1 00:00:07,290 --> 00:00:09,758 OH, HI THERE, FRIGHT FIENDS. 2 00:00:09,793 --> 00:00:13,296 HOW DO YOU LIKE MY RANCID RENDERING? 3 00:00:13,331 --> 00:00:15,263 NOT BAD FOR AN AMATEUR. 4 00:00:15,298 --> 00:00:17,265 HOPEFULLY, IT'LL GIVE YOU AN INKLING 5 00:00:17,300 --> 00:00:20,303 OF WHAT TONIGHT'S FUNGUSY PHOTOPLAY IS ABOUT, 6 00:00:20,804 --> 00:00:23,306 BECAUSE LONG BEFORE MY EERIE OFFERINGS APPEARED 7 00:00:23,341 --> 00:00:25,273 ON YOUR SILVER SCREEN, 8 00:00:25,308 --> 00:00:26,810 THEY WERE A MAGAZINE CALLED- 9 00:00:27,310 --> 00:00:28,311 GET A LOAD OF THIS- 10 00:00:28,812 --> 00:00:31,279 TALES FROM THE CRYPT. 11 00:00:31,314 --> 00:00:34,818 TONIGHT, LET'S TAKE A BEHIND-THE-SCREAMS LOOK 12 00:00:34,853 --> 00:00:37,168 AT A STRUGGLING ARTIST NAMED JIM KORMAN 13 00:00:37,203 --> 00:00:42,542 WHO ONE DAY GOT A LITTLE TOO DRAWN INTO HIS WORK. 14 00:00:53,586 --> 00:00:59,592 OOH, OOH 15 00:00:59,627 --> 00:01:05,563 OOH 16 00:01:05,598 --> 00:01:07,565 EACH DAY THROUGH MY WINDOW 17 00:01:07,600 --> 00:01:10,603 I WATCH HER AS SHE PASSES BY 18 00:01:10,638 --> 00:01:13,606 I WATCH HER AS SHE PASSES BY 19 00:01:15,608 --> 00:01:18,076 I SAY TO MYSELF 20 00:01:18,111 --> 00:01:24,582 YOU'RE SUCH A LUCKY GUY? 21 00:01:24,617 --> 00:01:24,617 YOU'RE SUCH A LUCKY GUY? 22 00:01:27,120 --> 00:01:30,588 TO HAVE A GIRL LIKE HER? 23 00:01:30,623 --> 00:01:36,094 IS TRULY A DREAM COME TRUE 24 00:01:36,129 --> 00:01:41,134 OUT OF ALL THE FELLAS IN THE WORLD 25 00:01:41,169 --> 00:01:46,604 SHE BELONGS TO YOU 26 00:01:46,639 --> 00:01:48,391 BUT IT WAS JUST MY IMAGINATION 27 00:01:48,426 --> 00:01:50,143 BUT IT WAS JUST MY IMAGINATION 28 00:01:53,146 --> 00:01:54,647 RUNNIN' AWAY WITH ME 29 00:01:55,148 --> 00:01:55,148 RUNNIN' AWAY WITH ME 30 00:01:57,150 --> 00:02:00,903 IT WAS JUST MY IMAGINATION 31 00:02:00,938 --> 00:02:04,657 RUNNIN' AWAY WITH ME 32 00:02:05,658 --> 00:02:07,159 Man: SAME TO YOU, RUDY. 33 00:02:07,194 --> 00:02:08,626 JIM, HOW ARE YOU DOING 34 00:02:08,661 --> 00:02:10,628 ONCORPSE-EATERS FROM PLUTO? 35 00:02:10,663 --> 00:02:12,165 TICK, TICK, TICK, TICK, TICK, TICK. 36 00:02:12,200 --> 00:02:13,666 AREN'T YOU DONE YET, KORMAN? 37 00:02:14,167 --> 00:02:15,168 I FIGURED YOU'D BE HALFWAY THROUGH 38 00:02:15,203 --> 00:02:16,351 THE DISEMBOWELMENT BY NOW. 39 00:02:16,386 --> 00:02:19,172 HEY, BOB, I GOT ANOTHER STORY IDEA. 40 00:02:19,672 --> 00:02:21,674 THE OWNER OF A MINIATURE GOLF COURSE 41 00:02:21,709 --> 00:02:23,676 KILLS HIS WIFE, PROPS HER MOUTH OPEN, 42 00:02:24,177 --> 00:02:25,178 AND USES HER FOR THE 16th HOLE. 43 00:02:25,678 --> 00:02:26,679 BETTER STILL, SOME LITTLE OLD LADY 44 00:02:27,180 --> 00:02:27,680 IS CLEANING OUT HER REFRIGERATOR 45 00:02:28,181 --> 00:02:29,932 AND COMES ACROSS HER LONG-DEAD BOYFRIEND. 46 00:02:29,967 --> 00:02:31,576 A DOCTOR HAS TO TAKE OUT HIS OWN APPENDIX! 47 00:02:31,611 --> 00:02:33,186 A BUTCHER'S GOTTA EAT HIS OWN SHORT RIBS. 48 00:02:33,221 --> 00:02:35,205 GIVE IT A REST, WILL YOU GUYS? 49 00:02:35,240 --> 00:02:37,155 I'M TRYING TO CONCENTRATE. 