1 00:00:11,544 --> 00:00:12,510 OOPS! 2 00:00:12,545 --> 00:00:15,548 LOOKS LIKE YOU CAUGHT THE OLD CRYPT KEEPER 3 00:00:15,583 --> 00:00:18,551 CHECKING OUT ONE OF HIS GHOULY MAGAZINES. 4 00:00:20,053 --> 00:00:22,555 WHICH GIVES YOU A LITTLE HINT 5 00:00:22,590 --> 00:00:25,058 ABOUT TONIGHT'S DEADTIME STORY. 6 00:00:25,093 --> 00:00:26,524 IT'S ALL ABOUT THE WAY 7 00:00:26,559 --> 00:00:31,564 SOME GUYS JUST DIE OVER A PRETTY GIRL. 8 00:00:31,599 --> 00:00:34,032 BUT DON'T WORRY, KIDDIES, 9 00:00:34,067 --> 00:00:37,570 IF IT STARTS TO REEK A LITTLE OF ROTTEN ROMANCE, 10 00:00:37,605 --> 00:00:40,038 I THINK THE TITLE OF OUR NASTY NARRATIVE 11 00:00:40,073 --> 00:00:43,576 MAKES NO BONES ABOUT WHERE ITS HEART IS REALLY AT. 12 00:00:43,611 --> 00:00:49,082 I CALL IT THE THING FROM THE GRAVE. 13 00:00:49,582 --> 00:00:49,582 I CALL IT THE THING FROM THE GRAVE. 14 00:01:23,616 --> 00:01:25,118 FUCK! 15 00:01:38,581 --> 00:01:39,082 OH! 16 00:01:39,582 --> 00:01:39,582 OH! 17 00:01:50,810 --> 00:01:52,277 BRUCKNER? 18 00:01:52,312 --> 00:01:55,565 BRUCKNER, WHERE IS SHE? 19 00:01:55,932 --> 00:01:57,817 ANSWER ME, GOD DAMN IT! IS SHE ALL RIGHT? 20 00:01:58,318 --> 00:01:58,318 ANSWER ME, GOD DAMN IT! IS SHE ALL RIGHT? 21 00:02:00,820 --> 00:02:02,322 YEAH, SHE'S JUST FINE. 22 00:02:02,822 --> 00:02:05,742 I WISH I COULD SAY THE SAME FOR YOU, BIG GUY. 23 00:02:07,494 --> 00:02:09,544 OH! 24 00:02:09,579 --> 00:02:10,580 TELL ME SOMETHING. 25 00:02:11,080 --> 00:02:13,082 IS THAT THE SHOULDER SHE USED TO CRY ON? 26 00:02:15,001 --> 00:02:18,588 OR WAS IT THE OTHER ONE? 27 00:02:18,623 --> 00:02:19,589 OHH! 28 00:02:22,592 --> 00:02:24,511 WHERE ARE YOU GOING? 29 00:02:32,018 --> 00:02:33,520 OOH! UNH! 30 00:02:47,534 --> 00:02:49,219 HI. 31 00:02:49,254 --> 00:02:50,904 OH! 32 00:02:51,404 --> 00:02:53,371 I'M SORRY THERE'S NO HEADSTONE. 33 00:02:53,406 --> 00:02:54,908 THE 10 COMMANDMENTS WERE CARVED IN STONE. 34 00:02:55,408 --> 00:02:56,875 YOU REMEMBER THE 10 COMMANDMENTS, DON'T YOU? 35 00:02:56,910 --> 00:02:59,913 THOU SHALT NOT COVET THY NEIGHBOR'S WIFE IS PART OF THE DEAL. 36 00:02:59,948 --> 00:03:01,880 SHE'S NOT YOUR WIFE. 37 00:03:01,915 --> 00:03:02,916 SHE WILL BE PRETTY SOON. 38 00:03:03,416 --> 00:03:06,085 WHY DON'T YOU GET YOUR ASS IN THERE? 39 00:03:06,120 --> 00:03:08,755 WHAT HAPPENED TO, THOU SHALT NOT KILL? 40 00:03:12,225 --> 00:03:13,176 FUCK IT. 41 00:03:21,684 --> 00:03:22,685 I WANT YOU TO REMEMBER ONE THING 42 00:03:23,186 --> 00:03:24,152 BEFORE YOU GO TO HELL, 43 00:03:24,187 --> 00:03:27,190 YOU MISERABLE PIECE OF SHIT. 44 00:03:27,690 --> 00:03:30,159 REMEMBER SHE'S MINE... 45 00:03:34,030 --> 00:03:35,531 NOT YOURS. 