14,986 --> 01:00:16,654 You don't meet people on the road. 1389 01:00:16,696 --> 01:00:19,073 You're zigzagging around and you miss people. 1390 01:00:19,157 --> 01:00:21,075 So I've never been in the same town as them. 1391 01:00:21,159 --> 01:00:23,703 -But it's nice to meet them now. -Yeah. 1392 01:00:23,786 --> 01:00:27,749 I mean, it's, you know, at this point in their life, 1393 01:00:27,832 --> 01:00:30,710 at this point in my life, it's a great thing to... 1394 01:00:30,752 --> 01:00:32,879 Sometimes waiting for something is even better 1395 01:00:32,962 --> 01:00:34,422 than meeting someone earlier on. 1396 01:00:34,505 --> 01:00:37,091 ♪ Yeah, yeah ♪ 1397 01:00:42,388 --> 01:00:46,142 ♪ Ah ♪ 1398 01:00:49,896 --> 01:00:51,230 -[song ends] -[Elton] Okay. 1399 01:00:51,314 --> 01:00:53,232 -[Hope] Wow. -Oh, yeah. 1400 01:00:53,733 --> 01:00:55,568 -[Nigel] Well done. -Thank you. 1401 01:00:55,610 --> 01:00:56,569 [Nigel] You've done this before? 1402 01:00:56,653 --> 01:00:58,321 No, but, uh... 1403 01:00:58,404 --> 01:01:00,948 It's one of my favorite songs of yours, that's all. 1404 01:01:01,032 --> 01:01:04,577 I never thought I'd get to actually sing it with you guys. 1405 01:01:04,661 --> 01:01:05,745 -[Nigel] Amazing. -Thank you. 1406 01:01:05,787 --> 01:01:07,747 Throw it back at you, yeah. 1407 01:01:07,789 --> 01:01:10,625 I wonder if there's a bit too much piano. 1408 01:01:11,542 --> 01:01:14,087 I'm enjoying the singing. I'm just wondering if there's too much piano. 1409 01:01:14,128 --> 01:01:16,005 -Simon! -He doesn't understand music. 1410 01:01:16,089 --> 01:01:17,674 -I'm so sorry. -[David] Well, that's mad. 1411 01:01:17,757 --> 01:01:18,925 Sir Elton said he'd like to play with us, 1412 01:01:18,966 --> 01:01:20,426 and he's singing and playing. 1413 01:01:20,468 --> 01:01:21,803 That's what he does. 1414 01:01:21,886 --> 01:01:24,263 You may not have heard the last 50 years. 1415 01:01:24,347 --> 01:01:27,600 [David] But you know what number he might like to do? 1416 01:01:27,642 --> 01:01:28,935 It's called "Stonehenge." 1417 01:01:28,976 --> 01:01:30,895 -[Elton] Okay. -You aware of the tune? 1418 01:01:30,937 --> 01:01:33,272 -Of course. -[Derek] We got the right size this time. 1419 01:01:33,356 --> 01:01:36,234 Yeah, it's more dynamic. It's, you know, very visual. 1420 01:01:36,275 --> 01:01:38,903 -It's dramatic as well. -Well, I can do that. 1421 01:01:38,945 --> 01:01:40,655 You want me to do that one? 1422 01:01:40,738 --> 01:01:43,324 [playing "Big Bottom"] 1423 01:01:45,451 --> 01:01:48,913 ♪ But late at night When the boogie's through ♪ 1424 01:01:48,955 --> 01:01:51,457 ♪ I go to bed Just the same as you ♪ 1425 01:01:51,541 --> 01:01:53,251 ♪ Oh, yeah ♪ 1426 01:01:54,919 --> 01:01:56,963 -[David] What's this? -[band stops playing] 1427 01:01:58,131 --> 01:01:59,507 What's this? 1428 01:01:59,590 --> 01:02:00,967 Why are people falling down a hill? 1429 01:02:01,008 --> 01:02:02,885 What does that have to do with us? 1430 01:02:02,969 --> 01:02:05,888 I would like to see more of it, actually. 1431 01:02:05,972 --> 01:02:07,682 [David] Yeah, we'll make you a copy. 1432 01:02:07,765 --> 01:02:09,851 Just show the band, all right? Show the band. 1433 01:02:09,934 --> 01:02:12,812 You share such a history, such a personal history. 1434 01:02:12,895 --> 01:02:15,982 Particularly Nigel and David going back to childhood 1435 01:02:16,023 --> 01:02:18,484 and Derek coming in, you know, in the last... 1436 01:02:18,526 --> 01:02:19,652 In our 20s. 1437 01:02:19,736 --> 01:02:21,904 -[Marty] Over 40 years. -Yeah. 1438 01:02:21,988 --> 01:02:24,782 Do you find those dynamics changing? 1439 01:02:24,824 --> 01:02:26,993 Are those relationships changing? 1440 01:02:27,076 --> 01:02:29,078 I think there are differences, though. 1441 01:02:29,162 --> 01:02:33,374 Time goes by and things change with relationships. 