50 00:02:37,190 --> 00:02:39,159 DO IT ON YOUR OWN TIME. WE HAVE A MAGAZINE TO PUT OUT HERE. 51 00:02:39,194 --> 00:02:41,011 WHAT'S SO HARD ABOUT DRAWING CORPSE-EATERS, ANYHOW? 52 00:02:41,046 --> 00:02:42,829 I DON'T KNOW. THERE'S SOMETHING TRICKY ABOUT THIS. 53 00:02:42,864 --> 00:02:44,330 I CAN'T SEEM TO GET IT RIGHT. 54 00:02:46,616 --> 00:02:48,084 OH, NO. 55 00:02:51,120 --> 00:02:52,371 IS THAT MY PHONE? 56 00:02:52,406 --> 00:02:53,623 THAT'S MY PHONE. 57 00:03:12,775 --> 00:03:14,576 HI, HONEY. 58 00:03:14,611 --> 00:03:17,947 DON'T "HI, HONEY" ME, YOU POMPOUS JACKASS, THIS IS SATURDAY. 59 00:03:17,982 --> 00:03:19,883 WHEN DO YOU PLAN ON COMING HOME? 60 00:03:19,918 --> 00:03:21,749 I'VE GOT TO FINISH THIS EDITION. 61 00:03:21,784 --> 00:03:26,072 BULL SNOT! YOU CAN'T FOOL ME, MR. WEEKEND WORKAHOLIC. 62 00:03:26,573 --> 00:03:28,540 YOU GOT A BLONDE BIMBO STASHED AWAY SOMEPLACE, 63 00:03:28,575 --> 00:03:32,078 AND WHEN I FIND HER, I'M GONNA RIP HER CUTE LITTLE POWDERED FACE OFF. 64 00:03:32,113 --> 00:03:35,331 IT'S NOT ENOUGH THAT YOU GOTTA DRAW THESE DUMB CARTOONS 65 00:03:35,548 --> 00:03:36,965 INSTEAD OF GETTING A REAL JOB, 66 00:03:37,000 --> 00:03:39,469 BUT YOU CAN'T EVEN KEEP YOUR PAWS OFF THE SECRETARIES 67 00:03:39,504 --> 00:03:41,436 IN THIS GODDAMNED OFFICE! 68 00:03:41,471 --> 00:03:44,772 HONEY, THE SECRETARIES ARE OFF TODAY. 69 00:03:44,807 --> 00:03:47,677 I SHOULD HAVE KNOWN WHAT A DISASTER THIS MARRIAGE WOULD BE. 70 00:03:47,712 --> 00:03:51,264 TO THINK I GAVE THE BEST YEARS OF MY LIFE, 71 00:03:51,764 --> 00:03:52,730 AND FOR WHAT? 72 00:03:52,765 --> 00:03:55,733 A STINGY, TWO-TIMING LOSER. 73 00:03:55,768 --> 00:04:00,156 YOU CAN'T EVEN GIVE ME CHILDREN. 74 00:04:00,191 --> 00:04:01,789 YOU LITTLE WIMP! 75 00:04:01,824 --> 00:04:03,076 THE DOCTOR SAYS THAT CAN BE 76 00:04:03,111 --> 00:04:04,077 EITHER ONE OF US. 77 00:04:10,667 --> 00:04:12,543 I'M TAKING THE PILLS. 78 00:04:12,578 --> 00:04:14,385 YOU MEAN THESE PILLS? 79 00:04:14,420 --> 00:04:17,773 POTENCY PLUS, THE MALE ANSWER TO INFERTILITY? 80 00:04:17,808 --> 00:04:21,092 Do we have to talk about this now? 81 00:04:21,127 --> 00:04:23,513 YOU FORGOT TO TAKE YOUR PILL THIS MORNING, LOVE NUTS. 82 00:04:23,548 --> 00:04:26,516 WHEN I COUNTED THEM, THERE WAS 24 INSTEAD OF 23. 83 00:04:26,551 --> 00:04:27,517 YOU COUNTED THE PILLS? 84 00:04:27,552 --> 00:04:28,850 DAMN RIGHT. 85 00:04:28,885 --> 00:04:30,787 YOU WANT TO KICK-START MILDRED JUNIOR HERE, 86 00:04:30,822 --> 00:04:32,689 YOU HAVE TO TAKE A PILL EVERY SINGLE MORNING. 87 00:04:32,724 --> 00:04:34,572 THESE ARE EXPERIMENTAL. 88 00:04:34,607 --> 00:04:36,792 THEY HAVEN'T BEEN APPROVED BY THE FDA. 89 00:04:36,827 --> 00:04:38,978 I DON'T KNOW ABOUT THE SIDE EFFECTS. 90 00:04:39,013 --> 00:04:41,079 WHAT SIDE EFFECTS? 91 00:04:41,114 --> 00:04:45,401 IT'S LIKE IT'S MAKING MY IMAGINATION FERTILE. 