46 00:03:37,033 --> 00:03:38,534 SHE'S MINE. 47 00:03:53,433 --> 00:03:55,018 BEAUTIFUL. 48 00:03:55,053 --> 00:03:56,603 BEAUTIFUL! 49 00:03:56,638 --> 00:03:57,569 YEAH! 50 00:03:57,604 --> 00:03:59,105 GOOD. GOOD. GOOD. GOOD. GOOD. 51 00:03:59,140 --> 00:04:01,691 UH-HUH. ONE MORE. 52 00:04:01,726 --> 00:04:02,642 ALL RIGHT. 53 00:04:03,142 --> 00:04:05,144 EVERYONE TAKE THEIR FIRST POSITIONS, PLEASE. 54 00:04:05,179 --> 00:04:06,494 OK, GREAT. 55 00:04:06,529 --> 00:04:07,981 MY GOD, THIS IS CHEESY. 56 00:04:08,481 --> 00:04:10,091 I WASN'T GONNA SAY ANYTHING. 57 00:04:10,126 --> 00:04:11,701 DEFINITELY A HIGH CHEESE FACTOR. 58 00:04:11,736 --> 00:04:12,867 IT'S THAT GUY. 59 00:04:12,902 --> 00:04:13,653 WELL, I TELL YOU WHAT- 60 00:04:14,153 --> 00:04:15,370 THEY LOVE HIM IN JAPAN. 61 00:04:15,405 --> 00:04:17,740 OK, NOW ISN'T THIS BETTER THAN BEING 62 00:04:17,775 --> 00:04:19,426 ON AUTHENTIC TROPICAL ISLAND 63 00:04:19,461 --> 00:04:21,077 GETTING ALL HOT AND SWEATY? 64 00:04:21,112 --> 00:04:22,378 HEH HEH. I DON'T KNOW. 65 00:04:22,879 --> 00:04:25,748 SOMETIMES I LIKE GETTING ALL HOT AND SWEATY. 66 00:04:25,783 --> 00:04:27,382 HEY, BOSS, 67 00:04:27,417 --> 00:04:29,861 WHY DON'T I HOLD THE CAN IN MY OTHER HAND? 68 00:04:29,896 --> 00:04:31,784 I MEAN LIKE, MY CHARACTER'S, YOU KNOW, 69 00:04:31,819 --> 00:04:33,673 HANGING WITH THESE BABES AND STUFF, 70 00:04:33,708 --> 00:04:36,426 SO I WAS JUST THINKING- 71 00:04:36,461 --> 00:04:38,261 PARTY DOWN. 72 00:04:40,063 --> 00:04:41,814 PARTY DOWN. ABSOLUTELY. 73 00:04:42,315 --> 00:04:43,316 KNOCK YOURSELF OUT, PAL. 74 00:04:47,103 --> 00:04:48,104 Photographer: UH, EXCUSE US. 75 00:04:50,857 --> 00:04:51,858 EXCUSE US. 76 00:04:55,445 --> 00:04:58,748 ALL RIGHT. I'M SORRY. 77 00:04:58,783 --> 00:04:59,666 IT'S ALL RIGHT. 78 00:05:00,166 --> 00:05:00,166 IT'S ALL RIGHT. 79 00:05:02,168 --> 00:05:03,635 WELL, HE'S A REAL BRAIN SURGEON. 80 00:05:03,670 --> 00:05:05,171 HOW THE HELL DO YOU DEAL WITH A GUY LIKE THAT? 81 00:05:05,672 --> 00:05:09,509 TELL YOU WHAT, IT BEATS WORKING FOR A LIVING. 82 00:05:09,544 --> 00:05:11,878 OK, UH, MARIA. 83 00:05:11,913 --> 00:05:14,178 THERE YOU GO. 84 00:05:14,213 --> 00:05:16,147 GOD, SHE'S HOT, ISN'T SHE? 85 00:05:16,182 --> 00:05:18,935 AND, UH, WHO MIGHT YOU BE, BY THE WAY? 86 00:05:18,970 --> 00:05:21,688 UH, MITCH BRUCKNER. I'M STACEY'S MANAGER. 