1442 01:02:33,458 --> 01:02:34,667 -And... -Yeah. 1443 01:02:34,709 --> 01:02:36,836 But the thing you had as kids... 1444 01:02:36,919 --> 01:02:39,005 -Yes. -...is that still there? 1445 01:02:39,088 --> 01:02:42,675 We were close as small boys, and... 1446 01:02:43,217 --> 01:02:47,138 Then you grow away and back and away and back again, and... 1447 01:02:47,180 --> 01:02:49,265 I don't know where it is now. It's somewhere. 1448 01:02:49,348 --> 01:02:52,685 [Marty] But do you feel that thing that you had as kids 1449 01:02:52,769 --> 01:02:55,480 is still there somewhere or...? 1450 01:02:55,521 --> 01:02:56,981 Somewhere. 1451 01:03:01,569 --> 01:03:03,738 I'm so used to being, like, 1452 01:03:03,821 --> 01:03:05,823 intimate with these guys, so close, 1453 01:03:05,865 --> 01:03:08,367 and obviously, this is, like, a huge arena. 1454 01:03:08,451 --> 01:03:10,953 Is there any way we can push 1455 01:03:11,037 --> 01:03:13,831 -this whole rig forward? -The whole rig? 1456 01:03:13,873 --> 01:03:16,125 Like downstage a little bit. 1457 01:03:18,252 --> 01:03:21,047 [Marty] So, I'm noticing that the pedalboard 1458 01:03:21,088 --> 01:03:23,174 -is quite a bit larger... -It is, yeah. 1459 01:03:23,216 --> 01:03:24,801 ...than what you showed me earlier. 1460 01:03:24,884 --> 01:03:26,761 -This is the first section. -Yeah. 1461 01:03:26,844 --> 01:03:28,638 -And then it was this one. -Yeah. 1462 01:03:28,721 --> 01:03:30,473 This. They're all linked together... 1463 01:03:30,556 --> 01:03:32,725 -Yeah. -...by this bit. 1464 01:03:32,767 --> 01:03:34,769 Oh, that's what you call the brain. 1465 01:03:34,852 --> 01:03:36,062 -It's the brain, yeah. -Right. 1466 01:03:36,103 --> 01:03:37,939 What do these extra things do? 1467 01:03:38,022 --> 01:03:39,690 Well, you can read some of them. 1468 01:03:39,732 --> 01:03:41,067 -Yeah, this says-- -To yourself. 1469 01:03:41,150 --> 01:03:42,735 -Oh, I shouldn't... -Yeah. 1470 01:03:42,777 --> 01:03:44,111 So, what's your favorite? Give me a-- 1471 01:03:44,195 --> 01:03:45,822 The new one you added that you say, 1472 01:03:45,905 --> 01:03:49,492 "Boy, I'm so glad they added this one." 1473 01:03:49,575 --> 01:03:51,410 [high-pitched warble] 1474 01:03:53,371 --> 01:03:54,747 Ah! 1475 01:03:54,831 --> 01:03:57,041 -Yeah, that's a bit annoying. -Well, to you. 1476 01:03:57,083 --> 01:03:59,377 How's it going? Sounding good? 1477 01:03:59,418 --> 01:04:00,461 Oh, hello. 1478 01:04:00,545 --> 01:04:01,504 Hello, how's it going? 1479 01:04:01,587 --> 01:04:03,089 It's nice. It's loud. 1480 01:04:03,130 --> 01:04:04,924 -That's your reputation. -[Nigel] That is. Yeah. 1481 01:04:04,966 --> 01:04:07,176 It's what the people want and indeed need. 1482 01:04:07,260 --> 01:04:09,804 Just quickly to say good luck. I hope it goes tremendously well. 1483 01:04:09,887 --> 01:04:11,264 -Um... -[David] Yeah. 1484 01:04:11,305 --> 01:04:13,808 It should be marvelous. Everything is set up. 1485 01:04:13,891 --> 01:04:15,601 You're in excellent hands with Hope. 1486 01:04:15,643 --> 01:04:16,769 -I have to go. -What? 1487 01:04:16,811 --> 01:04:19,272 I have to meet my birth mother. 1488 01:04:19,313 --> 01:04:21,899 -[David] Your what? -My birth mother. 1489 01:04:21,941 --> 01:04:23,317 You're leaving? You're not gonna be here? 1490 01:04:23,401 --> 01:04:26,362 Some things... I hate to break this to you. 1491 01:04:26,445 --> 01:04:29,156 Some things are more important than rock and roll, and one of them is family. 1492 01:04:29,240 --> 01:04:31,951 -Un-fucking-believable. -[Hope] You could wait a day. 1493 01:04:31,993 --> 01:04:33,160 You didn't give me any indication. 1494 01:04:33,244 --> 01:04:35,204 -I didn't know. -[Nigel] It's not good. 1495 01:04:35,288 --> 01:04:38,624 Let me ask you this. Is your birth mother a shark as well? 1496 01:04:38,666 --> 01:04:40,126 Is she a shark? Oh, I see. 1497 01:04:40,167 --> 01:04:42,295 Uh, well, I know nothing about her. That's the point. 