92 00:04:45,902 --> 00:04:49,405 I THINK IT'S AFFECTING MY BRAIN. 93 00:04:49,440 --> 00:04:50,371 GOOD. 94 00:04:50,406 --> 00:04:52,659 MAYBE YOU'LL DO A DECENT DAY'S WORK FOR A CHANGE. 95 00:05:01,501 --> 00:05:02,385 MAYBE YOU NEED A NEW HUSBAND. 96 00:05:05,305 --> 00:05:07,307 YOU'D LIKE THAT, WOULDN'T YOU? 97 00:05:07,342 --> 00:05:10,275 GIVE YOU A CHANCE TO PROD 98 00:05:10,310 --> 00:05:12,812 SOME LITTLE CUTIE FROM THE TYPING POOL. 99 00:05:12,847 --> 00:05:15,499 WELL, FORGET IT, JIMBO. 100 00:05:15,534 --> 00:05:18,569 YOU'RE STUCK WITH ME... 101 00:05:18,604 --> 00:05:21,604 TILL DEATH DO US PART. 102 00:05:43,042 --> 00:05:45,393 What a monster. 103 00:05:45,428 --> 00:05:45,428 What a monster. 104 00:07:33,319 --> 00:07:34,654 DAMN IT. 105 00:07:43,412 --> 00:07:44,914 JESUS! 106 00:07:45,414 --> 00:07:46,916 DID I SCARE YOU, LADY? 107 00:07:47,383 --> 00:07:49,218 DO YOU WORK HERE? 108 00:07:49,253 --> 00:07:50,101 NO, MA'AM. 109 00:07:50,136 --> 00:07:52,970 I JUST HAPPENED ON BY. 110 00:07:53,005 --> 00:07:54,974 LISTEN, COULD YOU TAKE A LOOK IN THE BACK? 111 00:07:55,009 --> 00:07:56,893 MAYBE IT'S A BLOWN FUSE OR SOMETHING. 112 00:07:56,928 --> 00:07:58,359 NO USE, MA'AM. 113 00:07:58,394 --> 00:08:00,346 THE WHOLE BOX IS SHORTED OUT. 114 00:08:00,381 --> 00:08:01,848 YOU ALREADY LOOKED? 115 00:08:01,883 --> 00:08:02,814 LOOKED? 116 00:08:02,849 --> 00:08:03,815 HELL, I DID IT. 117 00:08:03,850 --> 00:08:05,234 DON'T LIKE IT AS MUCH 118 00:08:05,735 --> 00:08:06,652 WHEN THE LIGHTS ARE ON. 119 00:08:09,489 --> 00:08:11,741 ARE YOU GOING TO HURT ME? 120 00:08:11,776 --> 00:08:13,993 YES, MA'AM. I'M AFRAID SO. 121 00:08:24,036 --> 00:08:26,003 NOW, LOOK, UH... 122 00:08:26,038 --> 00:08:28,541 YOU'RE MAKING A BIG MISTAKE HERE, PAL. 123 00:08:28,576 --> 00:08:30,543 OH? WHY'S THAT? 124 00:08:31,043 --> 00:08:34,046 BECAUSE... I'M A COP. 125 00:08:36,015 --> 00:08:37,183 WHERE'D YOU GET THAT, 126 00:08:37,218 --> 00:08:38,351 AT THE DIME STORE? 127 00:08:49,412 --> 00:08:50,795 OW. 128 00:08:50,830 --> 00:08:55,384 THAT BRUCE LEE SHIT IS GONNA COST YOU, BABE. 129 00:09:01,807 --> 00:09:04,525 LAUNDRY'S DONE. 130 00:09:04,560 --> 00:09:04,560 LAUNDRY'S DONE. 131 00:09:07,063 --> 00:09:10,066 OH, MY GOD. BEHIND YOU. 132 00:09:10,566 --> 00:09:12,985 LADY, IF YOU THINK I'M GOING TO FALL FOR THAT- 133 00:09:13,020 --> 00:09:14,452 NO. 134 00:09:14,487 --> 00:09:16,989 THAT'S THE OLDEST TRICK IN THE BOOK. 135 00:09:17,024 --> 00:09:18,991 AAH! AAH! 136 00:09:42,715 --> 00:09:44,717 Man: YEAH, THAT'S RIGHT UP YOUR ALLEY. 137 00:09:45,217 --> 00:09:46,577 Second Man: YOU GOT EVERYTHING? 138 00:09:46,612 --> 00:09:47,775 YEAH, YEAH. THE HEAD'S IN THE BAG. 139 00:09:47,810 --> 00:09:48,938 OK, LET'S GET HIM OUT OF HERE. 140 00:09:49,438 --> 00:09:50,439 ALL RIGHT. READY? 141 00:09:50,474 --> 00:09:51,405 WHAT ABOUT LUNCH? 142 00:09:51,440 --> 00:09:52,441 COME ON, WATCH YOUR BACK. 143 00:09:52,942 --> 00:09:54,944 YEAH. OK. COMING THROUGH. 