87 00:05:21,723 --> 00:05:24,022 UH-HUH. 88 00:05:24,057 --> 00:05:25,823 I'M ALSO HER FIANC?. 89 00:05:25,858 --> 00:05:27,860 STACEY, WHY DON'T YOU GIVE US A LITTLE 3/4 TURN, 90 00:05:27,895 --> 00:05:28,778 A LITTLE TASTE OF BUTT, YOU KNOW? 91 00:05:29,278 --> 00:05:30,254 SPICE IT UP. 92 00:05:30,279 --> 00:05:31,230 LOOKING GOOD. 93 00:05:31,731 --> 00:05:33,316 UH, MIKE... BUTCH- 94 00:05:33,351 --> 00:05:34,866 MITCH. MITCH, MITCH. 95 00:05:34,901 --> 00:05:36,903 STACEY WANTS TO MAKE YOU REALLY PROUD OF HER. 96 00:05:37,403 --> 00:05:38,287 ISN'T THAT RIGHT? RIGHT. 97 00:05:38,322 --> 00:05:39,671 OK, AND, UH- 98 00:05:39,706 --> 00:05:41,207 AND WE'RE UNDER JUST A LITTLE BIT 99 00:05:41,242 --> 00:05:43,101 OF A TIME PRESSURE RIGHT HERE. 100 00:05:43,136 --> 00:05:44,961 RIGHT. SO GO OUT AND GET YOURSELF 101 00:05:44,996 --> 00:05:46,963 A LITTLE BIT OF COFFEE, OK? 102 00:05:48,965 --> 00:05:50,932 A- ARE YOU, UM... 103 00:05:50,967 --> 00:05:51,968 A- A-ARE YOU SUGGESTING 104 00:05:52,468 --> 00:05:53,836 THAT I'M MAKING STACEY NERVOUS? 105 00:05:53,871 --> 00:05:55,136 NO. 106 00:05:55,171 --> 00:05:57,640 BECAUSE I'M NOT MAKING HER NERVOUS, YOU UNDERSTAND? 107 00:05:57,675 --> 00:05:59,142 IF ANYBODY'S MAKING HER NERVOUS, 108 00:05:59,642 --> 00:06:00,608 I THINK IT'S YOU 109 00:06:00,643 --> 00:06:02,178 BECAUSE YOU'RE HITTING ON HER EVERY 2 SECONDS. 110 00:06:02,213 --> 00:06:03,179 YOU UNDERSTAND WHAT I'M SAYING? 111 00:06:03,214 --> 00:06:04,562 I GOT AN IDEA. 112 00:06:04,597 --> 00:06:06,099 WHY DON'T YOU TAKE THIS NICE, LONG LENS OF YOURS, 113 00:06:06,134 --> 00:06:08,101 GET IT NICE AND COVERED WITH VASELINE, 114 00:06:08,136 --> 00:06:10,103 AND SHOVE IT UP YOUR FUCKING ASS! 115 00:06:10,138 --> 00:06:11,070 GET SOME SHOTS OF THE INSIDE 116 00:06:11,571 --> 00:06:13,439 OF YOUR ASSHOLE, HOTSHOT. 117 00:06:17,994 --> 00:06:19,794 I LOVE THAT GUY. 118 00:06:19,829 --> 00:06:22,165 ALL RIGHT. LET'S LOSE THE LIGHTS, 119 00:06:22,200 --> 00:06:24,584 AND EVERYBODY TAKE 10. 120 00:06:27,086 --> 00:06:30,555 WOW! THAT DUDE IS A BUMMER. 121 00:06:30,590 --> 00:06:33,092 YEAH. BOY. THANKS FOR THE INPUT. 122 00:06:37,964 --> 00:06:40,466 THAT'S A SWELL BOYFRIEND YOU GOT THERE. 123 00:06:40,501 --> 00:06:42,016 I'M REALLY SORRY. 124 00:06:42,051 --> 00:06:43,970 NO, NO, LOOK, IT DOESN'T- DOESN'T MATTER. 125 00:06:44,005 --> 00:06:46,154 HE CAN REALLY BE SWEET SOMETIMES. 