1498 01:04:42,336 --> 01:04:44,088 I think that you've run out of feeding ground here. 1499 01:04:44,130 --> 01:04:46,716 You're off to the next swindle. 1500 01:04:46,799 --> 01:04:48,426 -Fucking hell. -The very best of luck 1501 01:04:48,467 --> 01:04:51,178 to all of you. It's been, uh... It's been an experience, 1502 01:04:51,262 --> 01:04:54,307 and something approaching a pleasure. 1503 01:04:56,809 --> 01:04:58,394 [Derek] Wow. 1504 01:05:01,606 --> 01:05:05,818 Hey, "Rock 'n' Roll Nightmare." 1505 01:05:05,902 --> 01:05:07,653 We are living it. 1506 01:05:07,695 --> 01:05:09,071 One, two, three, four! 1507 01:05:09,155 --> 01:05:11,365 [playing "Rock 'n' Roll Nightmare"] 1508 01:05:16,078 --> 01:05:19,165 ♪ I been a rocker Since I don't know when ♪ 1509 01:05:19,206 --> 01:05:21,709 ♪ I been a roller Since a way back then ♪ 1510 01:05:21,792 --> 01:05:23,878 ♪ Oh, yeah ♪ 1511 01:05:23,961 --> 01:05:25,338 [playing wah-wah] 1512 01:05:28,466 --> 01:05:32,053 ♪ But late at night When the boogie's through ♪ 1513 01:05:32,136 --> 01:05:34,597 ♪ I go to bed Just the same as you ♪ 1514 01:05:34,680 --> 01:05:36,307 ♪ Oh, yeah ♪ 1515 01:05:41,354 --> 01:05:44,273 ♪ And when the rock 'n' roll Nightmare comes ♪ 1516 01:05:44,357 --> 01:05:47,526 ♪ The devil's gonna make me Eat my drums ♪ 1517 01:05:48,903 --> 01:05:50,863 [playing heavy warbled notes] 1518 01:05:50,905 --> 01:05:52,323 What's that? 1519 01:05:53,908 --> 01:05:56,827 I'm sorry. What is that? What is that? 1520 01:05:56,869 --> 01:05:59,205 [note reverberating] 1521 01:06:02,208 --> 01:06:04,543 Can you stop it? Can you kill it? 1522 01:06:04,585 --> 01:06:06,212 Can you kill it? 1523 01:06:06,796 --> 01:06:09,256 -I don't even know what you're playing. -It's another voice. 1524 01:06:09,340 --> 01:06:13,469 It's a voice. You may not hear this voice, but I hear it. 1525 01:06:13,552 --> 01:06:16,013 I'm lucky to hear my own voice at this rate. 1526 01:06:16,055 --> 01:06:18,766 -I think it's a distraction. -I think you're on edge. 1527 01:06:18,849 --> 01:06:20,559 You are on edge. 1528 01:06:20,643 --> 01:06:21,560 Why are you not? 1529 01:06:25,314 --> 01:06:27,775 [playing high-pitched warbled notes] 1530 01:06:27,858 --> 01:06:29,860 Yeah, let's make use of that. 1531 01:06:29,902 --> 01:06:31,779 The Japanese woman being knifed. 1532 01:06:32,071 --> 01:06:34,699 She's from Vietnam, first of all. 1533 01:06:34,740 --> 01:06:35,908 All right, fine. 1534 01:06:35,950 --> 01:06:38,244 [playing notes] 1535 01:06:38,285 --> 01:06:43,124 Can we play again? Can we just play the music? 1536 01:06:44,083 --> 01:06:46,085 Let's play the music. 1537 01:06:48,504 --> 01:06:50,881 You gotta stop playing with your train set 1538 01:06:50,923 --> 01:06:52,216 and play the music. 1539 01:06:52,258 --> 01:06:55,720 You can't do it, can you? You can't do it. 1540 01:06:55,761 --> 01:06:57,054 You can't just play the tune. 1541 01:06:57,096 --> 01:06:59,140 -I can. -You can't. 1542 01:06:59,223 --> 01:07:01,434 -I can, and I did it. -I know what else you did. 1543 01:07:01,517 --> 01:07:04,562 October 9th, 2009. 1544 01:07:04,603 --> 01:07:07,773 -What are you talking about? -You know exactly what I'm talking about. 1545 01:07:07,815 --> 01:07:09,275 You fucked my wife. 1546 01:07:09,316 --> 01:07:11,110 -I fucked your wife? -That's what I'm hearing. 1547 01:07:11,193 --> 01:07:13,070 -You must be joking. -That's what I'm saying. 1548 01:07:13,112 --> 01:07:15,531 -You must be fucking joking! -Oh, no, no. 1549 01:07:15,614 --> 01:07:18,242 -You must be joking. -Where's Nigel? Where's Jeanine? 1550 01:07:18,284 --> 01:07:20,953 Oh, here they are. They're together. They're smiling. 1551 01:07:21,037 --> 01:07:22,455 I knew what happened. 1552 01:07:22,538 --> 01:07:24,790 You have gone mad. 1553 01:07:24,832 --> 01:07:26,876 Fucking good grief. 