144 00:09:55,444 --> 00:09:55,444 YEAH. OK. COMING THROUGH. 145 00:09:57,446 --> 00:09:59,448 JESUS, I DON'T KNOW WHAT IT IS. 146 00:09:59,483 --> 00:10:01,415 LET ME GET THIS STRAIGHT. 147 00:10:01,450 --> 00:10:04,453 A MONSTER EMERGED FROM THE WASHING MACHINE 148 00:10:04,488 --> 00:10:06,956 AND GOBBLED UP THE ASSAILANT. 149 00:10:06,991 --> 00:10:07,922 THAT'S RIGHT, SIR. 150 00:10:07,957 --> 00:10:10,960 AND YOU LEFT THE PREMISES AFTER IT SPAT THE HEAD OUT. 151 00:10:10,995 --> 00:10:11,926 WELL, ACTUALLY- 152 00:10:11,961 --> 00:10:14,428 HEY, YOU BETTER HAVE THAT UNIFORM 153 00:10:14,463 --> 00:10:15,965 CLEANED AND PRESSED BY TOMORROW MORNING. 154 00:10:16,465 --> 00:10:18,467 THE CAPTAIN WILL WANT TO HAVE A WORD WITH YOU. 155 00:10:18,502 --> 00:10:21,886 I AM A COP, PHIL. 156 00:10:21,921 --> 00:10:23,387 I DON'T DRINK OFF DUTY, 157 00:10:23,422 --> 00:10:25,773 AND I DON'T MAKE UP CRAZY STORIES! 158 00:10:25,808 --> 00:10:28,869 NEITHER DID THE MAN WHO SAW A 2-HEADED OGRE LAST WEEK, 159 00:10:28,904 --> 00:10:31,931 OR THE HOUSEWIFE WHO FOUND A DINOSAUR IN HER VOLKSWAGEN. 160 00:10:31,966 --> 00:10:36,352 THIS WAS REAL, PHIL. HONEST! 161 00:10:36,387 --> 00:10:38,235 HAVE IT YOUR WAY, 162 00:10:38,270 --> 00:10:41,739 BUT IF THERE WAS A MONSTER, 163 00:10:41,774 --> 00:10:44,777 I'VE GOT ONE THING TO SAY ABOUT IT. 164 00:10:44,812 --> 00:10:47,780 HE'S GOT ONE HELL OF AN OVERBITE. 165 00:10:53,285 --> 00:10:54,786 HEY, HARRIS. 166 00:10:54,821 --> 00:10:55,554 HI, LORELEl. 167 00:10:55,589 --> 00:10:56,288 HI, LORELEl. 168 00:11:01,961 --> 00:11:04,296 A MONSTER WITH AN OVERBITE. 169 00:11:09,101 --> 00:11:12,069 A 2-HEADED OGRE... 170 00:11:12,104 --> 00:11:14,306 AND A DINOSAUR IN A VOLKSWAGEN. 171 00:11:14,807 --> 00:11:14,807 AND A DINOSAUR IN A VOLKSWAGEN. 172 00:11:20,062 --> 00:11:21,447 JIM KORMAN. 173 00:11:23,399 --> 00:11:25,401 HEY, YOU GOING TO PAY FOR THOSE? 174 00:11:26,902 --> 00:11:31,407 I GOT IT. I GOT IT. SO WE'LL DO A STORY ABOUT A RABID DOG, SEE, 175 00:11:31,442 --> 00:11:33,874 BUT FROM THE DOG'S POINT OF VIEW, 176 00:11:33,909 --> 00:11:35,410 WITH FOAM DRIBBLING AROUND THE MARGINS. 177 00:11:35,445 --> 00:11:36,912 AND LITTLE FLEAS JUMPING OFF THE PAGE. 178 00:11:38,914 --> 00:11:40,416 UGH. 179 00:11:42,918 --> 00:11:45,921 TALES FROM THE CRYPT. JIM KORMAN. 180 00:11:45,956 --> 00:11:47,423 HI, HONEY. 181 00:11:47,923 --> 00:11:51,009 UH, YEAH, I'M STILL WORKING. 182 00:11:51,044 --> 00:11:54,061 YES, YES, I TOOK THE PILL. 183 00:11:54,096 --> 00:12:01,520 UH, NO, THE SECRETARIES HAVE ALL GONE HOME. 184 00:12:02,021 --> 00:12:06,525 HONEY, YOU KNOW I WOULDN'T DO THAT. 185 00:12:06,560 --> 00:12:09,028 NO, HONEY. 186 00:12:09,528 --> 00:12:11,030 NO. 187 00:12:15,034 --> 00:12:17,501 HONEY, HONEY, WOULD YOU GIVE ME A BREAK? 188 00:12:17,536 --> 00:12:20,039 Mildred: GIVE YOU A BREAK? I'LL GIVE YOU A BREAK! 189 00:12:20,074 --> 00:12:21,791 I'LL BREAK YOUR NECK, YOU GOD DAMNED IDIOT! 