126 00:06:46,189 --> 00:06:48,891 I THINK THINGS JUST HAVEN'T BEEN GOING WELL FOR HIM LATELY. 127 00:06:48,926 --> 00:06:51,561 REALLY? WITH YOU TO COME HOME TO? 128 00:06:52,812 --> 00:06:54,197 I DON'T KNOW. 129 00:06:56,983 --> 00:07:00,084 SO... 130 00:07:00,119 --> 00:07:01,621 LISTEN, I KNOW THAT IT'S NONE OF MY BUSINESS, 131 00:07:01,656 --> 00:07:04,957 BUT COULD I ASK YOU A PERSONAL QUESTION? 132 00:07:04,992 --> 00:07:07,291 HE SEEMS LIKE- I DON'T KNOW, 133 00:07:07,326 --> 00:07:10,830 LIKE HE'S A BOMB, YOU KNOW, JUST WAITING TO GO OFF. 134 00:07:11,330 --> 00:07:14,250 DOES HE EVER GET ROUGH? 135 00:07:14,285 --> 00:07:15,967 IF, UH-IF HE DID- 136 00:07:16,002 --> 00:07:17,503 AND I'M NOT SAYING THAT HE'S GOING TO, ALL RIGHT- 137 00:07:17,538 --> 00:07:19,388 BUT, UH- BUT IF HE DID, 138 00:07:19,889 --> 00:07:23,759 AND YOU NEEDED SOMEPLACE TO COME TO KIND OF COOL OUT, 139 00:07:23,794 --> 00:07:27,346 THIS IS A KEY TO MY STUDIO. 140 00:07:27,730 --> 00:07:29,599 AND WHAT I HAVE HERE IS I HAVE AN EXTRA BED, 141 00:07:29,634 --> 00:07:31,065 I HAVE A TELEVISION SET, 142 00:07:31,100 --> 00:07:35,104 AND I HAVE A REFRIGERATOR OVER THERE. 143 00:07:35,139 --> 00:07:37,857 WHAT DO YOU THINK? 144 00:07:58,928 --> 00:08:00,429 HI. 145 00:08:03,432 --> 00:08:06,185 I'M NOT INTERRUPTING ANYTHING, AM I? 146 00:08:22,835 --> 00:08:23,703 I GUESS IT WAS PRETTY FORWARD OF ME 147 00:08:24,120 --> 00:08:25,970 TO GIVE YOU THAT KEY, HUH? 148 00:08:26,005 --> 00:08:30,141 GUESS IT WAS KIND OF FORWARD OF ME TO USE IT. 149 00:08:30,176 --> 00:08:33,880 WELL, AS LONG AS WE'RE BEING SO GODDAMN FORWARD... 150 00:08:47,393 --> 00:08:51,245 LOOK, I HAVE SOME- 151 00:08:51,280 --> 00:08:53,065 SOMETHING I'D LIKE TO GIVE TO YOU. 152 00:08:53,566 --> 00:08:55,368 AN OLD BLIND LADY GAVE THIS TO ME. 153 00:08:55,868 --> 00:08:58,371 SHE SAID THAT IT WAS THE MAYAN GOD OF TRUTH, 154 00:08:58,871 --> 00:09:01,348 AND IF YOU MAKE A PROMISE WHILE YOU'RE HOLDING IT, 155 00:09:02,158 --> 00:09:03,826 NO MATTER WHAT, YOU'RE GOING TO KEEP THAT PROMISE. 156 00:09:06,379 --> 00:09:09,131 IT'S CORNY, ISN'T IT? 157 00:09:21,811 --> 00:09:23,813 LOOK, IT'S OVER WITH HIM, OK? 158 00:09:24,313 --> 00:09:25,815 I HAD SOME HARD TIMES, 159 00:09:26,315 --> 00:09:27,817 AND HE WAS THERE. 160 00:09:28,317 --> 00:09:30,319 I GUESS THAT'S WHY I STAYED SO LONG. 161 00:09:30,820 --> 00:09:31,821 I OWE HIM. 162 00:09:32,321 --> 00:09:34,273 WAIT A MINUTE. DON'T YOU THINK THAT YOU'RE PAID UP, STACE? 