1554 01:07:26,959 --> 01:07:28,461 [Nigel] You're fucking mad, is what you are. 1555 01:07:28,502 --> 01:07:31,422 -You're fucking mad. -Go follow him. Follow him. 1556 01:07:31,464 --> 01:07:34,884 [Nigel] There's no fucking way I would have done that. 1557 01:07:34,967 --> 01:07:36,510 Fuck you! 1558 01:07:37,970 --> 01:07:40,306 [bluesy music playing] 1559 01:08:09,210 --> 01:08:13,005 ♪ Highway Two now, baby ♪ 1560 01:08:13,047 --> 01:08:16,509 ♪ Run right by my baby's door ♪ 1561 01:08:19,011 --> 01:08:22,014 ♪ Highway Two now, baby ♪ 1562 01:08:22,055 --> 01:08:25,225 ♪ Run right by my baby's door ♪ 1563 01:08:26,769 --> 01:08:29,522 ♪ Well, you know I can't Get the one I'm loving ♪ 1564 01:08:29,604 --> 01:08:32,566 ♪ I ain't going down Highway Two no more ♪ 1565 01:08:36,153 --> 01:08:39,240 ♪ Me and my baby Can't get along ♪ 1566 01:08:39,615 --> 01:08:41,867 ♪ Always down there By the liquor store... ♪ 1567 01:08:41,908 --> 01:08:45,912 [David] ♪ Waiting for that train To bring her back ♪ 1568 01:08:45,996 --> 01:08:48,707 ♪ If she's not on the 5:19 ♪ 1569 01:08:48,749 --> 01:08:51,710 ♪ Then I'm gonna know What sorrow means ♪ 1570 01:08:51,794 --> 01:08:57,049 ♪ And I'm gonna cry, cry, cry All the way home ♪ 1571 01:08:57,133 --> 01:08:58,884 ♪ All the way home ♪ 1572 01:08:58,968 --> 01:09:00,219 [playing harmonica] 1573 01:09:00,261 --> 01:09:02,220 [laughs] ♪ All the way... ♪ 1574 01:09:02,304 --> 01:09:07,560 ♪ I'm gonna cry, cry, cry All the way home ♪ 1575 01:09:13,732 --> 01:09:16,484 [crowd cheering faintly] 1576 01:09:16,569 --> 01:09:21,740 [crowd chanting] Tap! Tap! Tap! Tap! Tap! 1577 01:09:22,700 --> 01:09:26,745 Tap! Tap! Tap! Tap! 1578 01:09:26,828 --> 01:09:31,625 Tap! Tap! Tap! Tap! 1579 01:09:31,709 --> 01:09:34,002 Tap! Tap! Tap! 1580 01:09:34,086 --> 01:09:37,923 [Hope] Okay, gents and lady, showtime. 1581 01:09:38,006 --> 01:09:39,884 Time to rock and roll. You ready? 1582 01:09:39,925 --> 01:09:41,051 Okay. 1583 01:09:41,093 --> 01:09:44,220 Tap! Tap! Tap! 1584 01:09:44,263 --> 01:09:48,934 Tap! Tap! Tap! Tap! 1585 01:09:48,975 --> 01:09:52,229 Tap! Tap! Tap! Tap! 1586 01:09:52,270 --> 01:09:55,441 -You okay? -Yeah. 1587 01:10:02,448 --> 01:10:06,410 Whatever you did, I forgive you. 1588 01:10:08,954 --> 01:10:10,581 I didn't do anything. 1589 01:10:13,500 --> 01:10:15,294 Well, then I forgive you for that. 1590 01:10:15,377 --> 01:10:19,048 Tap! Tap! Tap! Tap! Tap! Tap! Tap! Tap! 1591 01:10:19,131 --> 01:10:21,217 Well, they're not going anywhere. 1592 01:10:21,300 --> 01:10:23,302 What do we do about that? 1593 01:10:24,970 --> 01:10:27,097 -Do a show? -Why not? 1594 01:10:27,139 --> 01:10:28,182 They're stuck with us. 1595 01:10:28,265 --> 01:10:29,892 Tap! Tap! Tap! 1596 01:10:29,975 --> 01:10:31,227 Tap! Tap! Tap! Tap! Tap! 1597 01:10:31,310 --> 01:10:34,313 Tap! Tap! Tap! Tap! Tap! 1598 01:10:34,396 --> 01:10:36,440 -[crowd cheering] -[announcer] Yeah! 1599 01:10:36,482 --> 01:10:40,694 Direct from hell, Spinal Tap! 1600 01:10:40,986 --> 01:10:43,322 [playing "Hell Hole"] 1601 01:10:43,364 --> 01:10:44,740 [David] Good evening! 1602 01:10:59,672 --> 01:11:03,342 ♪ The window's dirty The mattress stinks ♪ 1603 01:11:03,425 --> 01:11:06,553 ♪ This ain't no place To be a man ♪ 1604 01:11:08,305 --> 01:11:10,182 ♪ Ain't got no future ♪ 1605 01:11:10,266 --> 01:11:12,268 ♪ Ain't got no past ♪ 1606 01:11:12,351 --> 01:11:15,646 ♪ And I don't think I ever can ♪ 1607 01:11:17,022 --> 01:11:18,941 ♪ The floor is filthy ♪ 1608 01:11:19,024 --> 01:11:20,526 ♪ The walls are thin ♪ 1609 01:11:20,567 --> 01:11:23,529 ♪ The wind is howling In my face ♪ 1610 01:11:25,239 --> 01:11:27,074 ♪ The rats are peeling ♪ 1611 01:11:27,157 --> 01:11:28,867 ♪ I'm losing ground ♪ 1612 01:11:28,909 --> 01:11:31,578 ♪ Can't seem to join The human race ♪ 1613 01:11:33,205 --> 01:11:35,541 ♪ Look out, tell me why then ♪ 1614 01:11:35,624 --> 01:11:39,378 ♪ Oh, I'm living In a hell hole ♪ 1615 01:11:39,461 --> 01:11:42,673 ♪ Don't want to stay In this hell hole ♪ 1616 