190 00:12:21,826 --> 00:12:23,509 JUST WAIT TILL YOU GET HOME, YOU MORON! 191 00:12:46,031 --> 00:12:47,533 HELL WITH IT. 192 00:13:20,683 --> 00:13:21,649 AAH! 193 00:13:21,684 --> 00:13:24,687 SORRY TO STARTLE YOU, MR. KORMAN. 194 00:13:24,722 --> 00:13:26,153 IT'S YOU! 195 00:13:26,188 --> 00:13:28,799 YOU'RE THE GIRL FROM THE LAUNDROMAT. 196 00:13:28,834 --> 00:13:31,410 WHAT THE HELL ARE YOU DOING IN MY CAR? 197 00:13:31,445 --> 00:13:33,829 MY NAME IS LORELEl PHELPS. 198 00:13:33,864 --> 00:13:36,198 I'M A POLICEWOMAN. 199 00:13:36,749 --> 00:13:38,215 WANTED TO TALK TO YOU IN PRIVATE. 200 00:13:38,250 --> 00:13:40,586 I LOCKED THIS THING. HOW DID YOU GET IN? 201 00:13:40,920 --> 00:13:40,920 I LOCKED THIS THING. HOW DID YOU GET IN? 202 00:13:43,289 --> 00:13:44,290 YOU SEEN THE PAPER, JIM? 203 00:13:49,595 --> 00:13:51,430 I WAS THERE. 204 00:13:51,931 --> 00:13:53,883 I SAW THAT THING WITH MY OWN EYES. 205 00:13:53,918 --> 00:13:56,267 WHAT'S YOUR POINT? 206 00:13:56,302 --> 00:13:58,604 THERE'S BEEN A RASH OF MONSTER SIGHTINGS IN THE PAST MONTH- 207 00:13:58,639 --> 00:14:01,165 ALL DIFFERENT, ALL HORRIBLE. 208 00:14:01,200 --> 00:14:03,657 THESE ARE POLICE SKETCHES 209 00:14:03,692 --> 00:14:05,993 MADE FROM EYEWITNESS DESCRIPTIONS. 210 00:14:06,028 --> 00:14:11,283 THESE ARE RECENT TALES FROM THE CRYPT COMIC BOOKS DRAWN BY YOU. 211 00:14:16,655 --> 00:14:17,573 SEE ANY SIMILARITY? 212 00:14:29,635 --> 00:14:32,262 WHAT DO YOU THINK THIS ALL MEANS? 213 00:14:32,297 --> 00:14:34,344 WELL, JIM, I THINK IN SOME CRAZY WAY, 214 00:14:34,379 --> 00:14:36,392 YOUR DRAWINGS ARE COMING TO LIFE... 215 00:14:36,842 --> 00:14:40,145 JUST POPPING IN FROM THE TWILIGHT ZONE. 216 00:14:42,514 --> 00:14:45,042 YOU KNOW THAT'S A REALLY WEIRD IDEA. 217 00:14:45,077 --> 00:14:47,535 I'D LIKE TO TRY A SIMPLE EXPERIMENT. 218 00:14:47,570 --> 00:14:52,358 IF IT DOESN'T WORK, I'LL LEAVE YOU ALONE. 219 00:14:52,658 --> 00:14:52,658 IF IT DOESN'T WORK, I'LL LEAVE YOU ALONE. 220 00:14:55,694 --> 00:14:58,697 OK. WHAT CAN I DO FOR YOU? 221 00:15:01,700 --> 00:15:03,202 JUST DRAW A MONSTER. 222 00:15:05,087 --> 00:15:06,589 SOMETHING REPULSIVE. 223 00:15:06,624 --> 00:15:08,457 COMING UP. 224 00:15:08,958 --> 00:15:08,958 COMING UP. 225 00:15:36,869 --> 00:15:39,872 WHAT EXACTLY DO YOU EXPECT TO HAVE HAPPEN? 226 00:15:40,372 --> 00:15:40,372 WHAT EXACTLY DO YOU EXPECT TO HAVE HAPPEN? 227 00:15:42,875 --> 00:15:44,376 WELL... 228 00:15:44,411 --> 00:15:46,395 SOMEHOW... 229 00:15:46,430 --> 00:15:48,345 SOMEWHERE... 230 00:15:48,380 --> 00:15:50,883 OUR NEW FRIEND IS GOING TO MAKE 231 00:15:51,383 --> 00:15:51,884 A SURPRISE GUEST APPEARANCE. 232 00:15:52,384 --> 00:15:52,384 A SURPRISE GUEST APPEARANCE. 233 00:16:09,768 --> 00:16:11,770 ALL RIGHT... I'M DONE. 234 00:16:11,805 --> 00:16:13,772 AND NOTHING HAPPENED. 235 00:16:14,273 --> 00:16:15,274 SO I GUESS IT DIDN'T WORK. 236 00:16:15,691 --> 00:16:19,161 MAYBE. 237 00:16:19,662 --> 00:16:21,078 MAYBE IT HAPPENED ELSEWHERE. 