163 00:09:34,308 --> 00:09:37,159 COME ON. THIS ASSHOLE HAS BEEN USING YOU. 164 00:09:37,194 --> 00:09:38,576 I KNOW, I KNOW. 165 00:09:38,611 --> 00:09:40,930 OK, OK. WELL, IF YOU KNOW THAT, 166 00:09:40,965 --> 00:09:43,249 THEN WHY DIDN'T YOU TELL HIM? 167 00:09:43,284 --> 00:09:44,715 I'M AFRAID. 168 00:09:44,750 --> 00:09:46,702 I DON'T KNOW WHAT HE'LL DO. 169 00:09:47,119 --> 00:09:49,971 LISTEN TO ME. 170 00:09:50,006 --> 00:09:52,733 YOU DON'T HAVE TO BE AFRAID ANYMORE. 171 00:09:52,768 --> 00:09:55,461 WHATEVER HAPPENS, I'LL BE THERE. 172 00:09:55,496 --> 00:09:56,978 ALL RIGHT? 173 00:09:57,013 --> 00:09:59,382 I'LL PROTECT YOU. 174 00:09:59,417 --> 00:10:01,634 I PROMISE. 175 00:10:35,501 --> 00:10:37,920 HI. YOU'VE REACHED DEVLIN CATES' NUMBER. 176 00:10:37,955 --> 00:10:39,922 PLEASE LEAVE A MESSAGE. THANK YOU. 177 00:10:41,924 --> 00:10:42,925 HELLO? 178 00:10:43,426 --> 00:10:44,427 Man: CATES. 179 00:10:44,462 --> 00:10:45,393 YEAH. 180 00:10:45,428 --> 00:10:47,930 THIS IS BRUCKNER. 181 00:10:48,431 --> 00:10:49,432 LOOK, UH... 182 00:10:49,932 --> 00:10:50,898 I KNOW EVERYTHING, ALL RIGHT? 183 00:10:50,933 --> 00:10:54,144 DON'T-DON'T ASK ME HOW. IT'S NOT IMPORTANT. 184 00:10:54,179 --> 00:10:57,356 WHAT IS IMPORTANT IS THAT SHE'S IN TROUBLE. 185 00:10:57,391 --> 00:10:58,858 WHAT KIND OF TROUBLE? 186 00:10:58,893 --> 00:11:00,627 SHUT UP, OK? 187 00:11:00,662 --> 00:11:02,326 WE HAD A FIGHT. 188 00:11:02,361 --> 00:11:04,330 SHE WENT TO OUR CABIN. 189 00:11:04,830 --> 00:11:06,332 LOOK, SHE DOESN'T WANT TO SEE MY FACE. 190 00:11:06,367 --> 00:11:07,298 SHE WON'T ACCEPT MY HELP, 191 00:11:07,333 --> 00:11:10,836 BUT MAYBE SHE'LL LISTEN TO YOU. 192 00:11:10,871 --> 00:11:12,605 WHERE IS SHE? 193 00:11:12,640 --> 00:11:14,305 GET A PEN. 194 00:11:14,340 --> 00:11:15,841 ALL RIGHT. YOU'LL NEED TO TAKE HIGHWAY 5 195 00:11:15,876 --> 00:11:17,843 ABOUT 30 MILES... 196 00:12:15,434 --> 00:12:17,937 CALLING THAT PHOTOGRAPHER AGAIN? 197 00:12:18,437 --> 00:12:18,437 CALLING THAT PHOTOGRAPHER AGAIN? 198 00:12:20,439 --> 00:12:23,826 SO WHAT'S THE DEAL? YOU'VE BEEN TRYING HIM FOR A WEEK. 199 00:12:23,861 --> 00:12:26,779 WHAT ARE YOU TALKING ABOUT? 200 00:12:28,781 --> 00:12:32,168 COME ON, STACEY. I'M NO GENIUS, BUT I'M NOT BLIND. 201 00:12:32,203 --> 00:12:33,536 THINK I DIDN'T SEE 202 00:12:34,036 --> 00:12:36,038 THE WAY YOU GUYS LOOKED AT EACH OTHER AT THAT SHOOT? 203 00:12:36,539 --> 00:12:37,505 THEN THERE WAS THAT NIGHT 204 00:12:37,540 --> 00:12:38,924 YOU SAID YOU WENT OUT WITH YOUR GIRLFRIENDS. 