01:11:42,715 --> 01:11:44,091 Whoo! 1617 01:11:44,174 --> 01:11:45,551 ♪ Don't want to die ♪ 1618 01:11:45,592 --> 01:11:47,636 ♪ In this hell hole ♪ 1619 01:11:47,720 --> 01:11:51,682 ♪ Girl, get me out Of this hell hole ♪ 1620 01:11:52,808 --> 01:11:57,646 ♪ No light fantastic Ever crosses my mind ♪ 1621 01:11:59,189 --> 01:12:01,400 ♪ That meditation stuff ♪ 1622 01:12:01,483 --> 01:12:03,902 ♪ Can make you go blind ♪ 1623 01:12:05,321 --> 01:12:07,406 ♪ Just crank that volume ♪ 1624 01:12:07,448 --> 01:12:10,909 ♪ To the point of pain ♪ 1625 01:12:12,369 --> 01:12:15,456 ♪ Why waste good music On a brain? ♪ 1626 01:12:17,583 --> 01:12:19,543 -♪ Heavy ♪ -♪ Heavy ♪ 1627 01:12:19,585 --> 01:12:21,879 -♪ Duty ♪ -♪ Duty ♪ 1628 01:12:22,254 --> 01:12:23,964 ♪ Heavy-duty rock and roll ♪ 1629 01:12:30,637 --> 01:12:32,389 -♪ Heavy ♪ -♪ Heavy ♪ 1630 01:12:32,431 --> 01:12:34,141 -♪ Duty ♪ -♪ Duty ♪ 1631 01:12:34,224 --> 01:12:36,352 ♪ Brings out the duty ♪ 1632 01:12:36,435 --> 01:12:37,603 ♪ In my soul ♪ 1633 01:12:37,644 --> 01:12:39,104 [playing "The Majesty of Rock"] 1634 01:12:39,146 --> 01:12:40,981 [crowd cheering] 1635 01:12:48,280 --> 01:12:49,698 Yahoo! 1636 01:12:50,783 --> 01:12:53,410 ♪ There's a pulse In the newborn sun ♪ 1637 01:12:53,452 --> 01:12:56,580 ♪ A beat in the heat of noon ♪ 1638 01:12:57,873 --> 01:13:00,709 ♪ There's a song As the day grows long ♪ 1639 01:13:00,793 --> 01:13:03,629 ♪ And a tempo In the tides of the moon ♪ 1640 01:13:04,963 --> 01:13:08,467 ♪ It's all around us And it's everywhere ♪ 1641 01:13:08,509 --> 01:13:10,761 ♪ And it's deeper Than royal blue ♪ 1642 01:13:10,803 --> 01:13:12,429 ♪ Hey ♪ 1643 01:13:12,471 --> 01:13:15,099 ♪ And it feels so real ♪ 1644 01:13:15,140 --> 01:13:18,268 ♪ You can feel the feeling ♪ 1645 01:13:18,310 --> 01:13:20,562 ♪ And that's The majesty of rock ♪ 1646 01:13:20,646 --> 01:13:22,439 ♪ The pageantry of roll ♪ 1647 01:13:22,481 --> 01:13:24,149 ♪ The ticking of the clock ♪ 1648 01:13:24,233 --> 01:13:26,193 ♪ The wailing of the soul ♪ 1649 01:13:26,276 --> 01:13:28,070 ♪ The prisoner in the dock ♪ 1650 01:13:28,153 --> 01:13:29,613 ♪ The digger in the hole ♪ 1651 01:13:29,655 --> 01:13:34,368 ♪ We're in this together And ever ♪ 1652 01:13:34,451 --> 01:13:36,745 [drum solo being played] 1653 01:13:44,420 --> 01:13:45,963 [crowd cheering] 1654 01:13:55,556 --> 01:13:57,766 [mystical music playing] 1655 01:13:59,184 --> 01:14:01,103 In ancient times... 1656 01:14:01,186 --> 01:14:03,021 [cheering] 1657 01:14:03,063 --> 01:14:06,942 ...hundreds of years before the dawn of history... 1658 01:14:07,025 --> 01:14:08,485 Whoo! 1659 01:14:08,819 --> 01:14:11,905 ...lived a strange race of people. 1660 01:14:13,991 --> 01:14:15,033 The Druids. 1661 01:14:24,209 --> 01:14:28,046 No one knows who they were 1662 01:14:28,088 --> 01:14:31,008 or what they were doing. 1663 01:14:31,049 --> 01:14:32,885 [man] Do "Stonehenge"! 1664 01:14:32,926 --> 01:14:36,054 [Nigel] But their legacy remains hewn 1665 01:14:36,096 --> 01:14:37,723 into the living rock... 1666 01:14:39,016 --> 01:14:41,226 of Stonehenge. 1667 01:14:41,310 --> 01:14:43,645 [crowd cheering] 1668 01:14:48,192 --> 01:14:49,318 ♪ Stonehenge ♪ 1669 01:14:49,651 --> 01:14:51,403 ♪ Where the demons dwell ♪ 1670 01:14:51,445 --> 01:14:53,447 ♪ Where the banshees live ♪ 1671 01:14:53,530 --> 01:14:55,407 ♪ And they do live well ♪ 1672 01:14:55,449 --> 01:14:57,034 ♪ Stonehenge ♪ 1673 01:14:57,075 --> 01:14:58,827 ♪ Where a man's a man ♪ 1674 01:14:58,911 --> 01:15:02,539 ♪ And the children dance To the pipes of Pan ♪ 1675 01:15:02,581 --> 01:15:04,791 [playing pan flute music on organ] 1676 01:15:19,097 --> 01:15:20,432 ♪ Stonehenge ♪ 1677 01:15:20,474 --> 01:15:22,184 ♪ 'Tis a magical place ♪ 1678 01:15:22,267 --> 01:15:24,269 ♪ Where the moon doth rise ♪ 1679 01:15:24,353 --> 01:15:26,021 ♪ With a dragon's face ♪ 1680 01:15:26,104 --> 01:15:27,564 ♪ Stonehenge ♪ 