238 00:16:21,113 --> 00:16:23,082 MAYBE IT HASN'T BEEN SPOTTED YET. 239 00:16:23,117 --> 00:16:25,584 YEAH. MAYBE. MAYBE. 240 00:16:26,085 --> 00:16:27,586 I THINK I'VE HAD ENOUGH OF THIS. 241 00:16:27,621 --> 00:16:29,088 JIM... 242 00:16:29,588 --> 00:16:31,673 GIVE IT A CHANCE. 243 00:16:31,708 --> 00:16:33,759 ANYTHING'S POSSIBLE. 244 00:16:36,795 --> 00:16:37,713 ANYTHING? 245 00:16:42,017 --> 00:16:44,019 NO. DON'T. 246 00:16:46,472 --> 00:16:47,473 WHY NOT? 247 00:16:50,893 --> 00:16:51,894 BECAUSE I DON'T KNOW ANYTHING ABOUT YOU, 248 00:16:52,394 --> 00:16:55,898 EXCEPT THAT YOU MAKE HORRIBLE DRAWINGS. 249 00:16:56,398 --> 00:16:58,775 OK. I TELL YOU WHAT. I'LL GIVE UP HORROR. 250 00:16:58,810 --> 00:17:01,153 I'M GETTING BURNED OUT ON IT, ANYWAY. 251 00:17:01,188 --> 00:17:04,455 I'LL DRAW ROMANCE COMICS. 252 00:17:04,490 --> 00:17:08,210 MY DRAWINGS WILL BE SO CUTE AND CHARMING 253 00:17:08,245 --> 00:17:12,047 THAT MY EDITOR WILL THROW A FIT. 254 00:17:12,548 --> 00:17:15,134 OF COURSE, I MIGHT NEED SOME... RESEARCH. 255 00:17:15,169 --> 00:17:17,720 OF COURSE, I MIGHT NEED SOME... RESEARCH. 256 00:17:45,864 --> 00:17:47,365 I HAVE TO GO. 257 00:17:47,400 --> 00:17:48,867 I'LL CALL YOU. 258 00:17:50,369 --> 00:17:51,370 FOR A DATE? 259 00:17:54,623 --> 00:17:56,125 TO LET YOU KNOW IF ANY SLIME-FACED MONSTERS 260 00:17:56,542 --> 00:17:58,043 HAVE BEEN TERRORIZING THE NEIGHBORHOOD. 261 00:18:00,045 --> 00:18:02,014 TELL ME OVER DINNER. 262 00:18:02,049 --> 00:18:04,016 MAYBE. 263 00:18:04,516 --> 00:18:06,018 I'LL CALL YOU. 264 00:18:20,365 --> 00:18:21,700 THANKS, PAL. 265 00:18:42,805 --> 00:18:44,306 ALL CLEAR, MAN. LET'S MOVE OUT. 266 00:18:44,341 --> 00:18:45,825 SAWYER, FASTBALL, COME WITH ME. 267 00:18:45,860 --> 00:18:47,309 CRAIG, TAKE THE SOUTH PLANK. 268 00:18:47,344 --> 00:18:48,811 HEY, BUTCH! HEY, BUTCH! 269 00:18:48,846 --> 00:18:49,829 WHAT IS IT? 270 00:18:49,864 --> 00:18:50,839 WHAT ABOUT ME? 271 00:18:50,874 --> 00:18:51,779 WHAT ABOUT YOU? 272 00:18:51,814 --> 00:18:52,815 CAN I COME WITH YOU? 273 00:18:53,315 --> 00:18:54,817 BEAT IT, 4-EYES! WE'RE ON A DANGEROUS MISSION! 274 00:18:55,317 --> 00:18:56,283 BUT CAN'T I- 275 00:18:56,318 --> 00:18:57,284 LET'S MOVE OUT, MEN. 276 00:18:57,319 --> 00:18:58,320 Boy: COME ON, MICHAEL! FOLLOW ME! 277 00:18:58,355 --> 00:18:59,321 Girl: LET'S GO! 278 00:18:59,822 --> 00:19:01,740 WHO NEEDS THEM, ANYWAY? 279 00:19:05,177 --> 00:19:06,678 Butch: STAY TOGETHER, MEN! 280 00:19:23,195 --> 00:19:25,197 BUTCH? 281 00:19:27,199 --> 00:19:28,567 IS SOMEBODY IN THERE? 282 00:19:30,903 --> 00:19:34,306 MOM SAYS YOU SHOULDN'T PLAY IN THE OLD REFRIGERATORS. 283 00:19:34,341 --> 00:19:37,709 THE DOOR COULD CLOSE, AND YOU CAN GET STUCK INSIDE. 284 00:19:37,744 --> 00:19:38,710 YOU CAN DIE! 285 00:19:50,222 --> 00:19:52,724 HEY, BUTCH! HEY, GUYS! COME HERE! COME HERE! 286 00:20:03,235 --> 00:20:05,702 OK, DOUGLAS. WHAT IS IT? 287 00:20:05,737 --> 00:20:06,738 THERE'S SOMEBODY STUCK INSIDE THERE. 