205 00:12:38,959 --> 00:12:40,808 YOU FOLLOWED ME? 206 00:12:40,843 --> 00:12:42,569 YOU ARE SUCH AN ASSHOLE. 207 00:12:42,604 --> 00:12:45,452 NO, NO, ACTUALLY, I DIDN'T. 208 00:12:45,487 --> 00:12:48,300 I- I REALLY DIDN'T KNOW... 209 00:12:48,801 --> 00:12:50,686 BUT I'M NOT WRONG, AM I? 210 00:12:54,473 --> 00:12:55,439 HUH? 211 00:12:55,474 --> 00:12:57,443 WHAT DO YOU WANT ME TO SAY? 212 00:12:57,478 --> 00:13:01,412 LOOK, I KNOW- 213 00:13:01,447 --> 00:13:02,448 I KNOW THAT THINGS HAVEN'T BEEN 214 00:13:02,948 --> 00:13:03,949 TOO GOOD BETWEEN US FOR A LONG TIME. 215 00:13:04,450 --> 00:13:06,917 I'VE, UH- I'VE BEEN STUPID, 216 00:13:06,952 --> 00:13:08,320 AND I'VE DONE A LOT OF BAD THINGS. 217 00:13:10,289 --> 00:13:11,290 SOMETIMES I GET FRUSTRATED, 218 00:13:11,325 --> 00:13:12,291 AND I DON'T HAVE THE WORDS, 219 00:13:12,792 --> 00:13:14,293 AND I USE OTHER THINGS, AND THAT'S WRONG. 220 00:13:14,794 --> 00:13:16,260 I- I KNOW THAT. 221 00:13:16,295 --> 00:13:17,163 I KNOW KNOW THAT WHATEVER WE HAD 222 00:13:17,663 --> 00:13:21,167 IS PROBABLY GONE, OR CHANGED, ANYWAY. 223 00:13:21,202 --> 00:13:23,169 AND IT'S MY FAULT. 224 00:13:23,204 --> 00:13:24,086 I FUCKED UP. 225 00:13:24,470 --> 00:13:24,470 I FUCKED UP. 226 00:13:26,222 --> 00:13:27,188 YOU'RE THE BEST THING 227 00:13:27,223 --> 00:13:28,674 THAT EVER HAPPENED TO ME, STACEY, YOU KNOW? 228 00:13:28,709 --> 00:13:30,474 AND I LOVE YOU VERY MUCH. 229 00:13:30,509 --> 00:13:32,895 IT'S PROBABLY A LITTLE LATE FOR THAT. 230 00:13:33,395 --> 00:13:34,496 YOU NEED TO MOVE ON, 231 00:13:34,531 --> 00:13:35,563 AND YOU DESERVE IT. 232 00:13:35,598 --> 00:13:37,541 I NEED TO ASK YOU ONE THING. 233 00:13:37,576 --> 00:13:39,965 IF THIS GUY LOVES YOU SO MUCH, 234 00:13:40,000 --> 00:13:42,319 WHY HASN'T HE CALLED BY NOW? 235 00:13:42,354 --> 00:13:45,324 SOMETHING'S WRONG. MAYBE SOMETHING HAPPENED. 236 00:13:45,359 --> 00:13:46,290 JUST THINK ABOUT IT FOR A SECOND. 237 00:13:46,325 --> 00:13:48,777 THIS GUY MEETS BEAUTIFUL GIRLS LIKE YOU EVERY DAY. 238 00:13:48,812 --> 00:13:50,529 THEY'RE NOTHING BUT 8X10s TO HIM. 239 00:13:50,564 --> 00:13:52,663 BUT HE SAID THINGS. 240 00:13:52,698 --> 00:13:53,499 WELCOME TO THE REAL WORLD. 241 00:13:53,999 --> 00:13:55,000 YOU KNOW, A GUY WOULD SAY ANYTHING 242 00:13:55,035 --> 00:13:58,504 TO GET IN YOUR PANTS. 243 00:13:59,004 --> 00:14:01,006 JUST-WHY HASN'T HE CALLED YOU FOR 6 DAYS? 244 00:14:01,041 --> 00:14:02,973 WHY DO YOU THINK I'M WORRIED? 245 00:14:03,008 --> 00:14:05,360 WHAT, DO YOU THINK HE'S A CORPSE SOMEWHERE? 