1681 01:15:27,606 --> 01:15:29,816 ♪ Where the virgins lie ♪ 1682 01:15:29,900 --> 01:15:35,781 ♪ And the prayers of devils Fill the midnight sky-y-y ♪ 1683 01:15:38,158 --> 01:15:40,452 ♪ And you, my love ♪ 1684 01:15:40,536 --> 01:15:43,789 ♪ Won't you take my hand ♪ 1685 01:15:43,830 --> 01:15:47,209 ♪ We'll go back in time ♪ 1686 01:15:47,668 --> 01:15:50,170 ♪ To that mystic land ♪ 1687 01:15:52,631 --> 01:15:54,800 ♪ Where the dewdrops cry ♪ 1688 01:15:54,841 --> 01:15:57,719 ♪ And the cats meow ♪ 1689 01:15:58,762 --> 01:16:02,474 ♪ I will take you there ♪ 1690 01:16:02,516 --> 01:16:06,853 ♪ I will show you how ♪ 1691 01:16:06,937 --> 01:16:08,021 Oh! 1692 01:16:17,322 --> 01:16:20,617 [crowd cheering] 1693 01:16:25,706 --> 01:16:27,958 [Nigel] And oh, how they danced, 1694 01:16:28,000 --> 01:16:31,420 the little children of Stonehenge, 1695 01:16:31,503 --> 01:16:35,090 beneath the haunted moon, 1696 01:16:35,173 --> 01:16:38,176 for fear that daybreak 1697 01:16:38,218 --> 01:16:41,179 might come too soon. 1698 01:16:41,221 --> 01:16:42,472 [Hope] Just move it over! 1699 01:16:42,514 --> 01:16:44,224 She made me move the stage forward. 1700 01:16:44,308 --> 01:16:45,892 You can't blame her! 1701 01:16:45,976 --> 01:16:49,980 -[mandolin solo] -[crowd claps rhythmically] 1702 01:16:54,693 --> 01:16:56,695 [gong reverberates] 1703 01:17:13,503 --> 01:17:15,714 [gasps and screams] 1704 01:17:18,467 --> 01:17:20,135 [Elton] Ah! My legs! 1705 01:17:20,218 --> 01:17:21,720 Ah! 1706 01:17:23,055 --> 01:17:25,307 -[Hope] David! -[David] I can't feel my teeth. 1707 01:17:25,390 --> 01:17:26,808 I'm stuck down here. 1708 01:17:26,892 --> 01:17:29,102 Erase my browsing history. 1709 01:17:29,186 --> 01:17:30,687 [groaning] 1710 01:17:30,729 --> 01:17:32,022 [Hope] Get to pulling! 1711 01:17:32,064 --> 01:17:34,733 Fuck Spinal Tap! 1712 01:17:36,401 --> 01:17:38,737 [Hope] Hi. David, I'm so sorry. 1713 01:17:38,779 --> 01:17:40,322 Where have you been? 1714 01:17:40,405 --> 01:17:42,908 I've been sorting out a lot of the insurance stuff. 1715 01:17:42,991 --> 01:17:46,536 -Good. -How are you doing, Mr.-- Sir Elton? 1716 01:17:46,578 --> 01:17:49,289 I think I have no feeling in my legs. 1717 01:17:49,373 --> 01:17:50,707 I've got plenty in mine. 1718 01:17:50,749 --> 01:17:53,418 A huge stone fell on my legs, 1719 01:17:53,502 --> 01:17:55,754 and they said I was concussed. 1720 01:17:55,837 --> 01:17:59,049 They also said it really looked great. 1721 01:17:59,091 --> 01:18:02,761 I was hearing the buzz that it really worked theatrically. 1722 01:18:02,803 --> 01:18:05,305 How are you doing over there? You're good? 1723 01:18:05,389 --> 01:18:06,765 Oh, yeah. Never felt better. 1724 01:18:06,807 --> 01:18:09,476 -[Nigel] You look very well. -Thank you. 1725 01:18:09,559 --> 01:18:11,269 I think, uh... 1726 01:18:11,770 --> 01:18:14,773 catastrophic accidents agree with me. 1727 01:18:14,856 --> 01:18:17,442 [Marty] Now, I can either put this in the film 1728 01:18:17,526 --> 01:18:19,486 or keep it out of the film. 1729 01:18:19,569 --> 01:18:21,321 -It's up to you. -Talk to my manager. 1730 01:18:21,405 --> 01:18:22,781 I haven't edited yet. 1731 01:18:22,864 --> 01:18:25,117 We-we-we have not signed any release for this. 1732 01:18:25,158 --> 01:18:27,494 Because I can always have it up to that point. 1733 01:18:27,577 --> 01:18:29,496 -[Elton] Oh, fuck off. -Okay. 1734 01:18:29,579 --> 01:18:31,665 It ended bad. It did end bad. 1735 01:18:31,748 --> 01:18:34,543 -Yes. -I mean, it's press. 1736 01:18:34,876 --> 01:18:37,087 -Yeah. -Like, as in it got a lot of attention. 1737 01:18:37,129 --> 01:18:39,673 Yeah, it did, and you're of the mind, 1738 01:18:39,756 --> 01:18:40,924 any press is good press? 