288 00:20:06,773 --> 00:20:08,507 WE GOTTA GET 'EM OUT! 289 00:20:08,542 --> 00:20:10,242 JEEZ, WHAT A TURD BRAIN. 290 00:20:10,742 --> 00:20:12,244 I MEAN IT! 291 00:20:18,000 --> 00:20:20,300 MAYBE IT'S A CREATURE... 292 00:20:20,335 --> 00:20:25,256 YOU KNOW, ALL ICKY AND SLIMY. 293 00:20:25,291 --> 00:20:30,178 DOUGLAS... FEED ME, DOUGLAS. 294 00:20:30,213 --> 00:20:32,179 DOUGLAS... 295 00:20:32,214 --> 00:20:34,549 FEED ME, DOUGLAS... 296 00:20:43,275 --> 00:20:44,776 AAH! 297 00:20:45,277 --> 00:20:46,278 AAH! 298 00:20:50,782 --> 00:20:53,285 REMEMBER! I FOUND HIM! 299 00:21:02,794 --> 00:21:04,796 WHAT'S WRONG WITH YOU, JIM? 300 00:21:04,831 --> 00:21:06,263 YOU'RE BEHIND SCHEDULE 301 00:21:06,298 --> 00:21:07,799 ONBRAIN SUCKERS FROM THE AMAZON. 302 00:21:11,803 --> 00:21:14,506 "MY HEART YEARNED FOR HER LIPS, HER ARMS, 303 00:21:14,541 --> 00:21:15,772 HER SATIN SKIN"? 304 00:21:15,807 --> 00:21:18,143 THAT DOESN'T SOUND LIKE BRAIN SUCKING TO ME. 305 00:21:18,178 --> 00:21:20,560 GUESS I'M IN A ROMANTIC MOOD. 306 00:21:20,595 --> 00:21:23,398 MILDRED LOSE SOME WEIGHT OR SOMETHING? 307 00:21:23,433 --> 00:21:26,366 IT'S A LONG STORY. 308 00:21:26,401 --> 00:21:27,352 WELL, TELL ME SOME OTHER TIME. 309 00:21:27,387 --> 00:21:28,320 I'M LATE. 310 00:21:28,820 --> 00:21:31,323 MY WIFE'S NOT AS FORGIVING AS YOURS. 311 00:21:32,741 --> 00:21:34,242 GOOD NIGHT, JIM. 312 00:21:34,277 --> 00:21:35,744 GOOD NIGHT, BOB. 313 00:21:41,166 --> 00:21:43,168 TALES FROM THE CRYPT. JIM KORMAN. 314 00:21:45,537 --> 00:21:47,539 HI, LORELEl. 315 00:21:47,574 --> 00:21:49,506 HMM? 316 00:21:49,541 --> 00:21:53,545 YEAH. I WAS JUST THINKING OF YOU, TOO. 317 00:21:53,580 --> 00:21:55,512 UH-HUH. 318 00:21:55,547 --> 00:21:59,016 YOU KNOW, I KNOW THIS NICE SECLUDED SPOT 319 00:21:59,051 --> 00:22:03,055 JUST DOWN THE STREET. GREAT VIEW, GREAT FOOD, 320 00:22:03,090 --> 00:22:06,576 SOFT MUSIC. 321 00:22:06,611 --> 00:22:10,027 YEAH. SURE. 322 00:22:10,062 --> 00:22:11,563 JUST COME RIGHT UP. 323 00:22:12,064 --> 00:22:14,066 SEE YOU IN 5. 324 00:22:14,566 --> 00:22:14,566 SEE YOU IN 5. 325 00:22:18,570 --> 00:22:19,536 NICE SECLUDED SPOT, HUH? 326 00:22:19,571 --> 00:22:22,198 MILDRED... HOW LONG HAVE YOU- 327 00:22:22,233 --> 00:22:24,791 LONG ENOUGH, YOU LITTLE CREEP. 328 00:22:24,826 --> 00:22:27,629 YOU'RE GOING TO MEET SOME PLAYGIRL TRAMP, AREN'T YOU? 329 00:22:27,664 --> 00:22:30,632 OF COURSE NOT, HONEY. 330 00:22:31,133 --> 00:22:34,970 YOU'RE THE ONLY WOMAN IN THE WORLD FOR ME. 331 00:22:35,337 --> 00:22:37,547 YEAH? AND PIGS HAVE WINGS! 332 00:22:37,582 --> 00:22:39,723 LOOK, YOU WAIT HERE, MISTER. 333 00:22:39,758 --> 00:22:43,145 I'VE GOT A SURPRISE FOR YOU IN THE CAR. 334 00:22:43,645 --> 00:22:43,645 I'VE GOT A SURPRISE FOR YOU IN THE CAR. 335 00:22:49,901 --> 00:22:51,403 DAMN IT! 336 00:23:37,566 --> 00:23:38,450 SURPRISE, HONEY. 337 00:23:40,902 --> 00:23:43,405 MILDRED, I- I CAN EXPLAIN. 