246 00:14:05,395 --> 00:14:07,713 I DON'T KNOW. MAYBE HE HAD AN ACCIDENT. 247 00:14:07,748 --> 00:14:09,096 YEAH. YEAH. 248 00:14:09,131 --> 00:14:11,482 OR-OR MAYBE HE FLEW OFF TO PARIS 249 00:14:11,517 --> 00:14:13,519 WITH SOME 19-YEAR-OLD EILEEN FORD DISCOVERY. 250 00:14:13,554 --> 00:14:16,021 DON'T YOU SEE WHAT I'M TRYING TO SAY? 251 00:14:16,056 --> 00:14:19,808 I AIN'T PAT BOONE, ALL RIGHT? 252 00:14:20,276 --> 00:14:22,294 BUT I'M HERE FOR YOU. 253 00:14:22,329 --> 00:14:24,278 WHAT IF YOU'RE WRONG? 254 00:14:24,313 --> 00:14:26,148 IF I'M WRONG, THEN I'LL LET YOU GO. 255 00:14:26,699 --> 00:14:28,033 YOU DO WHAT YOU GOT TO DO. 256 00:14:28,068 --> 00:14:28,901 BUT IF I'M RIGHT, 257 00:14:29,401 --> 00:14:30,284 I THINK YOU OWE IT TO YOURSELF 258 00:14:30,319 --> 00:14:35,157 TO AT LEAST THINK ABOUT GIVING US ANOTHER TRY. 259 00:14:35,192 --> 00:14:38,711 I LOVE YOU SO MUCH, STACEY. 260 00:14:41,997 --> 00:14:43,382 JUST PROMISE ME YOU'LL FORGET ABOUT HIM. 261 00:14:59,098 --> 00:15:00,599 DEVLIN? 262 00:15:09,775 --> 00:15:10,776 HELLO? 263 00:15:44,476 --> 00:15:45,477 THIS IS BRUCKNER. 264 00:15:45,894 --> 00:15:48,781 LOOK, UH... I KNOW EVERYTHING. 265 00:15:48,816 --> 00:15:50,699 WHAT ARE YOU- 266 00:15:55,204 --> 00:15:56,705 AAH! 267 00:16:01,076 --> 00:16:03,928 AAH! 268 00:16:03,963 --> 00:16:05,965 SHUT UP, BITCH! 269 00:16:17,559 --> 00:16:21,278 OH, GOSH, LET- 270 00:16:21,313 --> 00:16:23,182 I'M SORRY IT HAD TO END UP LIKE THIS. 271 00:16:23,682 --> 00:16:24,648 I REALLY AM. 272 00:16:24,683 --> 00:16:26,568 YOU KNOW, IF YOU'D JUST LEFT WELL ENOUGH ALONE, 273 00:16:26,603 --> 00:16:28,988 EVERYTHING WOULD HAVE BEEN FINE. 274 00:16:29,023 --> 00:16:30,454 GOES TO SHOW YOU, 275 00:16:30,489 --> 00:16:31,991 YOU START TO CARE ABOUT SOMEBODY, 276 00:16:32,026 --> 00:16:33,457 EVERYTHING GOES TO HELL. 277 00:16:33,492 --> 00:16:36,495 BUT, HEY, JUST BECAUSE IT'S OVER- 278 00:16:37,863 --> 00:16:39,665 DOESN'T MEAN WE CAN'T HAVE A LITTLE FUN FIRST. 279 00:16:39,700 --> 00:16:40,631 UHH! 280 00:16:40,666 --> 00:16:42,584 Stacey: HELP! 281 00:16:42,619 --> 00:16:44,086 HELP! 282 00:16:59,351 --> 00:17:01,136 UNH! 283 00:17:01,637 --> 00:17:03,188 NOW, I SHOULD WARN YOU, 284 00:17:03,689 --> 00:17:05,624 THERE REALLY ISN'T ANY POINT 285 00:17:05,659 --> 00:17:07,524 IN CALLING ON YOUR SWEETHEART 286 00:17:07,559 --> 00:17:09,278 'CAUSE ROMEO ISN'T GONNA SAVE YOU THIS TIME. 287 00:17:09,313 --> 00:17:11,439 DO YOU WANT TO