1739 01:18:40,966 --> 01:18:42,801 Well, there is a bit of that. 1740 01:18:42,843 --> 01:18:45,053 You know, dropping Stonehenge on a grand piano 1741 01:18:45,137 --> 01:18:49,307 and crushing Elton John's legs, that stays with you, doesn't it? 1742 01:18:49,349 --> 01:18:50,559 We're healing up. 1743 01:18:50,642 --> 01:18:52,144 Let's say this. We're healing up. 1744 01:18:52,227 --> 01:18:55,230 And do you feel like you could perform again? 1745 01:18:55,313 --> 01:18:59,317 We keep bouncing back in some form or another. 1746 01:18:59,359 --> 01:19:01,737 And this was a tough bounce. 1747 01:19:01,820 --> 01:19:05,031 There's no tougher bounce than having a, you know, 1748 01:19:05,115 --> 01:19:08,869 thousand-pound Stonehenge thing fall on top of you. 1749 01:19:08,952 --> 01:19:11,747 Yeah, well, there are a few blows in life 1750 01:19:11,830 --> 01:19:13,373 that might beat that, but not many. 1751 01:19:13,457 --> 01:19:14,624 Yeah. Yeah. 1752 01:19:14,666 --> 01:19:16,042 Waking up in a public library, 1753 01:19:16,126 --> 01:19:18,587 having passed out and shat yourself. 1754 01:19:18,670 --> 01:19:19,921 That'd be another one. 1755 01:19:20,005 --> 01:19:22,799 Have you talked to him since the hospital? 1756 01:19:22,841 --> 01:19:23,842 [Nigel] I have, yeah. 1757 01:19:23,884 --> 01:19:25,177 After being in hospital, 1758 01:19:25,218 --> 01:19:27,679 we said, you know, "How are you feeling?" 1759 01:19:27,721 --> 01:19:31,016 He's still got this knee thing where he can't-- 1760 01:19:31,057 --> 01:19:33,268 Well, he can do this, but that's all he can do. 1761 01:19:33,351 --> 01:19:36,855 Well, then he-- It's like almost like a Jewish guy davening. 1762 01:19:36,938 --> 01:19:39,816 I mean, like at the Wailing Wall in Israel, 1763 01:19:39,858 --> 01:19:41,943 and just go like that. 1764 01:19:43,945 --> 01:19:46,156 I guess the question is, "Now what?" 1765 01:19:46,198 --> 01:19:48,700 Do you see a future for the band? 1766 01:19:49,034 --> 01:19:52,704 I don't know. Cruises, maybe. 1767 01:19:52,746 --> 01:19:54,539 -Oh, you mean like a-- -Rock and roll cruise. 1768 01:19:54,623 --> 01:19:55,707 -On a cruise ship. -Yeah. 1769 01:19:55,791 --> 01:19:57,751 With a lot of older people 1770 01:19:57,834 --> 01:20:00,504 who don't have full use of their limbs. 1771 01:20:00,545 --> 01:20:05,258 I put together an a cappella rap group called Mod Men. 1772 01:20:05,342 --> 01:20:08,386 Again, nobody had thought of a cappella rap groups. 1773 01:20:08,428 --> 01:20:11,973 But the problem with a cappella rap, as it turns out, 1774 01:20:12,057 --> 01:20:16,228 is there's a very thin line between a cappella rap 1775 01:20:16,311 --> 01:20:19,231 and simply shouting threats that rhyme. 1776 01:20:19,314 --> 01:20:22,776 I'm looking at Mick Jagger, who still runs around the stage. 1777 01:20:22,859 --> 01:20:24,986 -You're still performing. -Yeah. 1778 01:20:25,070 --> 01:20:27,489 These guys are in their 70s. They're still performing. 1779 01:20:27,572 --> 01:20:30,075 -Yeah. -I grew up in the '50s, 1780 01:20:30,116 --> 01:20:31,952 and Danny & the Juniors said 1781 01:20:32,035 --> 01:20:33,662 rock and roll was here to stay. 1782 01:20:33,745 --> 01:20:35,914 -Yeah. -And clearly, he was right. 1783 01:20:35,956 --> 01:20:36,957 -They were right. -Yeah. 1784 01:20:37,040 --> 01:20:40,502 What is it? You love to play? 1785 01:20:40,585 --> 01:20:42,420 Is that it, or...? 1786 01:20:42,462 --> 01:20:44,130 And drugs. 1787 01:20:44,214 --> 01:20:49,594 I have decided to write a memoir of my early years, 1788 01:20:49,636 --> 01:20:51,263 the Squatney years, you know, 1789 01:20:51,346 --> 01:20:54,224 as a young, wild teenager in Squatney. 1790 01:20:54,266 --> 01:20:57,811 -I was inspired by Bruce's book. -[Marty] Bruce Springsteen. 1791 01:20:57,894 --> 01:21:00,814 I Am Springsteen Going on Spreventine. 1792 01:21:00,897 --> 01:21:02,274 And then you also like to invent things. 1793 01:21:02,357 --> 01:21:04,317 -I do, yeah. -I mean, you're an inventor. 1794 01:21:04,401 --> 01:21:05,694 I think... 