338 00:23:43,440 --> 00:23:44,371 YEAH? 339 00:23:44,406 --> 00:23:48,627 EXPLAIN IT TO SAINT PETER, YOU TWO-TIMING TWERP. 340 00:23:50,712 --> 00:23:51,913 WHAT'S THAT? 341 00:23:55,417 --> 00:24:00,255 ME? YOU WERE DRAWING ME AS A MONSTER? 342 00:24:04,726 --> 00:24:07,228 YOU DON'T UNDERSTAND. IT'S THESE PILLS! 343 00:24:07,263 --> 00:24:09,696 I TAKE THESE PILLS, THEN I DRAW SOMETHING. 344 00:24:09,731 --> 00:24:12,734 THEN IF I THINK ABOUT IT HARD ENOUGH, SOMETHING HAPPENS. 345 00:24:12,769 --> 00:24:14,603 GRR! 346 00:24:17,022 --> 00:24:18,273 WHAT THE HELL IS THAT? 347 00:24:18,308 --> 00:24:20,075 HMPH! 348 00:24:20,575 --> 00:24:23,119 THAT'S YOU... SORT OF. 349 00:24:23,154 --> 00:24:25,629 WELL, THAT'S FLATTERING. 350 00:24:25,664 --> 00:24:26,890 IS THAT HOW YOU PICTURE ME, JIM? 351 00:24:26,925 --> 00:24:28,116 AS A RANCID HEAP OF GARBAGE? 352 00:24:28,700 --> 00:24:30,667 GOD, WHAT AN EYESORE. 353 00:24:30,702 --> 00:24:32,203 WHY DON'T YOU FEED IT A LAXATIVE 354 00:24:32,238 --> 00:24:34,598 AND PUT IT OUT OF ITS MISERY? 355 00:24:34,633 --> 00:24:36,923 TRY SOME SKIN LOTION, ZIT FACE. 356 00:24:36,958 --> 00:24:39,628 YOUR COMPLEXION COULD SCARE A PROCTOLOGIST. 357 00:24:39,663 --> 00:24:40,962 HUH? 358 00:24:44,099 --> 00:24:46,468 GET OUT OF HERE, YOU SLIMY, SMELLY PILE OF PUS. 359 00:24:46,503 --> 00:24:48,270 I'LL VENTILATE YOU. 360 00:24:48,770 --> 00:24:48,770 I'LL VENTILATE YOU. 361 00:25:04,369 --> 00:25:06,371 I CAN SEE YOU GUYS HAVE A LOT OF CATCHING UP TO DO. 362 00:25:15,380 --> 00:25:17,347 HI, JIM. I'M SORRY I'M LATE. 363 00:25:17,382 --> 00:25:19,384 ACTUALLY, YOUR TIMING IS PERFECT. 364 00:25:19,419 --> 00:25:20,653 THERE WAS A SIGHTING TODAY 365 00:25:20,688 --> 00:25:21,887 REPORTED BY SOME KIDS. 366 00:25:22,387 --> 00:25:24,139 OH, WELL, YOU KNOW HOW KIDS ARE. 367 00:25:24,174 --> 00:25:25,891 NO, BUT YOU DON'T UNDERSTAND- 368 00:25:27,893 --> 00:25:29,394 WHAT'S ALL THE NOISE? 369 00:25:29,429 --> 00:25:30,896 WE'RE REDECORATING. 370 00:25:31,396 --> 00:25:31,396 WE'RE REDECORATING. 371 00:25:33,899 --> 00:25:35,734 Mildred: AAH! 372 00:25:53,835 --> 00:25:56,087 SO TELL ME, JIM... 373 00:25:56,122 --> 00:25:58,340 ARE YOU MARRIED? 374 00:26:00,342 --> 00:26:01,343 NOT ANYMORE. 375 00:26:01,843 --> 00:26:01,843 NOT ANYMORE. 376 00:26:11,720 --> 00:26:15,223 WELL, HOW'S THAT FOR A SAPPY ENDING? 377 00:26:15,258 --> 00:26:18,727 WAS IT A LITTLE TOO GRAPHIC FOR YOU? 378 00:26:18,762 --> 00:26:20,694 OH, WELL. NEXT THINK YOU KNOW, 379 00:26:20,729 --> 00:26:26,735 JIM AND HIS NEW GAL PAL WILL BE WALKING DOWN THE EASEL TOGETHER. 380 00:26:26,770 --> 00:26:27,736 I GUESS HE LEARNED 381 00:26:28,236 --> 00:26:30,739 THAT LIFE IMITATES ART AFTER ALL. 382 00:26:30,774 --> 00:26:32,706 AS FOR POOR MILDRED, 383 00:26:32,741 --> 00:26:36,244 SHE LEARNED THAT DEATH IMITATES ART, TOO. 384 00:26:36,279 --> 00:26:38,246 MAYBE IF SHE'D BEEN NICER TO HIM, 385 00:26:38,747 --> 00:26:41,249 SHE WOULDN'T HAVE ENDED UP A MONSTERPIECE.