KNOW WHY? 288 00:17:11,474 --> 00:17:13,530 AHH... WELL, IT'S BECAUSE 289 00:17:13,565 --> 00:17:15,067 I BURIED HIM IN THE WOODS OUTSIDE, THAT'S WHY. 290 00:17:15,102 --> 00:17:16,527 NO! YEP, HE'S DEAD, 291 00:17:16,562 --> 00:17:17,918 AND HE'S BURIED, 292 00:17:17,953 --> 00:17:19,705 AND HE'S ROTTING IN THE FUCKING GROUND RIGHT NOW! 293 00:17:20,205 --> 00:17:20,205 AND HE'S ROTTING IN THE FUCKING GROUND RIGHT NOW! 294 00:17:29,715 --> 00:17:31,131 OH, NO! 295 00:17:31,166 --> 00:17:32,216 LISTEN, YOU KNOW, GO AHEAD. 296 00:17:32,251 --> 00:17:33,719 CRY YOUR EYES OUT. IT MAKES YOU HAPPY? 297 00:17:33,754 --> 00:17:34,968 SO YOU CAN JUST STOP DREAMING 298 00:17:35,003 --> 00:17:37,506 ABOUT HIM COMING TO SAVE YOUR PRETTY LITTLE ASS 299 00:17:37,541 --> 00:17:41,009 BECAUSE IT AIN'T GONNA HAPPEN. OK? 300 00:17:41,510 --> 00:17:41,510 BECAUSE IT AIN'T GONNA HAPPEN. OK? 301 00:17:44,012 --> 00:17:46,398 WHERE IS SHE? 302 00:18:25,854 --> 00:18:27,106 AAH! 303 00:18:34,563 --> 00:18:36,899 I KILLED YOU, GOD DAMN IT! 304 00:18:36,934 --> 00:18:39,201 I FUCKING KILLED YOU! 305 00:18:39,568 --> 00:18:39,568 I FUCKING KILLED YOU! 306 00:18:59,087 --> 00:19:00,589 RRRR! 307 00:19:03,091 --> 00:19:06,094 AAH! 308 00:19:11,350 --> 00:19:15,854 UNH! 309 00:19:20,242 --> 00:19:24,211 AAH! 310 00:19:24,246 --> 00:19:25,247 Devlin: UNH. 311 00:19:25,282 --> 00:19:26,748 AAH! 312 00:19:28,250 --> 00:19:31,503 AAH! 313 00:19:31,538 --> 00:19:34,756 OH, NO! 314 00:19:35,257 --> 00:19:36,223 NO! 315 00:19:36,258 --> 00:19:37,759 NO! NEVER! 316 00:19:39,761 --> 00:19:42,764 WHAT ARE YOU DOING? NO! 317 00:19:48,770 --> 00:19:52,739 NO! 318 00:19:52,774 --> 00:19:55,242 I'M NOT DEAD! 319 00:19:55,277 --> 00:19:56,778 WHAT ARE YOU DOING? 320 00:19:56,813 --> 00:19:59,298 NO! OH! 321 00:19:59,333 --> 00:20:01,783 AAH! AAH! 322 00:20:02,284 --> 00:20:02,284 AAH! AAH! 323 00:20:09,791 --> 00:20:11,710 AHH... 324 00:20:12,127 --> 00:20:15,631 WASN'T THAT ROMANTIC? 325 00:20:15,666 --> 00:20:17,631 BLECCH! 326 00:20:17,666 --> 00:20:20,669 I WOULD HAVE CALLED TONIGHT'S FEAR FABLE 327 00:20:20,704 --> 00:20:24,137 A BOY-MEETS-GHOUL STORY, 328 00:20:24,172 --> 00:20:27,676 EXCEPT THE BOY WASTHE GHOUL THIS TIME! 329 00:20:27,711 --> 00:20:29,678 RIGHT, KIDDIES? 330 00:20:31,680 --> 00:20:34,182 WHICH LEAVES POOR LITTLE STACEY 331 00:20:34,217 --> 00:20:38,186 FRESH OUT OF BOYFRIENDS. 332 00:20:38,221 --> 00:20:39,653 OH, WELL, 333 00:20:39,688 --> 00:20:44,192 I'M SURE SHE'LL DIG ONE UP SOMEWHERE.