1795 01:21:06,027 --> 01:21:09,948 what if you could go on a picnic 1796 01:21:09,990 --> 01:21:12,242 and have a folding wine glass? 1797 01:21:12,284 --> 01:21:16,663 It's acrylic sides, four sides with hinges. 1798 01:21:16,746 --> 01:21:18,498 Pour the wine... 1799 01:21:20,667 --> 01:21:22,335 And that was successful? 1800 01:21:22,419 --> 01:21:23,420 -No. -Yeah. 1801 01:21:23,461 --> 01:21:24,796 I'll tell you the truth. 1802 01:21:24,838 --> 01:21:27,799 Uh, I had sex with David's wife. 1803 01:21:27,841 --> 01:21:30,218 Really? Does David know about this? 1804 01:21:30,302 --> 01:21:31,469 No. 1805 01:21:32,762 --> 01:21:34,556 You pretend that you came in. 1806 01:21:34,639 --> 01:21:36,141 [Marty] Okay. Uh, sir, I-- 1807 01:21:36,182 --> 01:21:37,893 But with a different accent. 1808 01:21:37,976 --> 01:21:39,644 [in British accent] Uh, sir? 1809 01:21:40,061 --> 01:21:41,688 No. Let's do it the other way. 1810 01:21:41,771 --> 01:21:42,814 -All right. -Do you. 1811 01:21:42,898 --> 01:21:45,692 If I brought in a half a wheel 1812 01:21:45,775 --> 01:21:49,696 of the San Jorge "Qui-jo"... 1813 01:21:49,779 --> 01:21:51,281 What is it, "Que-jo"? 1814 01:21:51,323 --> 01:21:52,991 -What's that you're saying? -It's the name of it. 1815 01:21:53,074 --> 01:21:55,619 -"Que-jo"? What's that? -I don't know that last part. 1816 01:21:55,660 --> 01:21:57,746 -Queijo. Queijo. -Queijo. Queijo. 1817 01:21:57,829 --> 01:21:59,164 "Qua--" -Queijo. 1818 01:21:59,247 --> 01:22:00,206 Queijo. 1819 01:22:00,290 --> 01:22:02,042 -Queijo. -We'll save that for another-- 1820 01:22:02,125 --> 01:22:05,295 So, if I brought in a half a wheel of the San-- 1821 01:22:05,337 --> 01:22:06,338 Of which one? 1822 01:22:06,379 --> 01:22:07,589 -Queijo. -Yes? 1823 01:22:07,672 --> 01:22:09,799 And you correct me if I'm wrong, 1824 01:22:09,841 --> 01:22:11,593 because I could be wrong about this. 1825 01:22:11,676 --> 01:22:12,928 Should we wait until you finish? 1826 01:22:13,011 --> 01:22:14,512 Yeah. Finish the sentence, I think. 1827 01:22:14,554 --> 01:22:17,057 Yeah. There's nothing to correct at this point. 1828 01:22:17,140 --> 01:22:18,850 -[Derek] Okay. Good point. -I didn't say anything. 1829 01:22:18,934 --> 01:22:20,352 Once I say it... 1830 01:22:20,435 --> 01:22:22,520 -Then we can correct. -...then you can correct. 1831 01:22:22,604 --> 01:22:26,191 Why? Is there something I should be corrected on now? 1832 01:22:26,232 --> 01:22:27,692 -Not yet. -No. Not yet. 1833 01:22:27,776 --> 01:22:29,527 -Let's wait. -We'll wait. We'll wait. 1834 01:22:29,611 --> 01:22:30,528 I noticed-- 1835 01:22:30,570 --> 01:22:32,238 Now would be a good time. 1836 01:22:32,322 --> 01:22:35,075 I mean, every drummer, Spinal Tap drummer, 1837 01:22:35,158 --> 01:22:38,328 they always wind up with an unfortunate ending. 1838 01:22:38,370 --> 01:22:40,956 And do you feel, like, lucky that you're the one 1839 01:22:41,039 --> 01:22:43,124 that was able to-- To break that curse? 1840 01:22:43,208 --> 01:22:44,793 You're the one that survived. 1841 01:22:44,876 --> 01:22:47,879 I do. I'm racked with survivor's guilt. 1842 01:22:47,921 --> 01:22:49,673 Yeah, I see you're still eating healthy. 1843 01:22:49,714 --> 01:22:52,717 I'm still trying to ward off the Grim Reaper as much as I can. 1844 01:22:52,759 --> 01:22:55,553 Maybe you have broken the curse of all those drummers. 1845 01:22:55,637 --> 01:22:57,889 You might have been the one that breaks that curse. 1846 01:22:57,973 --> 01:23:00,016 Yeah. Knock on wood. 1847 01:23:00,058 --> 01:23:01,726 What? What? What? 1848 01:23:01,768 --> 01:23:02,936 [gasps] 1849 01:23:03,019 --> 01:23:04,980 Oh. Oh, Jesus. Are you choking? 1850 01:23:05,063 --> 01:23:07,023 All right. All right. Here. Come on. Heimlich. 1851 01:23:07,065 --> 01:23:08,733 Here we go. Here we go. 1852 01:23:08,775 --> 01:23:11,569 Okay. One more. Okay. 1853 01:23:11,653 --> 01:23:13,488 [grunts] 1854 01:23:13,571 --> 01:23:16,032 [rock music playing]